Vom "dubbio tonale" zur "chiarificazione definitiva": der Weg des Komponisten Alfredo Casella
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | German |
| Veröffentlicht: |
Kassel
Bosse
2000
|
| Schriftenreihe: | Kölner Beiträge zur Musikforschung
207 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | III, 262 S. Noten : 21 cm |
| ISBN: | 3764926392 |
Internformat
MARC
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Datensatz im Suchindex
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| adam_text | Titel: Vom dubbio tonale zur chiarificazione definitiva
Autor: Starke, Susanne
Jahr: 2000
Inhaltsverzeichnis
1 Einleitung........................................................................................................1
1.1 Turin - Paris - Rom. Casellas musikalischer Werdegang bis zum
Schlusselerlebnis des Sacre du Printemps..................................................2
1.2 Aufbruch zu neuen Ufern - Die Orientierung am Musikschaffen Igor
Strawinskys zur Unterstûtzung der eigenen Erneuerungsbemûhungen .... 14
2 Pupazzetti op. 27 - Die Loslôsung von hergebrachten Stilmustern.........25
2.1 Versuch einer Neuorientierung..................................................................25
2.2 Marcietta.....................................................................................................37
2.3 Berœuse....................................................................................................41
2.4 Serenata.....................................................................................................48
2.5 Notturnino...................................................................................................50
2.6 Polka..........................................................................................................54
3 Serenata (1927), op. 46 - Die Hinwendung zum Neoklassizismus............59
3.1 Marcia.........................................................................................................61
3.2 Minuetto......................................................................................................70
3.3 Notturno......................................................................................................74
3.4 Gavotla.......................................................................................................77
3.5 Cavatina.....................................................................................................80
3.6 Finale.........................................................................................................84
3.7 Kristallisation eines âsthetischen Neubeginns...........................................95
4 Die Anbruch-Kontroverse - Schliissei zum Verstandnis der Musik
und der Schriften Alfredo Casellas...........................................................103
4.1 DerBegriffderOrdnung...........................................................................106
4.2 Das Problem der Verstàndlichkeir von Musik........................................110
4.3 Der Begriff der Originalitât........................................................................117
4.4 Der sogenannte Neokiassizismus im Kontext der Anbruch-Kontroverse. 125
4.5 Das Wesen der Musik..............................................................................129
4.6 Faschismus und Atonalitàt.......................................................................138
4.7 Casella zwischen Pragmatik und Toleranz..............................................160
5 Sinfbnia, Arioso e Toccata, op. 59 -
Die Erweiterung der neoklassizistischen Àsthetik..................................171
5.1 Derneue Klangwille der 30er Jahre...........................................................171
5.2 Sinfonia......................................................................................................177
5.3 Arioso.........................................................................................................203
5.4 Toccata.......................................................................................................221
5.5 Caselias fe/za maniera im Spannungsfeld zwîschen Personalstil und
deutlichen Spuren der Beeinflussung durch Igor Strawinsky....................238
6 Zusammenfassung.......................................................................................243
7 Literaturverzeichnis......................................................................................251
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| indexdate | 2024-07-09T18:40:22Z |
| institution | BVB |
| isbn | 3764926392 |
| language | German |
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| physical | III, 262 S. Noten : 21 cm |
| publishDate | 2000 |
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| series | Kölner Beiträge zur Musikforschung |
| series2 | Kölner Beiträge zur Musikforschung |
| spelling | Starke, Susanne Verfasser aut Vom "dubbio tonale" zur "chiarificazione definitiva" der Weg des Komponisten Alfredo Casella von Susanne Starke Kassel Bosse 2000 III, 262 S. Noten : 21 cm txt rdacontent n rdamedia nc rdacarrier Kölner Beiträge zur Musikforschung 207 Zubl.: München, Univ., Diss., 1999 Casella, Alfredo <1883-1947> Criticism and interpretation Casella, Alfredo 1883-1947 (DE-588)119362112 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Casella, Alfredo 1883-1947 (DE-588)119362112 p DE-604 Kölner Beiträge zur Musikforschung 207 (DE-604)BV035610951 207 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008979425&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Starke, Susanne Vom "dubbio tonale" zur "chiarificazione definitiva" der Weg des Komponisten Alfredo Casella Kölner Beiträge zur Musikforschung Casella, Alfredo <1883-1947> Criticism and interpretation Casella, Alfredo 1883-1947 (DE-588)119362112 gnd |
| subject_GND | (DE-588)119362112 (DE-588)4113937-9 |
| title | Vom "dubbio tonale" zur "chiarificazione definitiva" der Weg des Komponisten Alfredo Casella |
| title_auth | Vom "dubbio tonale" zur "chiarificazione definitiva" der Weg des Komponisten Alfredo Casella |
| title_exact_search | Vom "dubbio tonale" zur "chiarificazione definitiva" der Weg des Komponisten Alfredo Casella |
| title_full | Vom "dubbio tonale" zur "chiarificazione definitiva" der Weg des Komponisten Alfredo Casella von Susanne Starke |
| title_fullStr | Vom "dubbio tonale" zur "chiarificazione definitiva" der Weg des Komponisten Alfredo Casella von Susanne Starke |
| title_full_unstemmed | Vom "dubbio tonale" zur "chiarificazione definitiva" der Weg des Komponisten Alfredo Casella von Susanne Starke |
| title_short | Vom "dubbio tonale" zur "chiarificazione definitiva" |
| title_sort | vom dubbio tonale zur chiarificazione definitiva der weg des komponisten alfredo casella |
| title_sub | der Weg des Komponisten Alfredo Casella |
| topic | Casella, Alfredo <1883-1947> Criticism and interpretation Casella, Alfredo 1883-1947 (DE-588)119362112 gnd |
| topic_facet | Casella, Alfredo <1883-1947> Criticism and interpretation Casella, Alfredo 1883-1947 Hochschulschrift |
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