The national uncanny: Indian ghosts and American subjects
Although spectral Indians appear with startling frequency in US literary works, until now the implications of describing them as ghosts have not been thoroughly investigated. In the first years of nationhood, Philip Freneau and Sarah Wentworth Morton peopled their works with Indian phantoms, as did...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hanover [u.a.]
Dartmouth College
2000
|
| Schriftenreihe: | Reencounters with colonialism
|
| Schlagworte: | |
| Zusammenfassung: | Although spectral Indians appear with startling frequency in US literary works, until now the implications of describing them as ghosts have not been thoroughly investigated. In the first years of nationhood, Philip Freneau and Sarah Wentworth Morton peopled their works with Indian phantoms, as did Charles Brocken Brown, Washington Irving, Samuel Woodworth, Lydia Maria Child, James Fenimore Cooper, William Apess, Nathaniel Hawthorne, and others who followed. During the late 19th and early 20th centuries, Native American ghosts figured prominently in speeches attributed to Chief Seattle, Black Elk, and Kicking Bear. Today, Stephen King and Leslie Marmon Silko plot best-selling novels around ghostly Indians and haunted Indian burial grounds. Renée L. Bergland argues that representing Indians as ghosts internalizes them as ghostly figures within the white imagination. Spectralization allows white Americans to construct a concept of American nationhood haunted by Native Americans, in which Indians become sharers in an idealized national imagination. However, the problems of spectralization are clear, since the discourse questions the very nationalism it constructs. Indians who are transformed into ghosts cannot be buried or evaded, and the specter of their forced disappearance haunts the American imagination. Indian ghosts personify national guilt and horror, as well as national pride and pleasure. Bergland tells the story of a terrifying and triumphant American aesthetic that repeatedly transforms horror into glory, national dishonor into national pride. |
| Beschreibung: | 199 S. |
| ISBN: | 0874519438 0874519446 9780874519440 |
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| 520 | 3 | |a Although spectral Indians appear with startling frequency in US literary works, until now the implications of describing them as ghosts have not been thoroughly investigated. In the first years of nationhood, Philip Freneau and Sarah Wentworth Morton peopled their works with Indian phantoms, as did Charles Brocken Brown, Washington Irving, Samuel Woodworth, Lydia Maria Child, James Fenimore Cooper, William Apess, Nathaniel Hawthorne, and others who followed. During the late 19th and early 20th centuries, Native American ghosts figured prominently in speeches attributed to Chief Seattle, Black Elk, and Kicking Bear. Today, Stephen King and Leslie Marmon Silko plot best-selling novels around ghostly Indians and haunted Indian burial grounds. Renée L. Bergland argues that representing Indians as ghosts internalizes them as ghostly figures within the white imagination. Spectralization allows white Americans to construct a concept of American nationhood haunted by Native Americans, in which Indians become sharers in an idealized national imagination. However, the problems of spectralization are clear, since the discourse questions the very nationalism it constructs. Indians who are transformed into ghosts cannot be buried or evaded, and the specter of their forced disappearance haunts the American imagination. Indian ghosts personify national guilt and horror, as well as national pride and pleasure. Bergland tells the story of a terrifying and triumphant American aesthetic that repeatedly transforms horror into glory, national dishonor into national pride. | |
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Datensatz im Suchindex
| _version_ | 1804127710265475072 |
|---|---|
| any_adam_object | |
| author | Bergland, Renée L. 1963- |
| author_GND | (DE-588)136843875 |
| author_facet | Bergland, Renée L. 1963- |
| author_role | aut |
| author_sort | Bergland, Renée L. 1963- |
| author_variant | r l b rl rlb |
| building | Verbundindex |
| bvnumber | BV013009762 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PS173 |
| callnumber-raw | PS173.I6 |
| callnumber-search | PS173.I6 |
| callnumber-sort | PS 3173 I6 |
| callnumber-subject | PS - American Literature |
| classification_rvk | HR 1702 HR 1712 |
| ctrlnum | (OCoLC)41565191 (DE-599)BVBBV013009762 |
| dewey-full | 810.9/3520397 810.93520397 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 810 - American literature in English |
| dewey-raw | 810.9/3520397 810.93520397 |
| dewey-search | 810.9/3520397 810.93520397 |
| dewey-sort | 3810.9 73520397 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1900-2000 Geschichte 1800-1900 |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 |
| format | Book |
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| geographic_facet | USA |
| id | DE-604.BV013009762 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T18:37:40Z |
| institution | BVB |
| isbn | 0874519438 0874519446 9780874519440 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008866053 |
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| physical | 199 S. |
| publishDate | 2000 |
| publishDateSearch | 2000 |
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| publisher | Dartmouth College |
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| series2 | Reencounters with colonialism |
| spelling | Bergland, Renée L. 1963- Verfasser (DE-588)136843875 aut The national uncanny Indian ghosts and American subjects Renée L. Bergland Hanover [u.a.] Dartmouth College 2000 199 S. txt rdacontent n rdamedia nc rdacarrier Reencounters with colonialism Although spectral Indians appear with startling frequency in US literary works, until now the implications of describing them as ghosts have not been thoroughly investigated. In the first years of nationhood, Philip Freneau and Sarah Wentworth Morton peopled their works with Indian phantoms, as did Charles Brocken Brown, Washington Irving, Samuel Woodworth, Lydia Maria Child, James Fenimore Cooper, William Apess, Nathaniel Hawthorne, and others who followed. During the late 19th and early 20th centuries, Native American ghosts figured prominently in speeches attributed to Chief Seattle, Black Elk, and Kicking Bear. Today, Stephen King and Leslie Marmon Silko plot best-selling novels around ghostly Indians and haunted Indian burial grounds. Renée L. Bergland argues that representing Indians as ghosts internalizes them as ghostly figures within the white imagination. Spectralization allows white Americans to construct a concept of American nationhood haunted by Native Americans, in which Indians become sharers in an idealized national imagination. However, the problems of spectralization are clear, since the discourse questions the very nationalism it constructs. Indians who are transformed into ghosts cannot be buried or evaded, and the specter of their forced disappearance haunts the American imagination. Indian ghosts personify national guilt and horror, as well as national pride and pleasure. Bergland tells the story of a terrifying and triumphant American aesthetic that repeatedly transforms horror into glory, national dishonor into national pride. Geschichte 1900-2000 Geschichte 1800-1900 American literature 19th century History and criticism American literature 20th century History and criticism Frontier and pioneer life in literature Ghost stories, American History and criticism Indians in literature Supernatural in literature Indianer Motiv (DE-588)4122591-0 gnd rswk-swf Das Unheimliche (DE-588)4148856-8 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Gespenst (DE-588)4071802-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Das Unheimliche (DE-588)4148856-8 s DE-604 Gespenst (DE-588)4071802-5 s Literatur (DE-588)4035964-5 s Indianer Motiv (DE-588)4122591-0 s Geschichte (DE-588)4020517-4 s |
| spellingShingle | Bergland, Renée L. 1963- The national uncanny Indian ghosts and American subjects American literature 19th century History and criticism American literature 20th century History and criticism Frontier and pioneer life in literature Ghost stories, American History and criticism Indians in literature Supernatural in literature Indianer Motiv (DE-588)4122591-0 gnd Das Unheimliche (DE-588)4148856-8 gnd Geschichte (DE-588)4020517-4 gnd Literatur (DE-588)4035964-5 gnd Gespenst (DE-588)4071802-5 gnd |
| subject_GND | (DE-588)4122591-0 (DE-588)4148856-8 (DE-588)4020517-4 (DE-588)4035964-5 (DE-588)4071802-5 (DE-588)4078704-7 |
| title | The national uncanny Indian ghosts and American subjects |
| title_auth | The national uncanny Indian ghosts and American subjects |
| title_exact_search | The national uncanny Indian ghosts and American subjects |
| title_full | The national uncanny Indian ghosts and American subjects Renée L. Bergland |
| title_fullStr | The national uncanny Indian ghosts and American subjects Renée L. Bergland |
| title_full_unstemmed | The national uncanny Indian ghosts and American subjects Renée L. Bergland |
| title_short | The national uncanny |
| title_sort | the national uncanny indian ghosts and american subjects |
| title_sub | Indian ghosts and American subjects |
| topic | American literature 19th century History and criticism American literature 20th century History and criticism Frontier and pioneer life in literature Ghost stories, American History and criticism Indians in literature Supernatural in literature Indianer Motiv (DE-588)4122591-0 gnd Das Unheimliche (DE-588)4148856-8 gnd Geschichte (DE-588)4020517-4 gnd Literatur (DE-588)4035964-5 gnd Gespenst (DE-588)4071802-5 gnd |
| topic_facet | American literature 19th century History and criticism American literature 20th century History and criticism Frontier and pioneer life in literature Ghost stories, American History and criticism Indians in literature Supernatural in literature Indianer Motiv Das Unheimliche Geschichte Literatur Gespenst USA |
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