Readings on A portrait of the artist as a young man:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
San Diego, CA
Greenhaven Press
2000
|
| Schriftenreihe: | The Greenhaven Press literary companion to British literature
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 191 S. |
| ISBN: | 0737703598 0737703601 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | THE GREENHAVEN PRESS VXTFRUXCWVC TO BRITISH LITERATURE READINGS ON ^ V :
II IHE HRTIST (1 CLARICE SWISHER, JBOOA: EDITOR DAVID L. BENDER,
PUBLISHER BRUNO LEONE, EXECUTIVE EDITOR BONNIE SZUMSKI, SERIES EDITOR *
I GREENHAVEN PRESS, INC., SAN DIEGO, CA CONTENTS FOREWORD 9 INTRODUCTION
11 JAMES JOYCE: A BIOGRAPHY 12 CHARACTERS AND PLOT 36 CHAPTER 1: EARLIER
MODELS FOR A PORTRAIT 1. DANTE IS A MODEL FOR JOYCE BY JOSEPH CAMPBELL
42 SEVERAL PARALLELS EXIST BETWEEN A PORTRAIT AND VITA NUOVA, A POEM
BY THE ITALIAN POET DANTE. IN BOTH WORKS THE HOLY SPIRIT SPEAKS THROUGH
A WOMAN; BOTH AUTHORS COMMENT ON THE STRUCTURE OF THEIR WORKS; AND BOTH
GO ON TO PIONEER NEW FORMS OF LITERATURE. 2. A PORTRAIT AS
BILDUNGSROMAN: A NOVEL OF Z * * DEVELOPMENT BY BREON MITCHELL 52 A
PORTRAIT IS A NOVEL OF ADOLESCENT DEVELOPMENT IN THE TRADITION OF THE
BILDUNGSROMAN, A FORM ORIGINATING IN GERMANY. JOYCE S PROTAGONIST IS
YOUNGER THAN IS USUAL FOR THE FORM, BUT JOYCE OTHERWISE FOLLOWS THE FORM
IN CHARAC- TERIZATION, STYLE, AND STRUCTURE. CHAPTER 2: THEMES, SYMBOLS,
AND STRUCTURE IN A PORTRAIT 1. THE INTERRELATIONSHIP OF THEME,
SYMBOLISM, ^ AND STRUCTURE BY ELIZABETH DREW , 60 THE COMPLEX
SYMBOLISM OF STEPHEN DEDALUS S NAME ENHANCES THE THEME OF STEPHEN S
GROWING CONSCIOUSNESS AND HIS NEED FOR FREEDOM FROM A CONSTRAINING
ENVIRONMENT. THE STRUCTURE OF FLIGHTS INTO HIS ENVIRONMENT AND CONSTRIC-
TIONS OF IT PARALLELS THE SYMBOL AND UNIFIES THE NOVEL. 2. CHRISTIAN
SYMBOLISM IN A PORTRAIT BY C.G. ANDERSON 73 IT IS POSSIBLE TO EQUATE THE
ARTIST WITH GOD AND INTERPRET THE EPISODES OF A PORTRAIT IN TERMS OF
CHRISTIAN SYMBOLISM. IN THIS LIGHT STEPHEN IS CONVERTED, BAPTIZED, AND
ORDAINED, AND IS ULTIMATELY A CHRIST FIGURE. 3. THE UNDERLYING STRUCTURE
OF A PORTRAIT S EPISODES BY RICHARD F. PETERSON 79 THOUGH THE EPISODES
IN A PORTRAIT SEEM TO JUMP HAPHAZ- ARDLY THROUGH TIME, THEY DO FOLLOW AN
UNDERLYING ORDER MARKED BY THE SEASONS OF THE YEAR AND THE FEAST DAYS OF
THE CHURCH. IN PLACES THE EPISODES FOLLOW THE RHYTHM OF THE TIDES.
CHAPTER 5: THE CHARACTERIZATION OF STEPHEN DEDALUS 1. STEPHEN DEDALUS
AND WOMEN BY SUZETTE HENKE 87 THROUGH CHILDHOOD OBSERVATIONS OF WOMEN
AND MEN, STEPHEN LEARNS THAT WOMEN CANNOT PROTECT HIM FROM A HARSH,
MASCULINE WORLD. GRADUALLY HE REJECTS HIS EARLY IMAGES OF WOMEN AND
DEVELOPS MASCULINE ADOLESCENT NARCISSISM AND MISOGYNY, QUALITIES THAT
HINDER HIS ARTISTIC MATURITY. 2. STEPHEN S GRADUAL DISENGAGEMENT BY
ARNOLD GOLDMAN 96 FROM HIS EARLY DAYS AT CLONGOWES, STEPHEN DEVELOPS A
PATTERN OF BEHAVIOR IN WHICH HE DISENGAGES HIMSELF FROM HIS ENVIRONMENT
AND EVENTUALLY INVOLVES HIMSELF AGAIN. AS THIS CYCLE REPEATS, HE
GRADUALLY BECOMES MORE AND MORE DISENGAGED; AT THE NOVEL S END, HIS
FLIGHT LEAVES THE NEXT INVOLVEMENT AMBIGUOUS. CHAPTER 4: JOYCE S
LITERARY TECHNIQUES AND DEVICES IN A PORTRAIT 1. JOYCE S EPIPHANIES BY
DOROTHY VAN GHENT 104 AN EPIPHANY OCCURS WHEN OPPOSING ELEMENTS OR
FORCES COME TOGETHER, YIELDING AWARENESS. WALKING AND IMAGES OF MOVEMENT
LEAD STEPHEN FROM ONE SMALL OR LARGE EPIPHANY TO ANOTHER UNTIL HE
EXPERIENCES HIS ULTIMATE EPIPHANY IN THE PRESENCE OF THE BIRD-GIRL. 2.
THE EPIPHANY THAT REVEALS STEPHEN S FATE BY EDMUND L. EPSTEIN 113
STEPHEN S MAJOR EPIPHANY IN CHAPTER 4 HAS FIVE EPISODES WITH AN
INTRODUCTION AND A CODA. THIS EPIPHANY BEGINS WHEN STEPHEN LEAVES HIS
FATHER AND ENDS WHEN HE WAKES FROM A DREAM AS THE TIDE RISES. IN BETWEEN
HE SEVERS HIS TIES AND FEELS HIS VOCATION IS REVEALED. 3. THE MOTIF AS A
DEVICE BY MARVIN MAGALANER AND RICHARD M. KAIN 121 A PORTRAIT HAS A
NUMBER OF MOTIFS THAT UNIFY AND V^_ STRENGTHEN THE NOVEL. FOR EXAMPLE,
THE RECURRENCE OF STEPHEN S GUILT AND ACCOMPANYING PUNISHMENT OR
RIDICULE REPRESENTS ONE MOTIF. 4. THE BIRD MOTIF BY WELDON THORNTON 130
IN THE FIRST FOUR CHAPTERS OF A PORTRAIT, THE BIRD MOTIF * RECURS
EVERY TIME IN ASSOCIATION WITH TWO OTHER ELEMENTS, SUCH AS AN UNPLEASANT
EXPERIENCE, MEMORY, OR EMOTION; BY ASSOCIATION, THE BIRD MOTIF IS PART
OF A NEGATIVE COMPLEX. STAATS- U. UNJV,-1 BIBUOTHEK I THEN STEPHEN
RECASTS THE BIRD IMAGE INTO A POSITIVE SYMBOL OF HIS OWN DESTINY, BUT
BECAUSE OF ITS ORIGINAL NEGATIVE ASSOCIATIONS, IT RETAINS UNEASY AND
FEARFUL UNDERTONES. 5. JOYCE S INTERCONNECTING IMAGES BY WILLIAM YORK
TINDALL 138 BESIDES GIVING THE NOVEL RICHNESS AND TEXTURE, JOYCE S
IMAGERY PREPARES THE READER FOR STEPHEN S MOMENTS OF REALIZATION. IMAGES
OF ROADS, ROSES, BATS, AND WATER, FOR EXAMPLE, INTERCONNECT AND SHIFT
MEANING. CHAPTER 5: JOYCE S LANGUAGE / % 1. JOYCE S MULTIPLE WRITING
STYLES BY SYDNEY BOLT ( 147/ JOYCE WROTE A PORTRAIT WITH DIFFERENT
WRITING STYLES TO SUIT VARIOUS PURPOSES, AN IMPROVEMENT OVER THE
TECHNIQUE OF HIS EARLIER STORIES. FOR EXAMPLE, THE DIALOGUE AND SPEECH
OF OTHER CHARACTERS CONTRASTS WITH STEPHEN S, AND THE STYLE OF THE
NARRATOR DIFFERS WHEN REPORTING INFORMATION AND WHEN DIRECTING THE
READER S THOUGHTS. 2. STEPHEN S LANGUAGE: A CLUE TO JOYCE S ATTITUDE
_.,,..-~ S - BY ROBERT M. ADAMS {* 153 STEPHEN S INTEREST IN WORDS AND
HIS ABILITY TO USE TO CREATE A PRIVATE WORLD SUGGEST THAT JOYCE INTENDS
THE READER TO TAKE A RESPECTFUL ATTITUDE TOWARD THE ARTIST AND, THUS,
TOWARD STEPHEN. 3. IRONY IN A PORTRAIT BY ROBERT S. RYF -.458 JOYCE
ACHIEVES IRONY BY GIVING STEPHEN THE DEDALUS NAME, THUS ASSOCIATING HIM
WITH THE FATHER AND SON IN THE GREEK MYTH. HE ALSO ACHIEVES IRONY BY
DEFLATING STEPHEN S WORDS AND EXPERIENCES WITH UNEXPECTED EVENTS OR
REMARKS. CHAPTER 6: CRITICAL EVALUATION OF A PORTRAIT 1. A PORTRAIT AT
FIFTY BY WILLIAM T. NOON 168 FIFTY YEARS AFTER ITS PUBLICATION IN 1916,
A PORTRAIT WAS STILL GENERATING A FLOW OF CRITICAL STUDIES, AND READERS
WERE STILL ENJOYING IT, FASCINATED BY THE CHARACTER OF STEPHEN AND THE
NOVEL S FIVE-PART STRUCTURE. 2. A PORTRAIT BREAKS THE MOLD BY JOHN
BLADES 175 THE INNOVATIVE TECHNIQUES JOYCE USES IN A PORTRAIT HAVE
CONTRIBUTED TO THE MODERNIST MOVEMENT IN LITERATURE; SUCH NEW TECHNIQUES
AS THE SILENT NARRATOR, EPIPHANIES, AND HIS PARTICULAR
STREAM-OF-CONSCIOUSNESS METHOD ARE EVIDENT WHEN COMPARING A PORTRAIT
WITH STEPHEN HERO, WRITTEN IN NINETEENTH-CENTURY STYLE. CHRONOLOGY 181
FOR FURTHER RESEARCH 184 INDEX 186
|
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| callnumber-search | PR6019.O9 |
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| dewey-full | 823/.912 |
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| dewey-ones | 823 - English fiction |
| dewey-raw | 823/.912 |
| dewey-search | 823/.912 |
| dewey-sort | 3823 3912 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
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| indexdate | 2024-07-09T18:45:18Z |
| institution | BVB |
| isbn | 0737703598 0737703601 |
| language | English |
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| physical | 191 S. |
| publishDate | 2000 |
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| publisher | Greenhaven Press |
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| series2 | The Greenhaven Press literary companion to British literature |
| spelling | Readings on A portrait of the artist as a young man Clarice Swisher, book ed. A portrait of the artist as a young man San Diego, CA Greenhaven Press 2000 191 S. txt rdacontent n rdamedia nc rdacarrier The Greenhaven Press literary companion to British literature Joyce, James <1882-1941> Portrait of the artist as a young man Joyce, James 1882-1941 A portrait of the artist as a young man (DE-588)4290389-0 gnd rswk-swf Young men in literature Dublin (Ireland) In literature (DE-588)4143413-4 Aufsatzsammlung gnd-content Joyce, James 1882-1941 A portrait of the artist as a young man (DE-588)4290389-0 u DE-604 Swisher, Clarice Sonstige oth GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009146870&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Readings on A portrait of the artist as a young man Joyce, James <1882-1941> Portrait of the artist as a young man Joyce, James 1882-1941 A portrait of the artist as a young man (DE-588)4290389-0 gnd Young men in literature |
| subject_GND | (DE-588)4290389-0 (DE-588)4143413-4 |
| title | Readings on A portrait of the artist as a young man |
| title_alt | A portrait of the artist as a young man |
| title_auth | Readings on A portrait of the artist as a young man |
| title_exact_search | Readings on A portrait of the artist as a young man |
| title_full | Readings on A portrait of the artist as a young man Clarice Swisher, book ed. |
| title_fullStr | Readings on A portrait of the artist as a young man Clarice Swisher, book ed. |
| title_full_unstemmed | Readings on A portrait of the artist as a young man Clarice Swisher, book ed. |
| title_short | Readings on A portrait of the artist as a young man |
| title_sort | readings on a portrait of the artist as a young man |
| topic | Joyce, James <1882-1941> Portrait of the artist as a young man Joyce, James 1882-1941 A portrait of the artist as a young man (DE-588)4290389-0 gnd Young men in literature |
| topic_facet | Joyce, James <1882-1941> Portrait of the artist as a young man Joyce, James 1882-1941 A portrait of the artist as a young man Young men in literature Dublin (Ireland) In literature Aufsatzsammlung |
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