Drum circle spirit: facilitating human potential through rhythm
Gespeichert in:
1. Verfasser: | |
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Weitere Verfasser: | |
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Reno, NV
White Cliffs Media
[1998]
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Schriftenreihe: | Performance in world music series
12 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | 206 Seiten Illustrationen 1 CD (12 cm) |
ISBN: | 0941677842 |
Internformat
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Datensatz im Suchindex
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adam_text | Titel: Drum circle spirit
Autor: Hull, Arthur
Jahr: 1998
Table o| Contents Dedication .................... 9 Acknowledgments .............10 Introduction..................12 Chapter I Rhythmaculture, Circles, and Drum Circle Etiquette The Birth of Rhythmaculture in America . . .?................17 Circles........................21 Types of Dram Circles in the U.S.....24 Drum Circle Etiquette ............29 Chapter 2 Facilitators What Is a Facilitator?.............31 Skills for Facilitating .............31 Basic Facilitation Principles ........36 Philosophy and Attitudes of Facilitators.................37 A Cautionary Note for Hand Dram Teachers ...........39 Beware of Passing Out Culturally- Specific Rhythms ..............40 Chapter 3 Facilitation Exercises and Drum Circle Games Kids Circles....................43 Drum Circle Friends..............44 Creating a Facilitation Study Group..................44 Note to Hand Drum and Music Teachers................46 Circle Instrumentation............48 Chapter 4 Reading and Respecting the Circle Remember to Breathe.............55 Reading the Group as One Body .... 55 The Three Reading Tools: Peripheral Vision, Hearing, and Feeling......56 Circuitry Exercises...............56 Peripheral Vision................57 Peripheral Hearing...............60 Peripheral Feeling ...............61 The Radar .....................67 Rapport Skills...................68 Transition Point.................71 Chapter 5 Addressing the Circle Windows of Vocal Communication...............73 Effective Speaking Style ...........74 Opening Addresses...............75 Points to Address in Windows of Vocal Communication ........77 Closing Addresses ...............78 Chapter 6 Event Format Focused Intention ...............81 Begin with Small Successes.........82 Finale ........................83
Chapter 7 Arthurian Terminology The Groove ....................85 Entrainment ...................86 Circuitry ......................87 Student Crisis Mode..............88 Facilitators Crisis Mode...........88 Sincerious .....................88 Percussion Puppy................88 Percussionitis...................89 Modulation ....................90 Synergizing ....................90 Rhythmasizing..................90 Windows of Communication.......90 Sculpting......................90 Orchestrati onal Spot .............91 Call and Response ...............91 Call to Groove..................91 In Full Groove..................91 On the Run....................91 Stop Cut ......................92 Rumble .......................92 Showcasing ....................92 Rhythm Dorks..................93 Chapter 8 Facilitating in Specific Populations Open Community Drumming......95 Kids..........................98 Kids-at-Risk ...................100 Challenged Populations..........105 Personal Growth and Healing......108 Women s and Men s Groups.......Ill Corporate Groups ..............113 Conferences...................117 Music Therapy and the Well Elderly .................121 Career Considerations ...........122 Chapter 9 The Mission.................. 125 Chapter 10 Tools and Techniques of Facilitators Body Language and Dynamics.....129 Vocal Calls....................131 The Physical Circle..............131 Drum Call ....................134 The Orchestration Point..........136 Entering and Leaving the Circle .... 137 Planning Windows of Vocal Communication..............137 Creating Small Successes .........138 Pacing and Leading .............139 Working With What They Give You ...............140 Individual Adjustments ..........143 Spinning Plates and Passing Out Parts .............143 Chapter II Elements to Facilitate in a Drum Circle .....145 Pulse ........................146 Rhythm Patterns ...............146
Tempo.......................146 Timbral Groups ................147 Pitch ..... 147 Volume Dynamics ..............147 Time Signatures................147 Vocals .......................153 Movement....................153 Spirit........................154
Chapter 12 Facilitator’s Orchestrational Tools Sculpting.....................156 Attention Call .................157 Stop Cut .....................158 Continue to Play...............160 Call to Groove.................160 Accent Jumps..................161 Accent Stomps.................162 Call and Response ..............162 The Rumble...................164 Tempo Up ....................165 Tempo Down..................166 Volume Up and Down...........167 Layering......................168 Marking the Pulse ..............170 Showcasing ...................171 Chapter 13 Universal Grooves.....173 The Pulse.....................174 The Rocker Rhythm.............176 Layering Parts .................176 Rolling to the One..............177 The 3/2 Clave .................179 To-the-Pulse Rhythm............182 6/8..........................183 Heartbeat.....................184 Chapter 14 Orchestrational Ideas Sculpting.....................185 Call and Response ..............188 Rumbles......................190 Rumble Waves.................193 Marking the Pulse ..............194 Manipulation Versus Service.......197 Closing...................... 199 Resources ...................201 Credits ......................204 Index .......................205 Circuitry Exercises Peripheral Vision .........57 ¡ji Peripheral Vision Walking ... 58 Advanced Peripheral Walking . . 60 Using Peripheral Hearing from the Edge.................60 Peripheral Hearing from the Center ... 60 Listening for the Most Distant Sound.................61 The Finger Dance................61 The Advanced Finger Dance........65 Radar.........................67 Three Questions, One Answer .....128 Facilitation Exercises In-the-Moment Music......52 Three-Point Radar.........67 ^*%£p** Sculpting Three Vocal Parts . . 91 Sculpting a Vocal Song on the Run ... 92 Sculpting a Rhythm Song.........161 Vocal Call with Instrument Response....................163 Facilitating
Call and Response .....164 Tempo Dynamics on the Run......166 Volume Dynamics on the Run.....167 Layering In and Out.............168 Layering In Parts by Pitch ........168 Layering In Parts by Drum Type .... 168 Magic Chicken.................169 Drum Circle Games Passing the Pulse .........53 SeTJC Transition Point..........72 Passing the Solo..........84 Layering In a Rhythm ...........142 Passing Call and Response on the Run..................164 Dynamic Solo to Call and Response Break...............167 Orchestrational Exercises Sculpting ..............185 Call and Response .......188 Rumbles....... 190 Marking the Pulse ..............194 Layering a Multi-Part Rhythm on the Run..................196 Showcasing your Advanced Players During the Groove ............197
|
any_adam_object | 1 |
author | Hull, Arthur 1947- |
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illustrated | Illustrated |
indexdate | 2024-07-09T18:35:49Z |
institution | BVB |
isbn | 0941677842 |
language | English |
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physical | 206 Seiten Illustrationen 1 CD (12 cm) |
publishDate | 1998 |
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series | Performance in world music series |
series2 | Performance in world music series |
spelling | Hull, Arthur 1947- Verfasser (DE-588)124539963 aut Drum circle spirit facilitating human potential through rhythm by Arthur Hull ; edited by Angela Marie Reno, NV White Cliffs Media [1998] 206 Seiten Illustrationen 1 CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Performance in world music series 12 Schlaginstrument (DE-588)4137283-9 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musizieren (DE-588)4170838-6 gnd rswk-swf Rhythmus (DE-588)4132330-0 gnd rswk-swf Gruppe (DE-588)4022378-4 gnd rswk-swf Gruppe (DE-588)4022378-4 s Musik (DE-588)4040802-4 s Rhythmus (DE-588)4132330-0 s DE-604 Schlaginstrument (DE-588)4137283-9 s Musizieren (DE-588)4170838-6 s Marie, Angela edt Performance in world music series 12 (DE-604)BV000746305 12 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008785305&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Hull, Arthur 1947- Drum circle spirit facilitating human potential through rhythm Performance in world music series Schlaginstrument (DE-588)4137283-9 gnd Musik (DE-588)4040802-4 gnd Musizieren (DE-588)4170838-6 gnd Rhythmus (DE-588)4132330-0 gnd Gruppe (DE-588)4022378-4 gnd |
subject_GND | (DE-588)4137283-9 (DE-588)4040802-4 (DE-588)4170838-6 (DE-588)4132330-0 (DE-588)4022378-4 |
title | Drum circle spirit facilitating human potential through rhythm |
title_auth | Drum circle spirit facilitating human potential through rhythm |
title_exact_search | Drum circle spirit facilitating human potential through rhythm |
title_full | Drum circle spirit facilitating human potential through rhythm by Arthur Hull ; edited by Angela Marie |
title_fullStr | Drum circle spirit facilitating human potential through rhythm by Arthur Hull ; edited by Angela Marie |
title_full_unstemmed | Drum circle spirit facilitating human potential through rhythm by Arthur Hull ; edited by Angela Marie |
title_short | Drum circle spirit |
title_sort | drum circle spirit facilitating human potential through rhythm |
title_sub | facilitating human potential through rhythm |
topic | Schlaginstrument (DE-588)4137283-9 gnd Musik (DE-588)4040802-4 gnd Musizieren (DE-588)4170838-6 gnd Rhythmus (DE-588)4132330-0 gnd Gruppe (DE-588)4022378-4 gnd |
topic_facet | Schlaginstrument Musik Musizieren Rhythmus Gruppe |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008785305&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV000746305 |
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