Kunst und Politik der Farbe: Gainsboroughs Portraitmalerei
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | German |
| Veröffentlicht: |
Berlin
Mann
1999
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 208 S., [44] Bl. zahlr. Ill. 31 cm |
| ISBN: | 9783786118633 3786118639 |
Internformat
MARC
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| 100 | 1 | |a Gockel, Bettina |d 1966- |0 (DE-588)121566684 |4 aut | |
| 245 | 1 | 0 | |a Kunst und Politik der Farbe |b Gainsboroughs Portraitmalerei |c Bettina Gockel |
| 264 | 1 | |a Berlin |b Mann |c 1999 | |
| 300 | |a 208 S., [44] Bl. |b zahlr. Ill. |c 31 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 502 | |a Zugl.: Hamburg, Univ., Diss., 1996 | ||
| 600 | 1 | 4 | |a Gainsborough, Thomas <1727-1788> |
| 600 | 1 | 4 | |a Gainsborough, Thomas <1727-1788> |x Criticism and interpretation |
| 600 | 1 | 7 | |a Gainsborough, Thomas |d 1727-1788 |0 (DE-588)118689185 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Reynolds, Joshua |d 1723-1792 |0 (DE-588)118744771 |2 gnd |9 rswk-swf |
| 648 | 4 | |a Geschichte 1700-1800 | |
| 648 | 7 | |a Geschichte 1760-1790 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte 1770-1800 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a Portretten |2 gtt | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Kunst | |
| 650 | 4 | |a Politik | |
| 650 | 4 | |a Art |x Political aspects |z England |x History |y 18th century | |
| 650 | 4 | |a Portrait painting, English |y 18th century | |
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| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Gainsborough, Thomas |d 1727-1788 |0 (DE-588)118689185 |D p |
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| 689 | 4 | 3 | |a Geschichte 1770-1800 |A z |
| 689 | 4 | |5 DE-604 | |
| 700 | 1 | |a Gainsborough, Thomas |d 1727-1788 |e Sonstige |0 (DE-588)118689185 |4 oth | |
| 856 | 4 | 2 | |m HBZ Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008588514&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
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Datensatz im Suchindex
| _version_ | 1804127298361753600 |
|---|---|
| adam_text | INHALTSVERZEICHNIS
EINLEITUNG..............................................................................................................................................................9
I.
REKONSTRUKTION
UND
TRANSFORMATION
DES
PORTRAITS
...............................
19
1.
ANCIENT
VERSUS
MODERN ...............................................................................................................................21
VAN
DYCKS
FARBEN..............................................................................................................................................21
GAINSBOROUGH
UND
DIE
AKADEMISCHE
THEORIE
UND
MALPRAXIS
DER
1770ER
JAHRE............................................28
KLASSISCHE
FORM
UND
MODERNE
FARBE............................................................................................................33
LIKENESS
:
AEHNLICHKEIT
VERSUS
CHARAKTER.......................................................................................................37
2.
DER
MALER
UND
SEIN
MATERIAL...........................................................................................................................47
DAS
ATELIER
ALS
LABOR:
GAINSBOROUGH
UND
REYNOLDS.....................................................................................50
DAS
ZEICHNERISCHE
OEUVRE:
MATERIALFUNDUS
UND
EXPERIMENTIERFELD.............................................................56
3.
FARBE
UND
LICHT..............................................................................
60
KONGENIALES
VORBILD:
RUBENS............................................................................................................................61
EIN
OPTISCHES
EXPERIMENT..................................................................................................................................64
LICHTFARBEN
UND
DIE
AUFKLAERUNG
UEBER
DIE
NATUR............................................................................................67
II.
BEDEUTUNGSSTIFTUNG
DURCH
WAHRNEHMUNG:
AKADEMISCHE
UND
ANTIAKADEMISCHE
KUNST
IM
WIDERSTREIT..................
73
1.
WAHRNEHMUNG:
IM
SPANNUNGSFELD
VON
AESTHETIK,
PHYSIOLOGIE
UND
POLITIK.............................................75
KONVENTIONALISIERTES
GEFUEHL
-
GEBAENDIGTE
EINBILDUNGSKRAFT:
BURKE
UND
REYNOLDS...................................75
REYNOLDS:
FORM
UND
FARBE.
EINE
SPRACHE
FUER
DAS
AUGE
ZUR
KULTIVIERUNG
DES
GEMUETS..............................78
SUBJEKTIVIERUNG
DER
EMPFINDUNGEN
-
ERFAHRUNG
DES
SEHENS:
GAINSBOROUGH,
GILPIN
UND
PRIESTLEY..........82
DAS
PICTURESQUE
EYE
:
AESTHETISCHE
UND
SOZIALE
MANNIGFALTIGKEIT.................................................................87
2.
DAS
NATUERLICHE
WIRD
POPULAER:
DIE
ANTIAKADEMISCHE
KUNSTBEWEGUNG...................................................92
DER
FEMININE
GAINSBOROUGH:
ZU
REYNOLDS*
VIERZEHNTER
VORLESUNG.............................................................92
ILLUSION
UND
PRODUKTION
VON
NATUERLICHKEIT
:
SPIELTECHNIK
UND
LICHT
IN
GARRICKS
THEATER......................97
MALEREI
ALS
KOMMENTAR:
REYNOLDS*
UND
GAINSBOROUGHS
GARRICK-PORTRAETS.
DER
SCHAUSPIELER
ALS
PARVENUE
UND
GENTLEMAN...............................................................................................107
PICTURE
MANIA
UND
MUSICAL
MANIA
:
GAINSBOROUGH
UND
DIE
MUSIK........................................................118
GAINSBOROUGHS
MUSIKERPORTRAETS....................................................................................................................124
III.
DAS
NATUERLICHE
ALS
NEUE
REPRAESENTATIONSFORM.
ZUM
VERHAELTNIS
VON
KUNST
UND
NATURWISSENSCHAFT..............................DI
1.
LICHT
UND
BEWEGUNG
ALS
FORMELN
DES
NATUERLICHEN
IN
KUNST
UND
NATURWISSENSCHAFT.....................D3
LICHT
IST
DYNAMISCHE
MATERIE:
THEORIE
UND
EXPERIMENT.............................................................................134
LICHT
IN
DER
KUENSTLERISCHEN
DARSTELLUNG........................................................................................................138
FORTSCHRITT
UND
MACHT
IM
HAPPY
SYSTEM
DER
NATUR...................................................................................139
2.
GAINSBOROUGHS
MODERNE
PORTRAETS
UND
DAS
ENGLISCHE
ANCIEN
REGIME
.................................................141
GAINSBOROUGH
UND
PRIESTLEY
IM
KREIS
ENGLISCHER
REFORMPOLITIKER............................................................141
DAS
NATUERLICHE
ALS
POLITISCHES
UND
SOZIALES
EMBLEM:
POLITIKER
UND
SYMPATHISANTEN
DER
REFORMBEWEGUNG
IN
DEN
PORTRAETS
UM
1785........................................144
GAINSBOROUGH
ALS
MALER
DER
LANDLORDS
:
REFORMPOLITIK
UND
NEUER
LANDADEL.......................................149
LICHT
UND
NATUR
IN
DEN
PORTRAETS
FUER
DAS
KOENIGSHAUS...................................................................................151
PORTRAETS
FUER
DEN
MODERNEN
HOFMANN............................
154
NATURE
(...)
AT
OUR
COMMAND:
FINANZIERS
UND
UNTERNEHMER...................................................................155
DER
WISSENSCHAFTLER
UND
ERFINDER
ALS
GENTLEMAN ,
MODERNER
PROMETHEUS
UND
GLAEUBIGER
AUFKLAERER..................................................................................................................................157
RESUEMEE.
KUNST
UND
KOMMERZ:
DAS
PORTRAET
DES
AUKTIONATORS
JAMES
CHRISTIE
......................................160
IV.
EPILOG
..............................................................................................................................................................I&3
1.
FARBE
ALS
BEDEUTUNGSTRAEGER.
ZUR
ENTWICKLUNG
NACHL800:
IMMANENZ,
TRAUM
UND
NATURENERGIEN..........................................................................................................163
2.
DAS
MODERNE
PORTRAET.
ZUR
KUNST
DES
18.
UND
20.
JAHRHUNDERTS:
GAINSBOROUGH
UND
FRANCIS
BACON...................................................................................................................166
ABBILDUNGSVERZEICHNIS
UND
BILDNACHWEIS....................................................................................................171
ABKUERZUNGSVERZEICHNIS......................
180
LITERATURVERZEICHNIS........................................................................................................................................181
NAMENREGISTER......................................................................................................
201
SACHREGISTER......................................................................................................................................................206
TAFELTEIL...............................................................................................................................................................
209
FARBTAFEL
I
BIS
VIII
ABBILDUNG
1
BIS
160
|
| any_adam_object | 1 |
| author | Gockel, Bettina 1966- |
| author_GND | (DE-588)121566684 (DE-588)118689185 |
| author_facet | Gockel, Bettina 1966- |
| author_role | aut |
| author_sort | Gockel, Bettina 1966- |
| author_variant | b g bg |
| building | Verbundindex |
| bvnumber | BV012640503 |
| callnumber-first | N - Fine Arts |
| callnumber-label | ND1329 |
| callnumber-raw | ND1329.G34 |
| callnumber-search | ND1329.G34 |
| callnumber-sort | ND 41329 G34 |
| callnumber-subject | ND - Painting |
| classification_rvk | LI 31850 |
| ctrlnum | (OCoLC)45243407 (DE-599)BVBBV012640503 |
| dewey-full | 759.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.2 |
| dewey-search | 759.2 |
| dewey-sort | 3759.2 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| era | Geschichte 1700-1800 Geschichte 1760-1790 gnd Geschichte 1770-1800 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1760-1790 Geschichte 1770-1800 |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | England (DE-588)4014770-8 gnd |
| geographic_facet | England |
| id | DE-604.BV012640503 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:31:07Z |
| institution | BVB |
| isbn | 9783786118633 3786118639 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008588514 |
| oclc_num | 45243407 |
| open_access_boolean | |
| owner | DE-739 DE-473 DE-BY-UBG DE-355 DE-BY-UBR DE-12 DE-19 DE-BY-UBM DE-128 DE-54 DE-384 DE-83 DE-11 DE-Re5 DE-BY-UBR DE-188 DE-255 DE-Y2 DE-Y7 DE-B170 DE-Y3 |
| owner_facet | DE-739 DE-473 DE-BY-UBG DE-355 DE-BY-UBR DE-12 DE-19 DE-BY-UBM DE-128 DE-54 DE-384 DE-83 DE-11 DE-Re5 DE-BY-UBR DE-188 DE-255 DE-Y2 DE-Y7 DE-B170 DE-Y3 |
| physical | 208 S., [44] Bl. zahlr. Ill. 31 cm |
| publishDate | 1999 |
| publishDateSearch | 1999 |
| publishDateSort | 1999 |
| publisher | Mann |
| record_format | marc |
| spelling | Gockel, Bettina 1966- (DE-588)121566684 aut Kunst und Politik der Farbe Gainsboroughs Portraitmalerei Bettina Gockel Berlin Mann 1999 208 S., [44] Bl. zahlr. Ill. 31 cm txt rdacontent n rdamedia nc rdacarrier Zugl.: Hamburg, Univ., Diss., 1996 Gainsborough, Thomas <1727-1788> Gainsborough, Thomas <1727-1788> Criticism and interpretation Gainsborough, Thomas 1727-1788 (DE-588)118689185 gnd rswk-swf Reynolds, Joshua 1723-1792 (DE-588)118744771 gnd rswk-swf Geschichte 1700-1800 Geschichte 1760-1790 gnd rswk-swf Geschichte 1770-1800 gnd rswk-swf Portretten gtt Geschichte Kunst Politik Art Political aspects England History 18th century Portrait painting, English 18th century Kunst (DE-588)4114333-4 gnd rswk-swf Bildnismalerei (DE-588)4145426-1 gnd rswk-swf Naturnachahmung (DE-588)4139367-3 gnd rswk-swf Farbensymbolik (DE-588)4071117-1 gnd rswk-swf Aufklärung (DE-588)4003524-4 gnd rswk-swf Naturgefühl (DE-588)4171312-6 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf England Geschichte 1770-1800 (DE-588)4113937-9 Hochschulschrift gnd-content Gainsborough, Thomas 1727-1788 (DE-588)118689185 p Reynolds, Joshua 1723-1792 (DE-588)118744771 p Bildnismalerei (DE-588)4145426-1 s DE-604 England (DE-588)4014770-8 g Aufklärung (DE-588)4003524-4 s Naturgefühl (DE-588)4171312-6 s Geschichte 1760-1790 z Geschichte 1770-1800 z Farbensymbolik (DE-588)4071117-1 s Naturnachahmung (DE-588)4139367-3 s Kunst (DE-588)4114333-4 s Gainsborough, Thomas 1727-1788 Sonstige (DE-588)118689185 oth HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008588514&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gockel, Bettina 1966- Kunst und Politik der Farbe Gainsboroughs Portraitmalerei Gainsborough, Thomas <1727-1788> Gainsborough, Thomas <1727-1788> Criticism and interpretation Gainsborough, Thomas 1727-1788 (DE-588)118689185 gnd Reynolds, Joshua 1723-1792 (DE-588)118744771 gnd Portretten gtt Geschichte Kunst Politik Art Political aspects England History 18th century Portrait painting, English 18th century Kunst (DE-588)4114333-4 gnd Bildnismalerei (DE-588)4145426-1 gnd Naturnachahmung (DE-588)4139367-3 gnd Farbensymbolik (DE-588)4071117-1 gnd Aufklärung (DE-588)4003524-4 gnd Naturgefühl (DE-588)4171312-6 gnd |
| subject_GND | (DE-588)118689185 (DE-588)118744771 (DE-588)4114333-4 (DE-588)4145426-1 (DE-588)4139367-3 (DE-588)4071117-1 (DE-588)4003524-4 (DE-588)4171312-6 (DE-588)4014770-8 (DE-588)4113937-9 |
| title | Kunst und Politik der Farbe Gainsboroughs Portraitmalerei |
| title_auth | Kunst und Politik der Farbe Gainsboroughs Portraitmalerei |
| title_exact_search | Kunst und Politik der Farbe Gainsboroughs Portraitmalerei |
| title_full | Kunst und Politik der Farbe Gainsboroughs Portraitmalerei Bettina Gockel |
| title_fullStr | Kunst und Politik der Farbe Gainsboroughs Portraitmalerei Bettina Gockel |
| title_full_unstemmed | Kunst und Politik der Farbe Gainsboroughs Portraitmalerei Bettina Gockel |
| title_short | Kunst und Politik der Farbe |
| title_sort | kunst und politik der farbe gainsboroughs portraitmalerei |
| title_sub | Gainsboroughs Portraitmalerei |
| topic | Gainsborough, Thomas <1727-1788> Gainsborough, Thomas <1727-1788> Criticism and interpretation Gainsborough, Thomas 1727-1788 (DE-588)118689185 gnd Reynolds, Joshua 1723-1792 (DE-588)118744771 gnd Portretten gtt Geschichte Kunst Politik Art Political aspects England History 18th century Portrait painting, English 18th century Kunst (DE-588)4114333-4 gnd Bildnismalerei (DE-588)4145426-1 gnd Naturnachahmung (DE-588)4139367-3 gnd Farbensymbolik (DE-588)4071117-1 gnd Aufklärung (DE-588)4003524-4 gnd Naturgefühl (DE-588)4171312-6 gnd |
| topic_facet | Gainsborough, Thomas <1727-1788> Gainsborough, Thomas <1727-1788> Criticism and interpretation Gainsborough, Thomas 1727-1788 Reynolds, Joshua 1723-1792 Portretten Geschichte Kunst Politik Art Political aspects England History 18th century Portrait painting, English 18th century Bildnismalerei Naturnachahmung Farbensymbolik Aufklärung Naturgefühl England Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008588514&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT gockelbettina kunstundpolitikderfarbegainsboroughsportraitmalerei AT gainsboroughthomas kunstundpolitikderfarbegainsboroughsportraitmalerei |