Metal, rock, and jazz: perception and the phenomenology of musical experience
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hanover [u.a.]
Wesleyan Univ. Press
1999
|
| Schriftenreihe: | Music Culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIII, 334 S. Ill., Noten |
| ISBN: | 0819563765 |
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Datensatz im Suchindex
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| adam_text | Contents
List of Illustrations ix
Acknowledgments xi
i. An Introduction to Central Issues in Ethnomusicology and Folklore:
Phenomenology and Practice Theory i
I. The Ethnography of Musical Practice
2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic 31
3. Heavy Metal in Akron, Ohio: Winter s Bane and Sin-Eater 56
4. Two Jazz Scenes in Northeast Ohio 76
II. The Organization of Musical Experience and the
Practice of Perception
5. The Organization of Attention in Two Jazz Scenes 119
6. The Organization of Attention in the Rock and Metal Scenes 149
7. Tonality, Temporality, and the Intending Subject (1):
Chris Ozimek and Turn for the Worse 174
8. Tonality, Temporality, and the Perceptual Subject (2):
Dann Saladin and The Final Silencing 200
9. Conclusions: Perceptual Practice and Social Context 242
III. Music, Experience, and Society:
Death Metal and Deindustrialization in an American City
10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music 251
11. A Critical Dialogue on the Politics of the Metal Underground:
Race, Class, and Consequence 276
12. Conclusion: The Scope of Ethnomusicology 295
Notes 299
Glossary 311
Selected Bibliography 315
Index 325
Contents / vii
Illustrations
FIGURES
Figure i. Map of the Akron Agora 36
Figure 2. Map of Mr. E s Tavern 68
Figure 3. An accompaniment pattern for Take the A Train 96
Figure 4. Another accompaniment pattern for Take the A Train 97
Figure 5. A third accompaniment pattern for Take the A Train 97
Figure 6. Basic jazz groove 98
Figure 7. An older jazz groove 99
Figure 8. Simplified jazz groove 99
Figure 9. Map of Rizzi s Jazz Lounge 101
Figure 10. Turn for the Worse 177
Figure 11. Approximation of the harmonic implications
of the second fill in Turn 190
Figure 12. The Final Silencing 201
Figure 13. An example of a rock groove 243
Figure 14. A fill played against the implied groove 243
Figure 15. A second fill played against the implied groove 243
Figure 16. Synthesis of identification in harmonic rhythm 244
PHOTOGRAPHS
Dia Pason (Chris Ozimek, Brian Exton, Steve Christen, and Alfredo Ricci) 40
Max Panic (John Carr, Ken Barber, George Chapman, and Jeff Johnston) 41
DannSaladin 63
Winter s Bane (Terry Salem, Dennis Hayes, Timmy Owens, and Lou St. Paul) 65
Larry Whisler 79
Dick Schermesser 81
Bill Roth 82
JackHanan 84
Jerome Saunders 87
Eric Gould 88
The Whisler Quartet at Rizzi s Jazz Lounge
(Bill Roth, Larry Whisler, Jack Hanan, and Dick Schermesser) 100
Larry Glover 144
Dann Saladin at home 263
OUAMHall 293
Illustrations / ix
|
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| spelling | Berger, Harris M. 1966- Verfasser (DE-588)173678793 aut Metal, rock, and jazz perception and the phenomenology of musical experience Harris M. Berger Hanover [u.a.] Wesleyan Univ. Press 1999 XIII, 334 S. Ill., Noten txt rdacontent n rdamedia nc rdacarrier Music Culture Jazz - History and criticism Music - Philosophy and aesthetics Music and society Musical perception Rock music - History and criticism Musik Musiker (DE-588)4040841-3 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Rockmusik (DE-588)4115774-6 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Cleveland, Ohio (DE-588)4010292-0 gnd rswk-swf Akron, Ohio (DE-588)4248558-7 gnd rswk-swf Cleveland, Ohio (DE-588)4010292-0 g Musiker (DE-588)4040841-3 s DE-604 Musikleben (DE-588)4075128-4 s Jazz (DE-588)4028532-7 s Rockmusik (DE-588)4115774-6 s Akron, Ohio (DE-588)4248558-7 g HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008658872&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Berger, Harris M. 1966- Metal, rock, and jazz perception and the phenomenology of musical experience Jazz - History and criticism Music - Philosophy and aesthetics Music and society Musical perception Rock music - History and criticism Musik Musiker (DE-588)4040841-3 gnd Musikleben (DE-588)4075128-4 gnd Rockmusik (DE-588)4115774-6 gnd Jazz (DE-588)4028532-7 gnd |
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| title | Metal, rock, and jazz perception and the phenomenology of musical experience |
| title_auth | Metal, rock, and jazz perception and the phenomenology of musical experience |
| title_exact_search | Metal, rock, and jazz perception and the phenomenology of musical experience |
| title_full | Metal, rock, and jazz perception and the phenomenology of musical experience Harris M. Berger |
| title_fullStr | Metal, rock, and jazz perception and the phenomenology of musical experience Harris M. Berger |
| title_full_unstemmed | Metal, rock, and jazz perception and the phenomenology of musical experience Harris M. Berger |
| title_short | Metal, rock, and jazz |
| title_sort | metal rock and jazz perception and the phenomenology of musical experience |
| title_sub | perception and the phenomenology of musical experience |
| topic | Jazz - History and criticism Music - Philosophy and aesthetics Music and society Musical perception Rock music - History and criticism Musik Musiker (DE-588)4040841-3 gnd Musikleben (DE-588)4075128-4 gnd Rockmusik (DE-588)4115774-6 gnd Jazz (DE-588)4028532-7 gnd |
| topic_facet | Jazz - History and criticism Music - Philosophy and aesthetics Music and society Musical perception Rock music - History and criticism Musik Musiker Musikleben Rockmusik Jazz Cleveland, Ohio Akron, Ohio |
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