Subject, society and culture:
"Roy Boyne explores the relationships between visual culture, social theory and the individual and argues that the sociological removal of the individual subject must be challenged. However, so too must humanist accounts which emphasize only struggles for freedom and the longing to create. Indi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Sage
2001
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Theory, culture & society
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Roy Boyne explores the relationships between visual culture, social theory and the individual and argues that the sociological removal of the individual subject must be challenged. However, so too must humanist accounts which emphasize only struggles for freedom and the longing to create. Individual subjects are simultaneously engaged and disengaged. The narration of their actions and contexts from both social and existential standpoints is crucial for beginning to understand the human condition." "The positive critique of the two most important currents in sociological thought today, Bourdieu's field theory and Latour's actor network theory, is supplemented by examinations of the presentation of the subject in both art and film. The argument of the book, developed through case studies of Barnett Newman, Georg Baselitz, Francis Bacon, Krzysztof Kieslowski and David Cronenberg, is that the highest aspirations of both social science and the humanities are served by keeping together the social and existential moments of the individual subject." "This book will be essential reading for everyone interested in social theory, contemporary art and film studies. It will also be a key reference point for debates between sociology and cultural studies."--BOOK JACKET. |
| Beschreibung: | XII, 179 S. Ill. |
| ISBN: | 0803983492 0803983506 |
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Datensatz im Suchindex
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| adam_text | Theory,
Culture
&
Society
¿liions
iha
ил.
Cultures.
,S or/(7
This is a highly original, indeed an extraordinary, book, standing
out among the conventional philosophical treatments of subject¬
ivity and reaching beyond the conventional area of investigation.
Boyne s feat is to find overlooked and unexplored angles which
recast one of the perennial and ostensibly thoroughly familiar
philosophical issues in a novel and fascinating light.
ZYGMUNT
BAUMAI
Visual culture has emerged as a central area of debate and
research in contemporary sociology, yet the field is still under-
defined. In particular, the relationship between visual culture
and the individual remains obscure.
Roy Boyne explores the relationships between visual culture,
social theory and the individual and argues that the sociological
removal of the individual subject must be chaltenged. However,
so too must humanist accounts which emphasize only struggles
for freedom and the longing to create. Individual subjects are
simultaneously engaged and disengaged. The narration of their
actions and contexts from both social and existential standpoints
is crucial for beginning to understand the human condition.
The positive critique of the two most important currents in
sociological thought today, Bourdieu s field theory and Latour s
actor network theory, is supplemented by examinations of the
presentation of the subject in both art and film. The argument
of the book, developed through case studies of Barnett Newman,
Georg Baselitz,
Francis Bacon,
Krzysztof Kieślowski
and David
Cronenberg, is that the highest aspirations of both social science
and the humanities are served by keeping together the social and
existential moments of the individual subject.
This searching and imaginative book will be essential reading for
everyone interested in social theory, contemporary art and film
studies. It will also be a key reference point for debates between
sociology and cultural studies.
Roy Boyne is Professor of Sociology at the University of Durham.
Cover design by Malcolm Harvey Young
Cover illustration by Adam Young
www.sagepub.co.uk
ISBN
0-8039-8349-2
9834
CONTENTS
List of Illustrations
vi
Acknowledgements
viii
Preface: the Fate of the Subject
ix
Part I The Denial of the Subject in Sociology
1
Introduction
1
1
Bourdieu and the Sociological Tradition
3
2
Actor Network Theory: the Place of the Subject within
Constructionist Sociology
22
Part II Keeping to the Subject: Subjectivity in Modern Art
41
Introduction
41
3
Baraett Newman: Existentialism and the Transcendent Subject
46
4
Georg Baselitz:
Fragmented Subjectivity
70
5
Carnality and Power: the Human Subject in the Work of
Francis Bacon
97
Part III Locating the Subject
123
Introduction
123
6
Kieslowski s Subjects
127
7
Only in the Present: Subjectivity and Time
148
In Conclusion
166
References
169
Index
176
|
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| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte Philosophie |
| edition | 1. publ. |
| format | Book |
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