Languages within language: an evolutive approach
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam ; Philadelphia
John Benjamins Pub. Co.
2001
|
| Schriftenreihe: | Foundations of semiotics
13 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Contents: LANGUAGES WITHIN LANGUAGE; Editorial page; Title page; Copyright page; Table of contents; List of figures; List of tables; Acknowledgments; 1. Diversity of the lexicon; 1. Arbitrary vs. iconic signs; 2. Degrees of fuzziness; 3. Semantic and pragmatic meaning; 2. Dual encoding; Vocal style; 1. Oral gesturing; 2. Vocal style; 3. Motivation and convention; 4. Semantic aspects of statistical deviation; 5. Unconscious vocal messages; 6. Vocal personality; 3. Syntactic gesturing; 1. Expressive word order; 2. Impressive word order; 3. Syntactic portrayal; 4. Fancy and motivation. 4. Syntactic regressions1. Genesis of articulated sentences; 2. Ontogeny and psychogenesis; 3. Primal verbal categories; 4. Functional variety of syntactic regressions; 5. Vocal expression of emotions; 1. Static and dynamic distinctive features; 2. How is vocal gesturing to be interpreted?; 3. Intonation and music; 4. Emotions, attitudes, and moods; 5. Melodic metaphors: Dynamics and evolution; 6. Complex melodic patterns; 6. Poetry and vocal art; 1. Melody of poetic texts; 2. Interpretation of creative vocal messages; 7. Situation and meaning; 1. The status of bound utterances 2. Semantic erosion3. Pragmatic abstraction; 4. bound utterances: The praxis; 5. Utterances in the making; 6. The cliché: A contribution to multi-channel communication; 8. Fading and dynamics; 1. Transfer of bound utterances; 2. Bound utterances as a source of lexical change; 3. Bound utterances inducing grammatical changes; 4. Modal particles: Change of semiotic levels; 5. Fixation, change, and dynamic synchrony; 9. A hidden presence: Verbal magic; 1. Euphemism, cacophemism; 2. Speech acts and verbal magic; 10. Playing with language: Joke and metaphor. 1. Syntactic and semantic structure of jokes2. Poetry is also joking; 3. Metaphor and its relatives: A parenthesis; 4. Joke-land and Metaphoria: A tentative synthesis; 11. The metaphor: A research instrument; 1. Metaphors in phonetics; 2. Preconscious bases of metaphors; 3. Unconscious foundations; 4. Why metaphors?; 5. Poetic origins of scientific metaphor; 6. On cognitive metaphor; 12. Why poetic language?; 1. Types of poetic redundancy; 2. Striving for more information; 3. Synthesis of conflicting trends; 4. The forms of content; 5. The content of inner form 6. Functions of poetic language7. A missing dimension; 13. The semantic structure of possessive constructions; 1. Semantic diversity; 2. Interlinguistic divergences; 3. Interlinguistic convergences; 4. How to reduce diversity; 5. Paleological unity in diversity; 6. Functions of polyvalence; 7. An ontogenetic outlook; 14. Semantic structure of punctuation marks; 1. Status of punctuation marks; 2. Iconicity and language dependence of punctuation marks; 15. Why gestures?; 1. Types and functions of gesture; 2. Visual thinking; 3. Action language; 4. Gestures and their vicissitudes |
| Beschreibung: | XIII, 828 Seiten graphische Darstellungen |
| ISBN: | 9027232830 1556190387 |
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| 490 | 1 | |a Foundations of semiotics |v 13 | |
| 500 | |a Contents: LANGUAGES WITHIN LANGUAGE; Editorial page; Title page; Copyright page; Table of contents; List of figures; List of tables; Acknowledgments; 1. Diversity of the lexicon; 1. Arbitrary vs. iconic signs; 2. Degrees of fuzziness; 3. Semantic and pragmatic meaning; 2. Dual encoding; Vocal style; 1. Oral gesturing; 2. Vocal style; 3. Motivation and convention; 4. Semantic aspects of statistical deviation; 5. Unconscious vocal messages; 6. Vocal personality; 3. Syntactic gesturing; 1. Expressive word order; 2. Impressive word order; 3. Syntactic portrayal; 4. Fancy and motivation. 4. Syntactic regressions1. Genesis of articulated sentences; 2. Ontogeny and psychogenesis; 3. Primal verbal categories; 4. Functional variety of syntactic regressions; 5. Vocal expression of emotions; 1. Static and dynamic distinctive features; 2. How is vocal gesturing to be interpreted?; 3. Intonation and music; 4. Emotions, attitudes, and moods; 5. Melodic metaphors: Dynamics and evolution; 6. Complex melodic patterns; 6. Poetry and vocal art; 1. Melody of poetic texts; 2. Interpretation of creative vocal messages; 7. Situation and meaning; 1. The status of bound utterances | ||
| 500 | |a 2. Semantic erosion3. Pragmatic abstraction; 4. bound utterances: The praxis; 5. Utterances in the making; 6. The cliché: A contribution to multi-channel communication; 8. Fading and dynamics; 1. Transfer of bound utterances; 2. Bound utterances as a source of lexical change; 3. Bound utterances inducing grammatical changes; 4. Modal particles: Change of semiotic levels; 5. Fixation, change, and dynamic synchrony; 9. A hidden presence: Verbal magic; 1. Euphemism, cacophemism; 2. Speech acts and verbal magic; 10. Playing with language: Joke and metaphor. 1. Syntactic and semantic structure of jokes2. Poetry is also joking; 3. Metaphor and its relatives: A parenthesis; 4. Joke-land and Metaphoria: A tentative synthesis; 11. The metaphor: A research instrument; 1. Metaphors in phonetics; 2. Preconscious bases of metaphors; 3. Unconscious foundations; 4. Why metaphors?; 5. Poetic origins of scientific metaphor; 6. On cognitive metaphor; 12. Why poetic language?; 1. Types of poetic redundancy; 2. Striving for more information; 3. Synthesis of conflicting trends; 4. The forms of content; 5. The content of inner form | ||
| 500 | |a 6. Functions of poetic language7. A missing dimension; 13. The semantic structure of possessive constructions; 1. Semantic diversity; 2. Interlinguistic divergences; 3. Interlinguistic convergences; 4. How to reduce diversity; 5. Paleological unity in diversity; 6. Functions of polyvalence; 7. An ontogenetic outlook; 14. Semantic structure of punctuation marks; 1. Status of punctuation marks; 2. Iconicity and language dependence of punctuation marks; 15. Why gestures?; 1. Types and functions of gesture; 2. Visual thinking; 3. Action language; 4. Gestures and their vicissitudes | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Table of contents
List of figures viii
List of tables x
Acknowledgments xi
1 Diversity of the lexicon 1
1 Arbitrary vs. iconic signs 1
2 Degrees of fuzziness 8
3 Semantic and pragmatic meaning 13
2 Dual encoding; Vocal style 18
1 Oral gesturing 18
2 Vocal style 22
3 Motivation and Convention 28
4 Semantic aspects of statistical deviation 32
5 Unconscious vocal messages 35
6 Vocal personality 38
3 Syntactic gesturing 41
1 Expressive word order 41
2 Impressive word order 45
3 Syntactic portrayal 47
4 Fancy and motivation 53
4 Syntactic regressions , 58
1 Genesis of articulated sentences 58
2 Ontogeny and psychogenesis 61
3 Primal verbal categories 63
4 Functional variety of syntactic regressions 82
5 Vocal expression of emotions 87
1 Static and dynamic distinctive features 87
2 How is vocal gesturing to be interpreted? 107
3 Intonation and music 124
4 Emotions. attitudes. and moods 137
5 Melodie metaphors: Dynamics and evolution 149
6 Complex melodic patterns 160
vi Languages within Language
6 Poetry and vocal art 174
1 Melody of poetic texts 174
2 Interpretation of creative vocal messages 181
7 Situation and meaning 191
1 The Status of bound utterances 191
2 Semantic erosion 209
3 Pragmatic abstraction 222
4 bound utterances: The praxis 230
5 Utterances in the making 235
6 The cliche: A contribution to multi channel communication 241
8 Fading and dynamics 245
1 Transfer of bound utterances 245
2 Bound utterances as a source of lexical change 251
3 Bound utterances inducing grammatical changes 255
4 Modal particles: Change ofsemiotic levels 260
5 Fixation, change, and dynamic synchrony 263
9 A hidden presence: Verbal magic 266
1 Euphemism, cacophemism 268
2 Speech acts and verbal magic 270
10 Playing with language: Joke and metaphor 275
1 Syntactic and semantic structure of jokes 275
2 Poetry is also joking 299
3 Metaphor and its relatives: A parenthesis 319
4 Joke land and Metaphoria: A tentative synthesis 333
11 The metaphor: A research instrument 337
1 Metaphors in phonetics 337
2 Preconscious bases of metaphors 340
3 Unconscious foundations 344
4 Why metaphors? 346
5 Poetic origins of scientific metaphor 352
6 On cognitive metaphor 354
12 Why poetic language? 358
1 Types of poetic redundancy 358
2 Striving for more Information 367
3 Synthesis of conflicting trends 401
4 The forms of content 435
5 The content of inner form 455
6 Functions of poetic language 474
7 A missing dimension 497
TABLE OF CONTENTS VÜ
13 The semantic structure of possessive constructions 505
1 Semantic diversity 505
2 Interlinguistic divergences 514
3 Interlinguistic convergences 517
4 How to reduce diversity 519
5 Paleological unity in diversity 523
6 Functions of polyvalence 528
7 An ontogenetic outlook 529
14 Semantic structure of punctuation marks 531
1 Status of punctuation marks 531
2 Iconicity and language dependence of punctuation marks 545
15 Why gestures? 562
1 Types and functions of gesture 562
2 Visual thinking 574
3 Action language 578
4 Gestures and their vicissitudes 582
16 Between acts and words 587
17 Languages within language: Dynamics and evolution 603
1 Variety of encoding 603
2 Verbal style: A content 609
3 Demotivation, remotivation: Levels of consciousness 618
4 Synchronic dynamics and change 627
5 The nature of semantic structure 653
6 From action to language 665
7 How do we progress through regression? 687
References 699
Indexes
Subjects 785
Citations 808
Authors 817
List of figures
2.1 Schematic representation of the process of dual encoding 24
2.2 A feedback mechanism coupling Distorter and Grammar 27
5.1 Fundamental frequency distribution 93
5.2 Action potentials of the internal intercostals and loudness level 94
5.3 Tomographie recordings of laryngeal configuration 95
5.4 Fundamental frequency curve 99
5.5 Intensity level and fundamental frequency 100
5.6 Schematized intensity and frequency curves 104
5.7 Intensity and fundamental frequency of a French utterance 105
5.8 Intensity and fundamental frequency of a Hungarian utterance 106
5.9 Beckmesser s fuming in the third act of Die Meistersinger 125
5.10 Complaining mood, lamentation chorus of Monteverdi s Orfeo 126
5.11 The theme of longing from Tristan und Isolde 127
5.12 Coquettish luring of courtesan in The Miraculous Mandarin 128
5.13 Schematic representation of melody 137
5.14 Fundamental frequency curve of a French utterance 139
5.15 Fundamental frequency curve of a French cliche 140
5.16 Intensity curves and fundamental frequency curves 143
5.17 Fundamental frequency curve of a Hungarian utterance 154
5.18 Interrogative pitch pattern transferred to imperative utterances 155
5.19 Fundamental frequency curves of a Hungarian utterance 164
5.20 Fundamental frequency curve of a French utterance 166
5.21 Schematic reproduetion of figure 5.20 167
6.1 Musical transcription ofFüst s Öregseg 177
6.2 Musical transcription of the last line of the first stanza 177
6.3 Schematic representation of Speech melody 178
6.4 Musical transcription of phrase from the second stanza 180
6.5 Results of the semantic scaling of the five versions 185
10.1 Various semantic trends in similes and metaphors 325
11.1 Metaphorical process underlying the pereeption of vowels 347
11.2 Metaphorical terms elicited by the produetion of the vowel /i/ 349
11.3 Trends underlying metaphorical and conceptual analysis 351
12.1 Dramatic tension curves of Hamlet and Andromaque 443
List of figures ix
12.2 Jacob s ladder 451
12.3 Greek decoration 453
12.4 Emblem of Oroboros 460
12.5 Redditio and gradatio 461
14.1 Graphic representation of the semantic structure of { ) 550
17.1 Model of synchronic dynamics underlying linguistic change 628
17.2 Duration of vowels in Hungarian 629
17.3 An example of lexical transfer 638
17.4 An example of phonetic change 639
17.5 Semantic movements characterising expressive address 641
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| genre_facet | Einführung |
| id | DE-604.BV013415078 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T18:45:28Z |
| institution | BVB |
| isbn | 9027232830 1556190387 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009153549 |
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| physical | XIII, 828 Seiten graphische Darstellungen |
| publishDate | 2001 |
| publishDateSearch | 2001 |
| publishDateSort | 2001 |
| publisher | John Benjamins Pub. Co. |
| record_format | marc |
| series | Foundations of semiotics |
| series2 | Foundations of semiotics |
| spelling | Fónagy, Iván 1920-2005 Verfasser (DE-588)124454615 aut Languages within language an evolutive approach Ivan Fónagy Amsterdam ; Philadelphia John Benjamins Pub. Co. 2001 XIII, 828 Seiten graphische Darstellungen txt rdacontent n rdamedia nc rdacarrier Foundations of semiotics 13 Contents: LANGUAGES WITHIN LANGUAGE; Editorial page; Title page; Copyright page; Table of contents; List of figures; List of tables; Acknowledgments; 1. Diversity of the lexicon; 1. Arbitrary vs. iconic signs; 2. Degrees of fuzziness; 3. Semantic and pragmatic meaning; 2. Dual encoding; Vocal style; 1. Oral gesturing; 2. Vocal style; 3. Motivation and convention; 4. Semantic aspects of statistical deviation; 5. Unconscious vocal messages; 6. Vocal personality; 3. Syntactic gesturing; 1. Expressive word order; 2. Impressive word order; 3. Syntactic portrayal; 4. Fancy and motivation. 4. Syntactic regressions1. Genesis of articulated sentences; 2. Ontogeny and psychogenesis; 3. Primal verbal categories; 4. Functional variety of syntactic regressions; 5. Vocal expression of emotions; 1. Static and dynamic distinctive features; 2. How is vocal gesturing to be interpreted?; 3. Intonation and music; 4. Emotions, attitudes, and moods; 5. Melodic metaphors: Dynamics and evolution; 6. Complex melodic patterns; 6. Poetry and vocal art; 1. Melody of poetic texts; 2. Interpretation of creative vocal messages; 7. Situation and meaning; 1. The status of bound utterances 2. Semantic erosion3. Pragmatic abstraction; 4. bound utterances: The praxis; 5. Utterances in the making; 6. The cliché: A contribution to multi-channel communication; 8. Fading and dynamics; 1. Transfer of bound utterances; 2. Bound utterances as a source of lexical change; 3. Bound utterances inducing grammatical changes; 4. Modal particles: Change of semiotic levels; 5. Fixation, change, and dynamic synchrony; 9. A hidden presence: Verbal magic; 1. Euphemism, cacophemism; 2. Speech acts and verbal magic; 10. Playing with language: Joke and metaphor. 1. Syntactic and semantic structure of jokes2. Poetry is also joking; 3. Metaphor and its relatives: A parenthesis; 4. Joke-land and Metaphoria: A tentative synthesis; 11. The metaphor: A research instrument; 1. Metaphors in phonetics; 2. Preconscious bases of metaphors; 3. Unconscious foundations; 4. Why metaphors?; 5. Poetic origins of scientific metaphor; 6. On cognitive metaphor; 12. Why poetic language?; 1. Types of poetic redundancy; 2. Striving for more information; 3. Synthesis of conflicting trends; 4. The forms of content; 5. The content of inner form 6. Functions of poetic language7. A missing dimension; 13. The semantic structure of possessive constructions; 1. Semantic diversity; 2. Interlinguistic divergences; 3. Interlinguistic convergences; 4. How to reduce diversity; 5. Paleological unity in diversity; 6. Functions of polyvalence; 7. An ontogenetic outlook; 14. Semantic structure of punctuation marks; 1. Status of punctuation marks; 2. Iconicity and language dependence of punctuation marks; 15. Why gestures?; 1. Types and functions of gesture; 2. Visual thinking; 3. Action language; 4. Gestures and their vicissitudes Semiotik (DE-588)4054498-9 gnd rswk-swf Sprache (DE-588)4056449-6 gnd rswk-swf Psycholinguistik (DE-588)4127537-8 gnd rswk-swf Sprachwandel (DE-588)4056508-7 gnd rswk-swf Linguistik (DE-588)4074250-7 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Linguistik (DE-588)4074250-7 s DE-604 Sprache (DE-588)4056449-6 s Semiotik (DE-588)4054498-9 s Sprachwandel (DE-588)4056508-7 s Psycholinguistik (DE-588)4127537-8 s Foundations of semiotics 13 (DE-604)BV000904599 13 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009153549&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Fónagy, Iván 1920-2005 Languages within language an evolutive approach Foundations of semiotics Semiotik (DE-588)4054498-9 gnd Sprache (DE-588)4056449-6 gnd Psycholinguistik (DE-588)4127537-8 gnd Sprachwandel (DE-588)4056508-7 gnd Linguistik (DE-588)4074250-7 gnd |
| subject_GND | (DE-588)4054498-9 (DE-588)4056449-6 (DE-588)4127537-8 (DE-588)4056508-7 (DE-588)4074250-7 (DE-588)4151278-9 |
| title | Languages within language an evolutive approach |
| title_auth | Languages within language an evolutive approach |
| title_exact_search | Languages within language an evolutive approach |
| title_full | Languages within language an evolutive approach Ivan Fónagy |
| title_fullStr | Languages within language an evolutive approach Ivan Fónagy |
| title_full_unstemmed | Languages within language an evolutive approach Ivan Fónagy |
| title_short | Languages within language |
| title_sort | languages within language an evolutive approach |
| title_sub | an evolutive approach |
| topic | Semiotik (DE-588)4054498-9 gnd Sprache (DE-588)4056449-6 gnd Psycholinguistik (DE-588)4127537-8 gnd Sprachwandel (DE-588)4056508-7 gnd Linguistik (DE-588)4074250-7 gnd |
| topic_facet | Semiotik Sprache Psycholinguistik Sprachwandel Linguistik Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009153549&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000904599 |
| work_keys_str_mv | AT fonagyivan languageswithinlanguageanevolutiveapproach |