British television drama: past, present and future
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave
2000
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XI, 200 S. |
| ISBN: | 0333774957 0333774965 0312234546 |
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Datensatz im Suchindex
| _version_ | 1804128020037894144 |
|---|---|
| adam_text | Contents
Acknowledgements
vii
Notes
on the Contributors
viii
Editors Introduction
1
1
Contexts
Tony Garnett
11
Part I: Production Contexts
25
Editors Introduction to Part I
27
2
Television Drama Series: a Producer s View
42
Irene Shubik
3
TV Drama: Then and Now
48
John McGrath
4
Sydney Newman and the Golden Age
54
Shaun Sutton
5
The
1970s:
Regional Variations
58
Barry Hanson
6
Writing Television Drama
-
Then and Now
64
Andrew Davies
7
The Age of Innocence
68
Alan Plater
8
Playing Shops, Shopping Plays: the Effect of the
73
Internal Market on Television Drama
David Edgar
Part II: Critical Constructions
-
Approaches to
TV Drama
79
Editors Introduction to Part II
81
9
Mapping the Terrain: Troy Kennedy Martin s Edge of Darkness
93
John Bull
vi
Contents
10
Holding
On: Signs of the City
-
The Motif of the
100
Redemptive Journey in Tony Marchant s Holding On
Peter Billingham
CODA: Tony Marchant,
David Snodin (producer, Holding
On, BBC TV) and Michael Wearing (former Head of BBC
Drama) discuss Holding On with Peter Billingham
11
What Truth is there in this Story? : the Dramatisation
110
of Northern Ireland
Edward
Braun
12
The Emancipatory Strategies of Reginald Perrin
122
Chris Fox
13
Run Over by One s Own Story : Genre and Ethos in
133
Dennis Potter s The Singing Detective
Antony
Hilf er
14
Power Plays: Gender, Genre and Lynda
La Plante 140
Julia
Hallam
15
Too Secret for Words: Coded Dissent in Female-Authored
150
Wednesday Plays
Madeleine Macmurraugh-Kavanagh
16
What do Actors do when they Act?
162
John Caughie
CODA: Timothy West discusses Acting on Stage: Acting
on Screen , followed by extracts from the discussion after
his and John Caughie s presentations
17
Multiple Authorship in TV Drama: Trevor
Griffi
ths s
175
version of The Cherry Orchard
John Tulloch
Editors Conclusion
185
Select Bibliography
190
Index
194
This collection of essays by leading media professionals and
academics debates the past, present and future of British
television drama. Writers, producers and television executives
reflect on the changing face of television drama, its forms and
production contexts, with contributions by key figures, including
Andrew Davies, David Edgar and Tony Garnett. Academics present
case-studies on critical approaches, general topics and specific
programmes, including Tony Marchant s acclaimed Holding On,
the work of Lynda
La Plante
and dramatic representations of the
Northern Ireland conflict. Editors introductions to each section
place the contributors essays in a critical and historical context.
Often provocative, this collection will inspire debate and a
reappraisal of this formative aspect of television, reflecting on the
changes in television drama since the
1960s,
the experience of
working in television production and the development of
critical approaches to the medium.
|
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| era | Geschichte 1965-2000 gnd Geschichte 1960-2012 gnd |
| era_facet | Geschichte 1965-2000 Geschichte 1960-2012 |
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