Love in the "corral": conjugal spirituality and anti-theatrical polemic in early modern Spain
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York [u.a.]
Lang
2000
|
Schriftenreihe: | Ibérica
31 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XV, 395 S. |
ISBN: | 0820444936 |
Internformat
MARC
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adam_text | Thomas Austin O Connor
Love in the Corral
Conjugal Spirituality
and Anti-theatrical Polemic
in Early Modern Spain
PETER LANG
New York • Washington, D C /Baltimore • Boston • Bern
Frankfurt am Main • Berlin • Brussels • Vienna • Canterbury
Table of Contents
Preface xi
Introduction 1
IAA Parker s Approach to Love in Spanish Literature 1
II Love, the Individual, and the Western Tradition 3
III Individuals Versus Types 5
IV Theatrical, Dramatic, and Cultural Codes: The Codes of Honor and
Love in the Comedia 7
A Foucault s £/?/s/e/we and the Sense of Order in the Comedia 8
B Dramatic Systematicities 9
C The Code of Honor 12
D The Code of Love 15
E Religious and Secular Ethics 18
F The Dynamics of Social Action and Courtship 20
Part 1: Social Discourse on the Comedia
Introduction: The Legitimacy of Public Theater in Spain 29
I The Spanish Comedia as an Historico-Theatrical Event 36
A The Context of Theatrical Performances 37
B Dramatic Plots in the Comedia Nueva 42
1 What Constitutes cosas lascivas y amores deshonestos? 44
2 What Are buenas costumbres? 47
3 The Cape-and-Sword Plays and Their Amatory Material 49
4 Matrimony as Justification for Amatory Plays 52
C The Moral State of the Comedia 57
1 Effect of the Comedia on the Public 66
2 Responsibility of Fathers 71
3 Effect of the Comedia on Marriage 73
4 Innocence of Youth 75
5 Cautionary Tales 77
D The Moral State of Actors 78
1 The Civil State of Actors and Acting 79
2 May Actors Receive the Sacraments? 81
3 The Actors Lifestyle 81
4 The Mixing of Men and Women in Theaters, Churches, and
other Public Places 84
E The Question of Women on Stage 87
1 The Appropriateness of Women as Comicas, Representantas,
viii Table of Contents
and Comediantas 89
2 The Replacement of Boys by Women in Female Roles 95
3 Women Dressed in Male Attire 96
4 The Mixing of Actors and Actresses in Dressing Rooms,
in Rehearsals, and on Tour 100
5 Only Married Women Permitted on Stage 102
6 Actresses as Daughters of Eve and as Sirens 105
7 Actresses as Public Prostitutes 110
8 Women s Nature 112
F Patristic Attitudes and Opinions on Theater 119
1 The Applicability of the Church Fathers Opinions
on Theater to the Spanish Comedia 119
2 Women, Sexuality, Obscenity, and Perdition 123
3 The Question of Temporal Appropriateness 128
4 Reason and the Church Fathers 130
G The Conflict of Traditions: Ancient and Modem;
Secular and Religious 131
II The Two Poles of Human Happiness: Religion and Civil Government 143
A The Relationship of Civil to Ecclesiastical Authority 143
1 The Connection with Charity: The Spanish Comedia
and Public Hospitals 149
2 The Exercise of Ecclesiastical Authority • 150
3 The Sacraments as Weapons of Moral Enforcement 152
4 What Constitutes Christian Dogma? 153
5 The Double-Edged Sword of Ecclesiastical Censorship 155
B Lay Judgment and the Moral Maturity of Christians 156
C Leisure and the Use of Time 160
III Christian Empire and the Ideal/ Christianized Society 167
A Two Distinct Classes of Christian 167
1 Striving for or Imposing Perfection 169
2 Backlash from the Mediocre 171
B Profane versus Divine Love 172
C The Conventualized Model of Spanish Society 177
1 The Monasticization of the Laity 178
2 Misogyny, Monasticism, and the Segregation of the Sexes 179
3 Religious Zeal Versus Political Ambition and Human Reality 182
D Clerics and the Religious in Theaters and Plays Staged in Convents
and Monasteries 184
E Public Theater and the Society of Jesus 188
Love in the Corral ix
1 Jesuits Versus Augustinians 189
2 Traditional Jesuit Discourse on Public Theater 192
3 The Guerra Affair or the Spirit of Partisanship: Jesuits Rally
Round P Hurtado de Mendoza 195
4 Licitness Redux: The Gaspar Diaz Affair 201
5 Licitness Revisited: The Pinedo Affair 203
IV Secularization Versus Theocraticization: The Laicization
of Spanish Society 209
A Spain as the Refuge of Catholicism 210
B The Case for Moral Degeneration 211
C The Forum for Debate on Politico-Morallssues 213
V Perceptions of Human Nature and the Natural 217
Part 2: Discourse on Love in the Comedia
Introduction: The Dramatic Representation of Subjectivity The Validation,
Correction, or Rejection of Individual Experience (Fuente Ovejuna [The
Sheep Well], La dama boba [Lady Nitwit], El villano en su rincon [The
Peasant Master of His Domain]) • 225
I The Meaning of Conformidad/Confomity: A Tragicomic Depiction
(El mejor mozo de Espana [The Best Bachelor in Spain]) 255
A Dramatic Nature of El mejor mozo de Espana 257
B Confluence of Poetry and History 259
C Mythologized Matrix of the Plot 264
D Ir a vistas: The Proper Role of Gusto, Even in Affairs of State 267
E History Revealed through Poetry 271
II The Meaning of Co«/b/-/n/ cfaayConfonnity: The Mythic Perspective
(Salazar y Torres: Loa [Prelude] to El encanto es la hermosuralLa
segunda Celestina [Beauty Is Enchanting/The Second Celestina]; Sor
Juana: Sarao de cuatro naciones [Dance of the Four Nations] from Los
empenos de una casa [One House s Troubles] and Loa to Amor es mas
laberinto [Love Is More Like a Labyrinth]; Calderon de la Barca: La
estatua de Prometeo [Prometheus s Statue]) 283
III The Meaning of Conformidad/Conformity: Comic Depictions (Miguel
de Cervantes: Don Quijote; Ruiz de Alarc6n: Lasparedes oyen [The
Walls Have Ears] and La verdad sospechosa [Suspect Truth]; Calder6n
de la Barca: La dama duende [The Phantom Lady] and No hay burlas
con el amor [Love Is No Laughing Matter]; Salazar y Torres, Vera
x Table of Contents
Tassis, and sor Juana In6s de la Cruz: El encanto es la hermosura/La
segunda Celestina; sor Juana: Los empenos de una casa) 289
A A Mythic and Cervantine Excursus on the Importance
of Parthenoi 289
B A Sampling of the Spanish Comedia s Comic Mode 295
C The Bowdlerization of the Comedia de capay espada: The Case
of No hay burlas con el amor 307
D An Afterword on No hay burlas con el amor and Spanish Drama
in the 1670s and Early 1680s 322
IV The Meaning of Conformidad/Conformity: Tragic Depictions
(Calderon de la Barca: A secreto agravio secreta venganza [Secret
Vengeance for a Secret Injury], El medico de su honra [The Surgeon of
His Honor], and Elpintor de su deshonra [The Painter of His
Dishonor]; La estrella de Sevilla [The Star of Seville]; Velez de
Guevara: Reinar despues de morir [Reigning after Death]; Tirso de
Molina: El burlador de Sevilla [The Mocker of Seville]) 343
A Calderon de la Barca s Wife-Murder Plays 343
1 The Ideal of Conjugal Love 345
2 The Realization or Contradiction of That Ideal 350
3 Does Love Owe a Debt to Honor? 352
4 The Consequences of Transgressing el codigo del honor 356
5 The Mysterious Role of Heaven(s) in Human Affairs 357
6 The Virgin-Whore Syndrome in the Wife-Murder Plays 358
B The Politics of Betrothal and Marriage 359
C A Brief Afterword on El burlador de Sevilla 364
Bibliography 369
Index 385
|
any_adam_object | 1 |
author | O'Connor, Thomas Austin |
author_facet | O'Connor, Thomas Austin |
author_role | aut |
author_sort | O'Connor, Thomas Austin |
author_variant | t a o ta tao |
building | Verbundindex |
bvnumber | BV013021813 |
callnumber-first | P - Language and Literature |
callnumber-label | PQ6106 |
callnumber-raw | PQ6106 |
callnumber-search | PQ6106 |
callnumber-sort | PQ 46106 |
callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
classification_rvk | IN 2962 |
ctrlnum | (OCoLC)246426678 (DE-599)BVBBV013021813 |
dewey-full | 862.3093543 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 862 - Spanish drama |
dewey-raw | 862.3093543 |
dewey-search | 862.3093543 |
dewey-sort | 3862.3093543 |
dewey-tens | 860 - Spanish & Portuguese literatures |
discipline | Romanistik |
era | Geschichte 1600-1800 gnd Geschichte 1500-1680 gnd |
era_facet | Geschichte 1600-1800 Geschichte 1500-1680 |
format | Book |
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id | DE-604.BV013021813 |
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indexdate | 2024-07-09T18:37:49Z |
institution | BVB |
isbn | 0820444936 |
language | English |
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physical | XV, 395 S. |
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publisher | Lang |
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series | Ibérica |
series2 | Ibérica |
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spellingShingle | O'Connor, Thomas Austin Love in the "corral" conjugal spirituality and anti-theatrical polemic in early modern Spain Ibérica Ehe (DE-588)4013630-9 gnd Liebe Motiv (DE-588)4123655-5 gnd Drama (DE-588)4012899-4 gnd Spanisch (DE-588)4077640-2 gnd Gesellschaft Motiv (DE-588)4157054-6 gnd Moral (DE-588)4040222-8 gnd Comedia (DE-588)4289288-0 gnd |
subject_GND | (DE-588)4013630-9 (DE-588)4123655-5 (DE-588)4012899-4 (DE-588)4077640-2 (DE-588)4157054-6 (DE-588)4040222-8 (DE-588)4289288-0 |
title | Love in the "corral" conjugal spirituality and anti-theatrical polemic in early modern Spain |
title_auth | Love in the "corral" conjugal spirituality and anti-theatrical polemic in early modern Spain |
title_exact_search | Love in the "corral" conjugal spirituality and anti-theatrical polemic in early modern Spain |
title_full | Love in the "corral" conjugal spirituality and anti-theatrical polemic in early modern Spain Thomas Austin O'Connor |
title_fullStr | Love in the "corral" conjugal spirituality and anti-theatrical polemic in early modern Spain Thomas Austin O'Connor |
title_full_unstemmed | Love in the "corral" conjugal spirituality and anti-theatrical polemic in early modern Spain Thomas Austin O'Connor |
title_short | Love in the "corral" |
title_sort | love in the corral conjugal spirituality and anti theatrical polemic in early modern spain |
title_sub | conjugal spirituality and anti-theatrical polemic in early modern Spain |
topic | Ehe (DE-588)4013630-9 gnd Liebe Motiv (DE-588)4123655-5 gnd Drama (DE-588)4012899-4 gnd Spanisch (DE-588)4077640-2 gnd Gesellschaft Motiv (DE-588)4157054-6 gnd Moral (DE-588)4040222-8 gnd Comedia (DE-588)4289288-0 gnd |
topic_facet | Ehe Liebe Motiv Drama Spanisch Gesellschaft Motiv Moral Comedia Spanisch - Drama - Gesellschaft <Motiv> - Geschichte 1600-1800 Spanisch - Drama - Liebe <Motiv> - Geschichte 1600-1800 |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008872177&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV004830742 |
work_keys_str_mv | AT oconnorthomasaustin loveinthecorralconjugalspiritualityandantitheatricalpolemicinearlymodernspain |