Models and contacts: Arabic literature and its impact on medieval Jewish culture
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden [u.a.]
Brill
2000
|
| Schriftenreihe: | Brill's series in Jewish studies
25 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIV, 259 S. |
| ISBN: | 9004117385 |
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Datensatz im Suchindex
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| adam_text | MODELS AND CONTACTS
Arabic Literature and its Impact
on Medieval Jewish Culture
BY
RINA DRORY
6
BRILL
LEIDEN • BOSTON • KOLN
TABLE OF CONTENTS
Acknowledgements xiii
Introduction 1
MODELS
Poetic Models and Beyond
Chapter One: The Introduction of Fictionality into Classical
Arabic Literature: The maqama 11
1 The Arabic literary system when the maqama was
introduced 11
2 The new poetics of the maqamat 14
2 1 Al-HusrT on al-HamadanT s maqamat 14
2 2 The authors on their maqamat 14
221 Creation from the heart 16
222 Naming the hero and the narrator 18
223 Relating the maqamat to established lite-
rary tradition 22
2231 The custom of the poets in
their love poems 23
2232 Words of wisdom in the mouths
of animals 24
2233 The fables of the Arabs 25
3 Reaction of the established literary system 26
3 1 The argument against relating the maqamat to
the tradition of the animal fable 26
3 2 The invention of a biography for the hero of
al-Hann s maqamat 27
3 3 The ascription of al-HarTri!s maqamat to a
Magrebi origin 31
4 Conclusion: The Acceptance of the maqama into the
literary system 32
APPENDIX: al-Husrfs speculation on the birth of the
maqamat 34
VUi TABLE OF CONTENTS
Chapter Two: Legitimizing Fiction in Classical Arabic
Literature: Hadit Kurafa 37
1 The status of fiction in classical Arabic literature 37
2 The content and function of hadit kurafa 38
3 Fantastic fiction: the world of the ginn 42
4 The kurdfat genre and its Persian origin 45
Chapter Three: Creating a Sense of Reality in Classical
Arabic Literature: The Case of Abu Nuwas 48
1 Reality in classical Arabic wine-poetry 48
2 Four wine-poems by Abu Nuwas 50
2 1 Reality-items and imagery 55
2 2 Dialogue and authenticity 56
3 The function of dialogue in classical Arabic literature 57
Prosodic Models
Chapter Four: The Poetics of Rhyme in Classical Arabic
Literature 60
Introduction 60
PART ONE: The Basic Rhyming Model of Classical Arabic
Poetry
1 Definition 64
1 1 Rhymeme 64
111 The rawiyy 65
112 The morphology of the rhymeme 66
113 The maximal condition for consonants in
a rhymeme 68
114 The function of vowels in the rhymeme 68
1141 Long open syllable before the
rawiyy 68
1142 Long closed syllable before the
rawiyy 69
1143 Long open syllable + short syllable
before the rawiyy 69
1144 Long closed syllable + short
syllable before the rawiyy 70
1145 Two short syllables before the
rawiyy 70
115 Significance of the long syllable in the
rhymeme 71
TABLE OF CONTENTS IX
116 Long open syllable as opposed to long
closed syllable 71
117 Relation to grammatical forms 72
1 2 The basic rhyming norm of classical poetry 72
1 3 The aesthetic norm 73
1 4 Some Deviations from the basic classical
rhyming norm 74
141 Abu al- Ala al-Ma arrt 74
142 The wasf poems 78
PART TWO: The Medieval Arabic Theory of Rhyme 81
2 1 The qdjiya 81
2 2 Al-KalTl s two definitions as distinguished from
other definitions of the qdjiya 82
221 The first method of classifying the qdjiya 86
2211 The letters of the qdjiya 86
2212 The vowels of the qdjiya 88
2213 Types of qdjiya according to the
first method of classification 88
222 The second method of classifying the
qdjiya 91
223 The limitations of the second method of
classification 92
2 3 Quantitative as opposed to qualitative arrange-
ment 93
2 4 Components of the qdjiya and their manifesta-
tions in language 95
2 5 Rhyming norms 99
2 6 Treatises on rhyme and their historical signifi-
cance 102
PART THREE: Rhyme in Rhymed Prose 104
3 1 Historical Background 104
3 2 The rhyming scheme of rhymed prose versus
that of poetry 105
321 Rhyme in the Koran 105
322 Rhymed prose in the early Abbasid period 111
323 The maqamat of al-HamadanT and al-HarM 113
3 3 The basic rhyming norm of rhymed prose 114
TABLE OF CONTENTS
3 4 The principle of rhymeme alternation in rhymed
prose 115
PART FOUR: Conclusions and Perspectives 122
4 1 The aesthetic norm of rhyming 122
4 2 The relationships between the formal elements
of the rhymed text—rhyme, metre, repetition of
syntactical structures - in poetry and prose 122
CONTACTS
Literature and Culture
Chapter Five: Stagnation and Recovery: The Introduction
of Arabic Literary Models into Tenth-Century Jewish
Literature 126
The Methodological and Conceptual Framework 126
1 Canonized vs non-canonized: Rabbanite vs Karaite
literature 130
2 The major literary models of early tenth-century
JLS 132
2 1 Univocal literary models: the Rabbanite models 132
2 2 Univocal literary models: the Karaite models 134
3 Ambivalent literary models: Masoretic activity 138
4 Sa adya Gaon s role in the contacts with Arabic 142
5 Conclusions 144
Chapter Six: Three Major Karaite Contributions to
Tenth-Century Jewish Culture 147
1 First contribution: introduction of an option for
change in Jewish literature 151
2 Second contribution: introduction of writing as an
official mode of text production 153
3 Third contribution: preparation of language-setting
for the new writing models 155
Chapter Seven: Words beautifully put: Hebrew versus
Arabic in Tenth-Century Jewish Literature 158
Introduction 158
1 Hebrew/Aramaic diglossia 160
TABLE OF CONTENTS XI
2 Hebrew/Arabic diglossia 162
3 The division of functions between Hebrew and
Arabic 165
3 1 The commitment to the grammatical rules of
Hebrew 168
3 2 The concept of the beauty of the Hebrew lan-
guage 169
3 3 The festive function of Hebrew as opposed to
the communicative function of Arabic 170
3 4 Why Jews did not write their secular poetry in
Arabic 173
Chapter Eight: Bilingualism and Cultural Images:
The Hebrew and the Arabic Introduction of Sa adya
Gaon s Sejer ha-egron 178
1 Sa adya Gaon as culture planner 178
2 Sefer ha-egron/al-Kitab al-gami 179
2 1 The Arabic introduction 181
211 Comments on the Arabic introduction 183
2 2 The Hebrew introduction 186
221 Comments on the Hebrew introduction 187
3 Two languages, two virtual publics 190
Chapter Nine: Dunas ben Labrat s Metrical Innovation in
Light of Arabic Prosody 191
Introduction 191
1 Dunas s decision: Hebrew equivalent of the Arabic
watad 193
2 The Arabic concept of watad 195
3 Dunas s innovation: a sequence-unit 198
4 Objection to Dunas s innovation 199
5 Dunas s innovation as a manifestation of Arabic-
Jewish literary contacts 202
Chapter Ten: Literary Contacts and Where to Find Them:
Arabic Literary Models in Medieval Jewish Literature 208
1 Kiidb al-Muhddara wa l-Muddkara of Moses Ibn Ezra 210
2 Al-HarTzT s Maqamat 215
2 1 The first Hebrew dedication 218
XII TABLE OF CONTENTS
2 2 The second Hebrew dedication 219
2 3 The Arabic dedication 221
Bibliography 233
Index 247
|
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| title | Models and contacts Arabic literature and its impact on medieval Jewish culture |
| title_auth | Models and contacts Arabic literature and its impact on medieval Jewish culture |
| title_exact_search | Models and contacts Arabic literature and its impact on medieval Jewish culture |
| title_full | Models and contacts Arabic literature and its impact on medieval Jewish culture by Rina Drory |
| title_fullStr | Models and contacts Arabic literature and its impact on medieval Jewish culture by Rina Drory |
| title_full_unstemmed | Models and contacts Arabic literature and its impact on medieval Jewish culture by Rina Drory |
| title_short | Models and contacts |
| title_sort | models and contacts arabic literature and its impact on medieval jewish culture |
| title_sub | Arabic literature and its impact on medieval Jewish culture |
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| topic_facet | Hebräisch Arabisch Literatur |
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