Music and humanism: an essay in the aesthetics of music
"Robert Sharpe examines a series of fundamental questions about our understanding and appreciation of music, towards a reassessment of the conception of music that has been dominant in Western culture. He focuses on the problem of expression in music, and on the role of pleasure in aesthetic ju...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2000
|
| Schlagworte: | |
| Zusammenfassung: | "Robert Sharpe examines a series of fundamental questions about our understanding and appreciation of music, towards a reassessment of the conception of music that has been dominant in Western culture. He focuses on the problem of expression in music, and on the role of pleasure in aesthetic judgement. He argues against the view that music is expressive in as much as it causes certain states in us: this view underestimates the cognitive element in our response to music. Our beliefs about music are integral to our appreciation of it; and general ideas about music and its relation to its times - our ideologies - underlie our judgement. Differences in musical taste are not just primitive and irresolvable difference in sensitivity: they are the result of differences in circumstance and upbringing, of associations and ideology. The metaphor of music as a language has exerted a deep influence on the way we think about music and the way we hear it: we conceive of music as expressive and as something to be understood. These two ideas underpin the thought that it is a humanist art. Sharpe suggests that Western music may have entered a new period in which the language analogy and the humanist conception are becoming less and less appropriate."--BOOK JACKET. |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | IX, 221 Seiten Notenbeispiele |
| ISBN: | 0198238851 9780198238850 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV013002395 | ||
| 003 | DE-604 | ||
| 005 | 20180119 | ||
| 007 | t | ||
| 008 | 000224s2000 gl|| |||| 00||| eng d | ||
| 020 | |a 0198238851 |9 0-19-823885-1 | ||
| 020 | |a 9780198238850 |9 978-0-19-823885-0 | ||
| 035 | |a (OCoLC)42597759 | ||
| 035 | |a (DE-599)BVBBV013002395 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-824 |a DE-12 |a DE-11 | ||
| 050 | 0 | |a ML3845 | |
| 082 | 0 | |a 780.1/7 |2 21 | |
| 084 | |a LR 56820 |0 (DE-625)109812:13528 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Sharpe, R. A. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Music and humanism |b an essay in the aesthetics of music |c R. A. Sharpe |
| 264 | 1 | |a Oxford |b Oxford University Press |c 2000 | |
| 300 | |a IX, 221 Seiten |b Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Hier auch später erschienene, unveränderte Nachdrucke | ||
| 520 | 1 | |a "Robert Sharpe examines a series of fundamental questions about our understanding and appreciation of music, towards a reassessment of the conception of music that has been dominant in Western culture. He focuses on the problem of expression in music, and on the role of pleasure in aesthetic judgement. He argues against the view that music is expressive in as much as it causes certain states in us: this view underestimates the cognitive element in our response to music. Our beliefs about music are integral to our appreciation of it; and general ideas about music and its relation to its times - our ideologies - underlie our judgement. Differences in musical taste are not just primitive and irresolvable difference in sensitivity: they are the result of differences in circumstance and upbringing, of associations and ideology. The metaphor of music as a language has exerted a deep influence on the way we think about music and the way we hear it: we conceive of music as expressive and as something to be understood. These two ideas underpin the thought that it is a humanist art. Sharpe suggests that Western music may have entered a new period in which the language analogy and the humanist conception are becoming less and less appropriate."--BOOK JACKET. | |
| 650 | 4 | |a Musique - Aspect psychologique | |
| 650 | 4 | |a Musique - Philosophie et esthétique | |
| 650 | 7 | |a Muziekfilosofie |2 gtt | |
| 650 | 7 | |a Psychologische aspecten |2 gtt | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Psychologie | |
| 650 | 4 | |a Music |x Philosophy and aesthetics | |
| 650 | 4 | |a Music |x Psychological aspects | |
| 650 | 0 | 7 | |a Musikästhetik |0 (DE-588)4040808-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Humanismus |0 (DE-588)4026140-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikalischer Geschmack |0 (DE-588)4170805-2 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Musikästhetik |0 (DE-588)4040808-5 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Humanismus |0 (DE-588)4026140-2 |D s |
| 689 | 1 | 1 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Musikalischer Geschmack |0 (DE-588)4170805-2 |D s |
| 689 | 2 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-008861342 | ||
Datensatz im Suchindex
| _version_ | 1804127703357456384 |
|---|---|
| any_adam_object | |
| author | Sharpe, R. A. |
| author_facet | Sharpe, R. A. |
| author_role | aut |
| author_sort | Sharpe, R. A. |
| author_variant | r a s ra ras |
| building | Verbundindex |
| bvnumber | BV013002395 |
| callnumber-first | M - Music |
| callnumber-label | ML3845 |
| callnumber-raw | ML3845 |
| callnumber-search | ML3845 |
| callnumber-sort | ML 43845 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 56820 |
| ctrlnum | (OCoLC)42597759 (DE-599)BVBBV013002395 |
| dewey-full | 780.1/7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.1/7 |
| dewey-search | 780.1/7 |
| dewey-sort | 3780.1 17 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03140nam a2200565 c 4500</leader><controlfield tag="001">BV013002395</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20180119 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">000224s2000 gl|| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0198238851</subfield><subfield code="9">0-19-823885-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780198238850</subfield><subfield code="9">978-0-19-823885-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)42597759</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV013002395</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-824</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML3845</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.1/7</subfield><subfield code="2">21</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56820</subfield><subfield code="0">(DE-625)109812:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Sharpe, R. A.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music and humanism</subfield><subfield code="b">an essay in the aesthetics of music</subfield><subfield code="c">R. A. Sharpe</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2000</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">IX, 221 Seiten</subfield><subfield code="b">Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Hier auch später erschienene, unveränderte Nachdrucke</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"Robert Sharpe examines a series of fundamental questions about our understanding and appreciation of music, towards a reassessment of the conception of music that has been dominant in Western culture. He focuses on the problem of expression in music, and on the role of pleasure in aesthetic judgement. He argues against the view that music is expressive in as much as it causes certain states in us: this view underestimates the cognitive element in our response to music. Our beliefs about music are integral to our appreciation of it; and general ideas about music and its relation to its times - our ideologies - underlie our judgement. Differences in musical taste are not just primitive and irresolvable difference in sensitivity: they are the result of differences in circumstance and upbringing, of associations and ideology. The metaphor of music as a language has exerted a deep influence on the way we think about music and the way we hear it: we conceive of music as expressive and as something to be understood. These two ideas underpin the thought that it is a humanist art. Sharpe suggests that Western music may have entered a new period in which the language analogy and the humanist conception are becoming less and less appropriate."--BOOK JACKET.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musique - Aspect psychologique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musique - Philosophie et esthétique</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Muziekfilosofie</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Psychologische aspecten</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Psychologie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">Philosophy and aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">Psychological aspects</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikästhetik</subfield><subfield code="0">(DE-588)4040808-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Humanismus</subfield><subfield code="0">(DE-588)4026140-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalischer Geschmack</subfield><subfield code="0">(DE-588)4170805-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musikästhetik</subfield><subfield code="0">(DE-588)4040808-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Humanismus</subfield><subfield code="0">(DE-588)4026140-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Musikalischer Geschmack</subfield><subfield code="0">(DE-588)4170805-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-008861342</subfield></datafield></record></collection> |
| id | DE-604.BV013002395 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:37:34Z |
| institution | BVB |
| isbn | 0198238851 9780198238850 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008861342 |
| oclc_num | 42597759 |
| open_access_boolean | |
| owner | DE-824 DE-12 DE-11 |
| owner_facet | DE-824 DE-12 DE-11 |
| physical | IX, 221 Seiten Notenbeispiele |
| publishDate | 2000 |
| publishDateSearch | 2000 |
| publishDateSort | 2000 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Sharpe, R. A. Verfasser aut Music and humanism an essay in the aesthetics of music R. A. Sharpe Oxford Oxford University Press 2000 IX, 221 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke "Robert Sharpe examines a series of fundamental questions about our understanding and appreciation of music, towards a reassessment of the conception of music that has been dominant in Western culture. He focuses on the problem of expression in music, and on the role of pleasure in aesthetic judgement. He argues against the view that music is expressive in as much as it causes certain states in us: this view underestimates the cognitive element in our response to music. Our beliefs about music are integral to our appreciation of it; and general ideas about music and its relation to its times - our ideologies - underlie our judgement. Differences in musical taste are not just primitive and irresolvable difference in sensitivity: they are the result of differences in circumstance and upbringing, of associations and ideology. The metaphor of music as a language has exerted a deep influence on the way we think about music and the way we hear it: we conceive of music as expressive and as something to be understood. These two ideas underpin the thought that it is a humanist art. Sharpe suggests that Western music may have entered a new period in which the language analogy and the humanist conception are becoming less and less appropriate."--BOOK JACKET. Musique - Aspect psychologique Musique - Philosophie et esthétique Muziekfilosofie gtt Psychologische aspecten gtt Musik Psychologie Music Philosophy and aesthetics Music Psychological aspects Musikästhetik (DE-588)4040808-5 gnd rswk-swf Humanismus (DE-588)4026140-2 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musikalischer Geschmack (DE-588)4170805-2 gnd rswk-swf Musikästhetik (DE-588)4040808-5 s DE-604 Humanismus (DE-588)4026140-2 s Musik (DE-588)4040802-4 s Musikalischer Geschmack (DE-588)4170805-2 s |
| spellingShingle | Sharpe, R. A. Music and humanism an essay in the aesthetics of music Musique - Aspect psychologique Musique - Philosophie et esthétique Muziekfilosofie gtt Psychologische aspecten gtt Musik Psychologie Music Philosophy and aesthetics Music Psychological aspects Musikästhetik (DE-588)4040808-5 gnd Humanismus (DE-588)4026140-2 gnd Musik (DE-588)4040802-4 gnd Musikalischer Geschmack (DE-588)4170805-2 gnd |
| subject_GND | (DE-588)4040808-5 (DE-588)4026140-2 (DE-588)4040802-4 (DE-588)4170805-2 |
| title | Music and humanism an essay in the aesthetics of music |
| title_auth | Music and humanism an essay in the aesthetics of music |
| title_exact_search | Music and humanism an essay in the aesthetics of music |
| title_full | Music and humanism an essay in the aesthetics of music R. A. Sharpe |
| title_fullStr | Music and humanism an essay in the aesthetics of music R. A. Sharpe |
| title_full_unstemmed | Music and humanism an essay in the aesthetics of music R. A. Sharpe |
| title_short | Music and humanism |
| title_sort | music and humanism an essay in the aesthetics of music |
| title_sub | an essay in the aesthetics of music |
| topic | Musique - Aspect psychologique Musique - Philosophie et esthétique Muziekfilosofie gtt Psychologische aspecten gtt Musik Psychologie Music Philosophy and aesthetics Music Psychological aspects Musikästhetik (DE-588)4040808-5 gnd Humanismus (DE-588)4026140-2 gnd Musik (DE-588)4040802-4 gnd Musikalischer Geschmack (DE-588)4170805-2 gnd |
| topic_facet | Musique - Aspect psychologique Musique - Philosophie et esthétique Muziekfilosofie Psychologische aspecten Musik Psychologie Music Philosophy and aesthetics Music Psychological aspects Musikästhetik Humanismus Musikalischer Geschmack |
| work_keys_str_mv | AT sharpera musicandhumanismanessayintheaestheticsofmusic |