The art of impressionism: painting technique & the making of modernity
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven [u.a.]
Yale Univ. Press
2000
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 245 S. zahlr. Ill. 34 cm |
| ISBN: | 0300084021 |
Internformat
MARC
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| 245 | 1 | 0 | |a The art of impressionism |b painting technique & the making of modernity |c Anthea Callen |
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| 650 | 4 | |a Peinture de plein air - Technique | |
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| 650 | 7 | |a Techniek |2 gtt | |
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| 650 | 4 | |a Plein air painting -- Technique | |
| 650 | 4 | |a Painting -- Technique | |
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Datensatz im Suchindex
| _version_ | 1804128123369816064 |
|---|---|
| adam_text | Contents
viii Acknowledgements
ix Preface
ONE
i Tradition and Innovation
i Technical innovation, modernity
and the history of styles
i Originality, modernity and facture
3 Artisan, professional and amateur
5 Landscape art, plein airisme and
the oil-painted etude
7 Plein air and modernity
9 Urban modernity and the rise of landscape painting
10 New methods for old
11 The etude and the modern public:
the aesthetics ofnonjini
12 Languages of modern painting:
technique and the critics
TWO
15 The Blank Canvas
15 Stretchers or strainers
18 Standardised support sizes - a question of
economics?
19 Loom-widths
21 Non-standard canvases - square and double-square
25 Prepared paper
27 Academy board or carton
THREE
30 Canvas, Texture and Materiality
30 Canvas fabrics
31 Canvas weaves, weights and textures
35 Etude and pochade canvas
37 Twill weaves
44 Basket weaves
FOUR
50 Grounds for Oil Painting
50 Size
52 Absorbent grounds
52 The revival of absorbent grounds
57 Oil grounds
FIVE
62 Ground Colours and the Paint Layer
AN INTRODUCTION TO GROUND COLOURS
62 White versus coloured grounds
65 Grounds and the palette
66 Tinted and coloured grounds
66 Tinted commercial primings
67 Unprimed canvas
IMPRESSIONIST GROUNDS AND THE PAINT LAYER
68 Identifying and analysing the Impressionists
grounds
70 Grounds and pictorial luminosity
70 Tinted grounds and colouristic effects
82 White grounds and bright plein air light
six
86 Light of Reason, Shades of Meaning
86 Clair-obscur and tonal values
88 Clair-obscur and the politics of genius
89 Technical problems of clair-obscur handling
91 The sauce
91 Loading the shadows
94 Lustre
SEVEN
98 The Matter of Impressionism
98 Impressionism and modern paint technology
98 Colour grinding
100 Additives and extenders
100 Oil binders and painting media
103 Impressionist colours and colourmen
105 Modern paint containers
107 The matter of painting
EIGHT
III
Making Light Modern
111 Studios: wall colours and lighting
117 Industrial lights: from gas to glass
122 Rendering light modern
124 Affecting outdoor light
126 Parasols and plein air painting
130 Outdoor lights: visual effects and pictorial meaning
131 Sidelight
131 Contrejour, full-face and midday light
132 Gris-clair light
TEN
156 Artless Simplicity
157 Painting cut premier coup
161 Palettes and paintings
163 The coloured ebauche
169 Brushwork: coloured laches, scumble and plcine pate
174 Brushes
ELEVEN
177 The Colour of Modernity
177 Modernity, plein air light and the
Impressionist palette
177 Opacity and transparency: film colour
182 Composition, space and flatness; viewpoint
and point of distance
186 Local colour, light and colour temperature
186 Atmosphere, light and air: pictorial unity
and the enveloppe
TWELVE
191 Framing the Debate
NINE
136 The Palette: from Tonal to Spectral
136 Towards a peinture claire
137 Artists palettes before 1850
138 Palette layout and pre-mixing
141 The limited palette
146 Green pigments
147 Yellows, oranges, reds, violets and blues
149 Blacks and whites
150 Earth colours and broken colours; coloured greys
151 The spectral palette
191 Picture frames: setting the parameters
193 Disrupting the boundaries
201 Painting frames
201 Viewing distance
202 Setting the scene: frames and gallery installation
209 Varnish: layers of meaning
21 o Varnish effects
211 Tinted varnishes and waxes
212 The politics of varnish
212 Glass versus varnish
214 Primitivism , mattness and modernity
217 Glossary
220 Notes
232 Bibliography
238 Index
245 Picture Credits
|
| any_adam_object | 1 |
| author | Callen, Anthea |
| author_GND | (DE-588)188455590 |
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| callnumber-first | N - Fine Arts |
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| callnumber-raw | ND1482.I6C35 2000 |
| callnumber-search | ND1482.I6C35 2000 |
| callnumber-sort | ND 41482 I6 C35 42000 |
| callnumber-subject | ND - Painting |
| classification_rvk | LH 70394 LM 83394 |
| ctrlnum | (OCoLC)45438124 (DE-599)BVBBV013348477 |
| dewey-full | 751.4 751.421 759.054 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 751 - Techniques, equipment, materials & forms 759 - History, geographic treatment, biography |
| dewey-raw | 751.4 751.4 21 759.054 |
| dewey-search | 751.4 751.4 21 759.054 |
| dewey-sort | 3751.4 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| format | Book |
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| indexdate | 2024-07-09T18:44:14Z |
| institution | BVB |
| isbn | 0300084021 |
| language | English |
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| spelling | Callen, Anthea Verfasser (DE-588)188455590 aut The art of impressionism painting technique & the making of modernity Anthea Callen New Haven [u.a.] Yale Univ. Press 2000 X, 245 S. zahlr. Ill. 34 cm txt rdacontent n rdamedia nc rdacarrier Impressionisme gtt Impressionnisme (Art) - Technique Peinture - Technique Peinture de plein air - Technique Schilderkunst gtt Techniek gtt Malerei Impressionism (Art) -- Technique Plein air painting -- Technique Painting -- Technique Maltechnik (DE-588)4125812-5 gnd rswk-swf Impressionismus (DE-588)4026679-5 gnd rswk-swf Impressionismus (DE-588)4026679-5 s Maltechnik (DE-588)4125812-5 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009103034&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Callen, Anthea The art of impressionism painting technique & the making of modernity Impressionisme gtt Impressionnisme (Art) - Technique Peinture - Technique Peinture de plein air - Technique Schilderkunst gtt Techniek gtt Malerei Impressionism (Art) -- Technique Plein air painting -- Technique Painting -- Technique Maltechnik (DE-588)4125812-5 gnd Impressionismus (DE-588)4026679-5 gnd |
| subject_GND | (DE-588)4125812-5 (DE-588)4026679-5 |
| title | The art of impressionism painting technique & the making of modernity |
| title_auth | The art of impressionism painting technique & the making of modernity |
| title_exact_search | The art of impressionism painting technique & the making of modernity |
| title_full | The art of impressionism painting technique & the making of modernity Anthea Callen |
| title_fullStr | The art of impressionism painting technique & the making of modernity Anthea Callen |
| title_full_unstemmed | The art of impressionism painting technique & the making of modernity Anthea Callen |
| title_short | The art of impressionism |
| title_sort | the art of impressionism painting technique the making of modernity |
| title_sub | painting technique & the making of modernity |
| topic | Impressionisme gtt Impressionnisme (Art) - Technique Peinture - Technique Peinture de plein air - Technique Schilderkunst gtt Techniek gtt Malerei Impressionism (Art) -- Technique Plein air painting -- Technique Painting -- Technique Maltechnik (DE-588)4125812-5 gnd Impressionismus (DE-588)4026679-5 gnd |
| topic_facet | Impressionisme Impressionnisme (Art) - Technique Peinture - Technique Peinture de plein air - Technique Schilderkunst Techniek Malerei Impressionism (Art) -- Technique Plein air painting -- Technique Painting -- Technique Maltechnik Impressionismus |
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