The musicalization of fiction: a study in the theory and history of intermediality
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Rodopi
1999
|
| Schriftenreihe: | Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft
35 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XI, 272 Seiten Diagramme, Notenbeispiele |
| ISBN: | 9042004576 |
Internformat
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Datensatz im Suchindex
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| adam_text | CONTENTS
Acknowledgements xi
1. Introduction 1
PART I : THEORY
THE COMPARABILITY OF MUSIC AND LITERATURE;
INTERMEDIALITY
AND THE SPECIAL CASE OF
THE MUSICALIZATION OF LITERATURE/FICTION
2. Music and (narrative) literature:
principal similarities and differences 11
2.1. The comparability of music and literature 11
2.2. Musical and literary signifiers:
similarities and differences 14
2.3. Musical and literary signifieds and the problem of meaning:
similarities and differences 22
2.4. Consequences for a theory of the musicalization of (narrative)
literature 33
3. Intermediality :
definition, typology, related terms 35
3.1. Medium , intermedia(l) , and intermediality 35
3.2. Overt or direct vs. covert or indirect intermediality and
other typological differentiations 37
3.3. Explicit telling or thematization and implicit showing or
imitation as basic types of covert intermediality 44
3.4. Intermediality and intertextuality as intersemiotic forms 46
3.5. Intermediality and meta aesthetic/metamedial self reflexivity 48
vii
4. Musico literary intermediality and the musicalization of literature/fiction:
definition and typology 51
4.1. Musicalization of fiction:
definition 51
4.2. Forms of musico literary intermediality and the place
of musicalized literature/fiction as deducible from a general
typology of intermediality 53
4.3. Forms of explicit thematization of music in literature/fiction:
textual, paratextual and contextual; general and specific
thematization 55
4.4. Forms of implicit imitation of music in literature/fiction:
word music , structural and imaginary content analogies
to music, general and specific imitation and the problem
of verbal music 57
4.5. Forms of evocation of vocal music through associative quotation 67
5. How to recognize a musicalized fiction when reading one 71
5.1. Types of evidence and criteria for identifying musicalized
fiction 73
5.2. Sterne s Tristram Shandy a musical novel ? 85
PART II: HISTORY
THE MUSICALIZATION OF FICTION IN ENGLISH LITERATURE:
AESTHETIC PREHISTORY AND INTERMEDIAL EXPERIMENTS
FROM ROMANTICISM TO POSTMODERNISM
6. The prehistory of the musicalization of fiction:
the rise of music in aesthetic evaluation from the eighteenth
century to romanticism stages and factors 97
6.1. From the verbal domination of music to the emancipation
of music from language [and literature] 97
6.2. The rise of music in aesthetic evaluation since the eighteenth
century and its main causes 101
viii
7. Romantic musicalization of fiction:
De Quincey, Dream Fugue 111
7.1. The dream and its thematic implications 111
7.2. Evidence of musicalization 113
7.3. Structural analogies to a fugue and the a mimetic departure
from traditional storytelling 114
7.4. Functions of the attempted musicalization of fiction 119
7.5. Dream Fugue in the context of nineteenth century
experiments with the musicalization of literature 123
8. Modernist musicalization of fiction I:
the Sirens episode in Joyce s Ulysses 125
8.1. Modernism as the first climax in the history of attempts
at a musicalization of fiction 125
8.2. Sirens :
evidence of musicalization on the level of thematization 127
8.3. Imitation of music I:
the Sirens episode as prelude and fugue ? 131
8.4. Imitation of music II:
analogies to musical microstructures and word music in Sirens 138
8.5. Functions of the attempted musicalization of the Sirens episode 140
9. Modernist musicalization of fiction II:
Woolf, The String Quartet 147
9.1. Woolf as an intermedial author 147
9.2. Forms of musico literary intermediality in The String Quartet 148
9.3. Functions of the musicalization of The String Quartet 154
10. Modernist musicalization of fiction III:
Huxley, Point Counter Point 165
10.1. Philip Quarles s intermedial programme of the musicalization
of fiction and its realization in Huxley s contrapuntal novel 165
10.2. Bach, Beethoven and the functions of the musicalization of
Point Counter Point 173
ix
11. Postmodernist musicalization of fiction I:
Beckett, Ping an intermedial borderline case 183
11.1. Postmodernism as second climax in the history of attempts
at a musicalization of fiction 183
11.2. Beckett and music 185
11.3. Ping amusicalized fiction? 188
11.4. Functional aspects of a possible musicalization of Ping 193
12. Postmodernist musicalization of fiction II:
Burgess, Napoleon Symphony 197
12.1. Napoleon Symphony: contextual and textual evidence
and thematizations of musicalization 197
12.2. Giv[ing] symphonic shape to verbal narrative
techniques of imitating music in (the second movement of)
Napoleon Symphony 200
12.3. Functions of the musicalization of Napoleon Symphony 207
13. Postmodernist musicalization of fiction III:
Josipovici, Fuga 217
13.1. Josipovici as a postmodernist, and evidence of
musicalization in Fuga 217
13.2. The story and its possible reading as a verbal fugue 219
13.3. Functions of the fugal structure of Fuga 223
14. Summary 229
Bibliography 243
Index 263
x
|
| any_adam_object | 1 |
| author | Wolf, Werner 1955- |
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| dewey-full | 809.3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.3 |
| dewey-search | 809.3 |
| dewey-sort | 3809.3 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft Musikwissenschaft |
| format | Book |
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| spelling | Wolf, Werner 1955- Verfasser (DE-588)1102376574 aut The musicalization of fiction a study in the theory and history of intermediality Werner Wolf Amsterdam Rodopi 1999 XI, 272 Seiten Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft 35 Musik i litteraturen sao Musik och litteratur sao Sprache (DE-588)4056449-6 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Fiktion (DE-588)4192723-0 gnd rswk-swf Musik Motiv (DE-588)4114652-9 gnd rswk-swf Struktur (DE-588)4058125-1 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Komposition Musik (DE-588)4133320-2 s Struktur (DE-588)4058125-1 s Literatur (DE-588)4035964-5 s Fiktion (DE-588)4192723-0 s DE-604 Musik (DE-588)4040802-4 s Sprache (DE-588)4056449-6 s Großbritannien (DE-588)4022153-2 g Musik Motiv (DE-588)4114652-9 s Geschichte (DE-588)4020517-4 s Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft 35 (DE-604)BV008415066 35 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008698693&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wolf, Werner 1955- The musicalization of fiction a study in the theory and history of intermediality Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft Musik i litteraturen sao Musik och litteratur sao Sprache (DE-588)4056449-6 gnd Komposition Musik (DE-588)4133320-2 gnd Geschichte (DE-588)4020517-4 gnd Fiktion (DE-588)4192723-0 gnd Musik Motiv (DE-588)4114652-9 gnd Struktur (DE-588)4058125-1 gnd Literatur (DE-588)4035964-5 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4056449-6 (DE-588)4133320-2 (DE-588)4020517-4 (DE-588)4192723-0 (DE-588)4114652-9 (DE-588)4058125-1 (DE-588)4035964-5 (DE-588)4040802-4 (DE-588)4022153-2 |
| title | The musicalization of fiction a study in the theory and history of intermediality |
| title_auth | The musicalization of fiction a study in the theory and history of intermediality |
| title_exact_search | The musicalization of fiction a study in the theory and history of intermediality |
| title_full | The musicalization of fiction a study in the theory and history of intermediality Werner Wolf |
| title_fullStr | The musicalization of fiction a study in the theory and history of intermediality Werner Wolf |
| title_full_unstemmed | The musicalization of fiction a study in the theory and history of intermediality Werner Wolf |
| title_short | The musicalization of fiction |
| title_sort | the musicalization of fiction a study in the theory and history of intermediality |
| title_sub | a study in the theory and history of intermediality |
| topic | Musik i litteraturen sao Musik och litteratur sao Sprache (DE-588)4056449-6 gnd Komposition Musik (DE-588)4133320-2 gnd Geschichte (DE-588)4020517-4 gnd Fiktion (DE-588)4192723-0 gnd Musik Motiv (DE-588)4114652-9 gnd Struktur (DE-588)4058125-1 gnd Literatur (DE-588)4035964-5 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Musik i litteraturen Musik och litteratur Sprache Komposition Musik Geschichte Fiktion Musik Motiv Struktur Literatur Musik Großbritannien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008698693&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV008415066 |
| work_keys_str_mv | AT wolfwerner themusicalizationoffictionastudyinthetheoryandhistoryofintermediality |