The Faber book of opera:
Opera has always generated strong, uncompromising views and opinions. For example, what was the idea behind Gluck's Reform operas? How did Mozart himself view his collaboration with the librettist Lorenzo da Ponte? What is the legacy of Maria Callas? These are among the myriad questions that ar...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London
Faber and Faber
2000
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Zusammenfassung: | Opera has always generated strong, uncompromising views and opinions. For example, what was the idea behind Gluck's Reform operas? How did Mozart himself view his collaboration with the librettist Lorenzo da Ponte? What is the legacy of Maria Callas? These are among the myriad questions that are addressed in this collection of writings about opera--in theory, in practice, in review and in fiction--all drawn from prime sources by music critic Tom Sutcliffe. As Philip Hensher wrote in the London Evening Standard, "[This] anthology ... reminds you why you liked opera in the first place."--Publisher description. |
| Beschreibung: | XIX, 402 S. Ill. |
| ISBN: | 0571195954 |
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| 520 | 3 | |a Opera has always generated strong, uncompromising views and opinions. For example, what was the idea behind Gluck's Reform operas? How did Mozart himself view his collaboration with the librettist Lorenzo da Ponte? What is the legacy of Maria Callas? These are among the myriad questions that are addressed in this collection of writings about opera--in theory, in practice, in review and in fiction--all drawn from prime sources by music critic Tom Sutcliffe. As Philip Hensher wrote in the London Evening Standard, "[This] anthology ... reminds you why you liked opera in the first place."--Publisher description. | |
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| id | DE-604.BV013396770 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:45:08Z |
| institution | BVB |
| isbn | 0571195954 |
| language | English |
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| physical | XIX, 402 S. Ill. |
| publishDate | 2000 |
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| spelling | The Faber book of opera ed. by Tom Sutcliffe Book of opera Opera 1. publ. London Faber and Faber 2000 XIX, 402 S. Ill. txt rdacontent n rdamedia nc rdacarrier Opera has always generated strong, uncompromising views and opinions. For example, what was the idea behind Gluck's Reform operas? How did Mozart himself view his collaboration with the librettist Lorenzo da Ponte? What is the legacy of Maria Callas? These are among the myriad questions that are addressed in this collection of writings about opera--in theory, in practice, in review and in fiction--all drawn from prime sources by music critic Tom Sutcliffe. As Philip Hensher wrote in the London Evening Standard, "[This] anthology ... reminds you why you liked opera in the first place."--Publisher description. Opera Literary collections Oper (DE-588)4043582-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Oper (DE-588)4043582-9 s DE-604 Sutcliffe, Tom Sonstige (DE-588)134534611 oth |
| spellingShingle | The Faber book of opera Opera Literary collections Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)4043582-9 (DE-588)4143413-4 |
| title | The Faber book of opera |
| title_alt | Book of opera Opera |
| title_auth | The Faber book of opera |
| title_exact_search | The Faber book of opera |
| title_full | The Faber book of opera ed. by Tom Sutcliffe |
| title_fullStr | The Faber book of opera ed. by Tom Sutcliffe |
| title_full_unstemmed | The Faber book of opera ed. by Tom Sutcliffe |
| title_short | The Faber book of opera |
| title_sort | the faber book of opera |
| topic | Opera Literary collections Oper (DE-588)4043582-9 gnd |
| topic_facet | Opera Literary collections Oper Aufsatzsammlung |
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