Narrative and experience: innovations in thirteenth century picture books
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Frankfurt am Main [u.a.]
Lang
2000
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 349 S. zahlr. Ill. |
| ISBN: | 3631352840 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804127288361484288 |
|---|---|
| adam_text | Titel: Narrative and experience
Autor: Maekawa, Kumiko
Jahr: 2000
Contents
List of illustrations 11
Abbreviations 17
Preface 21
1 Introduction: medieval picture books and their readers 25
1.1 Thirteenth-century picture books 25
1.2 Analytic methods of pictorial narrative 27
1.3 Theoretical support from reception aesthetics and the social
historyof books 30
1.4 Composition ofthe present book 33
PART I NARRATIVE STYLE OF THE OLD TESTAMENT
ILLUSTRATIONS OF THE PSALTER OF ST LOUIS
AND ITS ORIGINS 35
2 Structure and narrative in the Old Testament cycle ofthe Psalter
ofSt Louis 37
2.1 The Psalter of St Louis and its Old Testament cycle 37
2.1.1 Patron and date 37
2.1.2 Style 38
2.1.3 Structure ofthe manuscript 39
2.1.4 Iconography 40
2.2 Form and meaning ofthe Old Testament cycle 40
2.3 Structures ofpairs of facing pages 42
2.3.1 Jephthah 44
2.3.2 Noah 46
2.3.3 Eliezer and Rebekah 47
2.3.4 Sisera 49
2.3.5 Cain and Abel 49
2.4 The Samson and Joseph cycles 50
2.4.1 Samson 51
2.4.2 Joseph 53
2.4.2.1 Joseph s boyhood 55
2.4.2.2 Joseph s youth 57
2.4.2.3 Joseph and his family 57
3 From dogmatic to narrative 59
3.1 The Old Testament in prefatory illustrations of psalters 59
3.2 From dogmatic to narrative in a type ofcathedral portal 68
3.3 Dogma and narrative in stained glass 69
3.3.1 The Good Samaritan Window of Sens 69
3.3.2 The Prodigal Son Window ofBourges 71
4 Continuous narrative and the Old Testament cycleof the Psalter of St Louis 73
4.1 Continuous narrative in antiquity 73
4.1.1 Classifications of pictorial narrative by Wickhoff and Weitzmann 73
4.1.2 The Vienna Genesis: narrative depictions presupposing illusionism75
4.1.2.1 Disposition in deep and continuous space 77
4.1.2.2 Disposition in boustrophedon 77
4.1.2.3 Disposition on two ground lines 78
4.1.3 The Ashburnham Pentateuch: the end of continuous narrative
of antiquity 79
4.2 The first symptom of new tendencies: eleventh Century 81
4.2.1 Diverse experiments on frames in England, c. 1000 81
4.2.2 Consciousness of facing pages in Ottonian manuscripts 84
4.3 Formation of new narrative style: twelfth and thirteenth centuries 86
4.3.1 Representations of movements 86
4.3.1.1 Trip iconography of the twelfth Century 86
(a) The St Albans Psalter 86
(b) The Life of Christ Window of Chartres 87
4.3.1.2 Trip iconography from c. 1200 to the first half of
the thirteenth Century 88
(a) Journey ofthe Magi of the Berthold Sacramentary 88
(b) The Joseph Windows of Chartres and Bourges 89
(c) From stained glass to manuscripts 90
4.3.2 Visualization of psychological relationships between scenes 91
4.3.3 Visualization of narrative structures 92
4.3.3.1 The bronze doors ofthe Porta di San Ranieri of
the Pisa Cathedral 92
4.3.3.2 The Prodigal Son Window of Chartres 94
4.4 Structure of the Roman de la Poire (BNF, MS Fr. 2186) 94
4.4.1 Codex form, narrative and the act of reading 94
4.4.2 Reading a story in the preface 96
PART II FORMATION OF BOOK-CONSCIOUS PICTORIAL
NARRATIVE AND CONTEMPORARY READERS 103
Introduction to Part II 105
5 The mise en livre of the Apocalypse 107
5.1 Apocalypse manuscripts and their illustrations 107
5.2 Early medieval illustrations 111
5.2.1 Illustrations of Beatus manuscripts 111
5.2.2 Illustrations of the Bamberg Apocalypse 114
5.3 The Apocalypse turned into the Life of St John in
the Anglo-Norman group 116
5.3.1 Layout and composition 116
5.3.2 Compositional devices that foreshadow the Anglo-Norman group 118
5.3.3 Figures of St John in the Anglo-Norman group 119
5.3.4 Transformation of the Apocalypse manuscript into the Life
of St John 121
5.4 Parallel evolution of Apocalypse commentaries 124
5.4.1 Predominance of allegorical Interpretation in
early medieval commentaries 124
5.4.2 Indications of new interpretations of the Apocalypse 125
5.4.3 Formation of new attitudes towards the Apocalypse 127
6 Pictorial narrative in hagiographic manuscripts 129
6.1 Narrative modes in early medieval illustrations 129
6.1.1 Early medieval illustrations of the Lives of the Saints 129
6.1.2 Combined compositions 131
6.1.2.1 Saint aspivot 133
6.1.2.2 Another motif as pivot 136
6.2 Illustrations of the Life of St Edmund 140
6.3 Illustrations of the Life ofSt Edward 146
6.3.1 Inheritance and renovation in subjects and depictions 147
6.3.2 New depictions of spatial movements 148
6.3.2.1 Recto-verso type 148
6.3.2.2 Facing page type 148
6.3.2.3 Repetition of similar trip motifs 149
6.3.3 Healing miracles in combination with movement 150
6.4 The Lives of the Saints as texts: from early medieval to
the thirteenth Century 151
6.4.1 The Lives of the Saints in the early MiddleAges 151
6.4.2 Later medieval Lives of the Saints 153
7 Social conditions which stimulated the formation of a new
narrative mode 155
7.1 Manuscripts, reading and readers 155
7.1.1 Books and lay readers 157
7.1.2 Lay people reading 159
7.1.3 Expectations about miniatures 163
7.2 Parallel phenomena in vernacular literature and change in
consciousness of time 169
7.2.1 Narrative in vernacular literature: from chansons de geste
toromances 169
7.2.1.1 The Chanson de Roland 170
7.2.1.2 Chretien de Troyes 171
7.2.1.3 Lancelot en prose 172
7.2.2 Change in consciousness of time 173
7.2.2.1 Consciousness of time in linguistic expressions 173
7.2.2.2 Perception of time in historical documents 174
7.2.2.3 Evolution of historiography 177
7.3 Empathicreceptionofpictorial narrative 179
7.3.1 Narrative as a means to experience vision 180
7.3.2 Prominence of images in devotion 182
7.3.3 Pictorial devices to invite spectators to sacred events 186
8 Epilogue: time and space in the Life ofSt Denis by Yves:
MSS Fr. 2090-2092 of the National Library of France 189
8.1 MSS Fr. 2090-2092 and their illustrations 189
8.2 Identification and portraits of characters and places 190
8.2.1 Identification ofeach character 190
8.2.2 Identification ofeach place 192
8.2.3 Identification and portraits 195
8.3 Logic, time and space 198
8.3.1 Frames and decorative background 199
8.3.2 Traditional devices of connection of scenes 200
8.4 Historical signification of pictorial narrative in MSS Fr. 2090-2092 202
Appendices 205
Bibliography 233
Indices 267
Illustrations 275
|
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| spelling | Maekawa, Kumiko Verfasser aut Narrative and experience innovations in thirteenth century picture books Kumiko Maekawa Frankfurt am Main [u.a.] Lang 2000 349 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Bible Picture Bibles Geschichte 1200-1300 gnd rswk-swf Geschichte 1200-1299 gnd rswk-swf Codicologie gtt Geïllustreerde handschriften gtt Vertelkunst gtt Bibel Illumination of books and manuscripts, Medieval England Illumination of books and manuscripts, Medieval France Bild (DE-588)4006568-6 gnd rswk-swf Buchmalerei (DE-588)4008650-1 gnd rswk-swf Text (DE-588)4059596-1 gnd rswk-swf Frankreich Buchmalerei (DE-588)4008650-1 s Geschichte 1200-1300 z DE-604 Geschichte 1200-1299 z Bild (DE-588)4006568-6 s Text (DE-588)4059596-1 s HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008581785&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Maekawa, Kumiko Narrative and experience innovations in thirteenth century picture books Bible Picture Bibles Codicologie gtt Geïllustreerde handschriften gtt Vertelkunst gtt Bibel Illumination of books and manuscripts, Medieval England Illumination of books and manuscripts, Medieval France Bild (DE-588)4006568-6 gnd Buchmalerei (DE-588)4008650-1 gnd Text (DE-588)4059596-1 gnd |
| subject_GND | (DE-588)4006568-6 (DE-588)4008650-1 (DE-588)4059596-1 |
| title | Narrative and experience innovations in thirteenth century picture books |
| title_auth | Narrative and experience innovations in thirteenth century picture books |
| title_exact_search | Narrative and experience innovations in thirteenth century picture books |
| title_full | Narrative and experience innovations in thirteenth century picture books Kumiko Maekawa |
| title_fullStr | Narrative and experience innovations in thirteenth century picture books Kumiko Maekawa |
| title_full_unstemmed | Narrative and experience innovations in thirteenth century picture books Kumiko Maekawa |
| title_short | Narrative and experience |
| title_sort | narrative and experience innovations in thirteenth century picture books |
| title_sub | innovations in thirteenth century picture books |
| topic | Bible Picture Bibles Codicologie gtt Geïllustreerde handschriften gtt Vertelkunst gtt Bibel Illumination of books and manuscripts, Medieval England Illumination of books and manuscripts, Medieval France Bild (DE-588)4006568-6 gnd Buchmalerei (DE-588)4008650-1 gnd Text (DE-588)4059596-1 gnd |
| topic_facet | Bible Picture Bibles Codicologie Geïllustreerde handschriften Vertelkunst Bibel Illumination of books and manuscripts, Medieval England Illumination of books and manuscripts, Medieval France Bild Buchmalerei Text Frankreich |
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