Contesting the Gothic: fiction, genre and cultural conflict, 1764 - 1832

"James Watt's historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole's The Castle of Otranto to Scott's Waverley novels, Watt shows the Gothic to have been a hete...

Ausführliche Beschreibung

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Bibliographische Detailangaben
1. Verfasser: Watt, James (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: Cambridge [u.a.] Cambridge Univ. Press 1999
Ausgabe:1. publ.
Schriftenreihe:Cambridge studies in Romanticism 33
Schlagworte:
Zusammenfassung:"James Watt's historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole's The Castle of Otranto to Scott's Waverley novels, Watt shows the Gothic to have been a heterogeneous body of fiction, characterised at times by antagonistic relations between various writers or works. Central to Watt's argument about the writing and reception of these works is a nuanced understanding of their political import: he discusses Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics."--BOOK JACKET.
Beschreibung:X, 205 S.
ISBN:0521640997

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