Antonio Salieri and Viennese Opera:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago [u.a.]
Univ. of Chicago Press
1998
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XX, 648 S. Illustrationen, Notenbeispiele |
| ISBN: | 0226711250 0226711269 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Titel: Antonio Salieri and Viennese opera
Autor: Rice, John A.
Jahr: 1998
CONTENTS
List of Illustrations I ix
Acknowledgments I xi
Abbreviations I xiii
A Note on the Terminology of Italian Operatic Poetry I xvii
Kreuzer, Gulden, and Ducats I xix
Introduction /1
1 From Venice to Vienna / 9
2 Opera in Vienna, 1766-76: Theaters, Management, Personnel / 32
3 Goldonian Opera Buffa in Vienna before Salieri / 61
4 Constructing Le donne letterate 1111
5 Youthful Exploration and Experiment /152
6 Three Goldonian Comedies /182
7 Joseph II and the End of the Impresarial Decade / 232
8 Italy, 1778-80 / 255
9 Joseph s Singspiel Troupe and Der Rauchfangkehrer I 281
10 Les Dana ides 1307
11 Joseph s Italian Troupe and the Renewal of Viennese Opera Buffa / 330
12 Between Paris and Vienna: Tarare and Axur re d Ormus 1385
Vlll CONTENTS
13 Da Ponte, Ferrarese, and Hofkapellmeister Salieri / 421
14 Mozart and Salieri / 459
15 Leopold II, Tomeoni, and the Triumph of Neapolitan Opera Buffa / 493
16 Withdrawal and Reemergence, 1792-96 / 527
17 Salieri s Last Operas and the End of Viennese Italian Opera / 561
Appendix: A Chronological List of Salieri s Operas 1599
Bibliography I 603
Index of Salieri s Works I 619
General Index I 625
ILLUSTRATIONS
Color Plates (following page 412)
1 Costume designs for Arteneo and Elamir in Axur re d Ormus
2 Costume design for Urson in Axur re d Ormus
Black-and-White Figures
title page Costume design for Altamor in Axur re d Ormus
1.1 Canaletto, The Bacino di S. Marco on Ascension Day 116
1.2 Joseph II at the keyboard / 26
1.3 Joseph II at the keyboard, detail / 26
1.4 Salieri, silhouette published in 1786 / 30
1.5 Te Deum in the court chapel, April 1790, detail / 30
2.1 Bird s-eye view of Vienna, 1785 / 34
2.2 The Michaelerplatz with the Burgtheater, ca. 1785 / 36
2.3 Groundplan of the Burgtheater, 1778 / 36
2.4 The Karntnertortheater, ca. 1772 / 36
2.5 Giovanni de Gamerra / 47
2.6 List of players in the two theater orchestras, 1773, with evaluations of their ability / 51
2.7 Contract signed by Costanza and Rosa Baglioni with the terms of a two-year
engagement in Vienna / 58
4.1 Pietro Longhi, The Geography Lesson 1115
4.2 Le donne letterate, text of the finale of act 1/128
5.1 Don Chisciotte alle nozze di Gamace, beginning of scene 4 /159
5.2 The first of three pages of annotations in Salieris hand in the autograph score of
Armida, 1771 /165
5.3 Armida, beginning of act 3 in the autograph score /170
ILLUSTRATIONS
6.1 Box-office receipts for a performance of La locandiera 1196
6.2 La calamita de cuori, act 2, beginning of the sinfonia for two orchestras / 214
6.3 Receipt signed by Salieri for expense incurred in preparation for La calamita de cuori I 216
6.4 Record of daily income, 1-22 October 1774 / 218
6.5 La fiera di Venezia, act 2, text of the finale / 222-23
6.6 Pietro Longhi, The Ballroom I 226
6.7 Pietro Longhi, The Forlana I 230
7.1 Autograph letter from Joseph II to his brother Leopold / 236-37
8.1 Pietro Longhi, The Fortune-Teller I 269
9.1 Count (later Prince) Franz Xaver Rosenberg-Orsini, 1783 / 283
9.2 Catarina Cavalieri, silhouette published in 1786 / 287
9.3 Catarina Cavalieri, Joseph Martin Ruprecht, and Franz Fuchs in Umlauf s
Die Bergknappen I 291
10.1 Les Dana ides, act 5, beginning of the chorus Gloire, gloire, Evan, Evoe! / 324
11.1 Silhouettes of members of Joseph s opera buffa troupe, 1786 / 336
11.2 Celeste Coltellini / 338
11.3 La grotta di Trofonio, beginning of act 1, sc. 10 / 364
11.4 La grotta di Trofonio, title page of the full score / 370
11.5 Salieri s La ra la ra, as sung and danced by Nancy Storace in Stephen Storace s
Siege of Belgrade 1373
11.6 Luigi Marchesi and Catarina Cavalieri performing Giulio Sabino in the
Karntnertortheater / 380
12.1 Instructions by Salieri for the performance of Axur re d Ormus I 397
12.2 Costume designs for Wojciech Boguslawski s production of Axur in Polish, Warsaw, 1793 / 419-20
13.1 Letter from Joseph II to Rosenberg announcing his decision to dismiss the opera buffa
troupe / 425
13.2 La cifra, beginning of Non vo gia che vi suonino, showing a very rare use of
trumpets in A / 450
15.1 Primario nemico II Sig. Salieri, a list of accusations against Salieri in Da Ponte s hand / 499
15.2 Irene Tomeoni in the title role of Paisiello s Nina I 516
15.3 Irene Tomeoni as Rachelina in Paisiello s La molinara I 516
16.1 Domenico Mombelli / 533
16.2 Carlo Angrisani / 534
16.3 Therese Rosenbaum, nee Gassmann, as Queen of the Night / 536
16.4 Set design by Giorgio Fuentes for a production of Palmira in Frankfurt, 1797 / 559
17.1 Cherubini s Les Deux Journees, beginning of Mikeli s aria Guide mes pas, 6 providence / 568
17.2 Giuseppe Simoni as Floreschi in Mayr s Lodoiska 1574
17.3 The scena tedesca in Falstaffl 579
17.4 Overture to Cesare in Farmacusa, borrowed from Europa rkonosciuta I 592
|
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