The documentary film movement: an anthology
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
1998
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | X, 261 S. Ill. |
| ISBN: | 0748609482 0748609709 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
List of Illustrations
vii
Acknowledgements
ix
1
Introduction
1
John Grierson and the Documentary Film
Movement
1898-1972 2
The Films of the Documentary Film Movement
10
The Historical Context of the Documentary
Film Movement
29
Grierson s Theory of Documentary Film
35
The Critical Debates on the Documentary Film
Movement
44
Conclusions
52
Notes
61
2
John Grierson
(1898-1972) 69
Commentary
69
English Cinema Production and the Naturalistic
Tradition
(1927) 72
The Character of an Ultimate Synthesis
(1922) 75
Untitled Lecture on Documentary
(1927-33) 76
Drifters
(1929) 77
First Principles of Documentary
(1932) 81
Education and the New Order
(1941) 93
The Documentary Idea
(1942) 103
CONTENTS
Preface to Paul Rotha s Documentary Film
(1952) 115
Art and Revolution
(1966) 123
Answers to a Cambridge Questionnaire
(1967) 136
I Remember, I Remember
(1970) 147
3
Paul Rotha
(1907-84) 152
Commentary
152
Afterthought
(1972) 154
Films and the Labour Party
(1936) 171
4
Alberto
Cavalcanti
(1897-1982) 179
Commentary
179
Cavalcanti
in England
(1975) 181
The Evolution of Cinematography in France
(1936) 202
The British Contribution
(1952) 205
5
Humphrey Jennings
(1907-50) 215
Commentary
215
Listen to Britain
(1942) 217
The English
(1948) 220
Surrealism
(1936) 229
Introduction to Pandaemonium (c.1948)
231
6
Basil Wright
(1907-87) 237
Commentary
237
Documentary Today
(1947) 237
Interview with Ian Aitken
(1987) 244
Works Cited
253
Select Bibliography
255
Index
259
The documentary film movement laid the foundations of British national
film culture. Few areas of British film history have been as controversial.
Although the period of its greatest influence was the
1930s
and
1940s,
its
legacy has continued to make itself felt up to the present day. This
anthology is the first to bring together the most important material by and
on the movement. It includes generous selections from the work of the
movement s leader, John Grierson, as well as writings by Paul Rotha,
Humphrey Jennings, Alberto
Cavalcanti
and Basil Wright.
Â
fuli
introduction charts the historical development of the documentary
film movement between
1918
and
1972
and assesses the different
interpretations of the movement during the period. It also examines the
types of films made by the movement (such as Drifters, Spare Time and
Song of Ceylon) and the movement s relationship to other British film
genres and to contemporary debates on British national cinema.
In its range and coverage, this anthology will be an invaluable resource for
teachers, students and all those interested in the history of British cinema.
Features
° Comprehensive introduction placing the movement in historical context.
° Commentaries on each section.
° Illustrated with film stills and photographs of the film-makers.
THE AUTHOR
Ian
Äitken
is Senior Lecturer in Media at the University of the West of
England. He is the author of Film and Reform: John Grierson and the
British Documentary Film Movement (Rourfedge, 199Q,
Í992},
|
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| title | The documentary film movement an anthology |
| title_auth | The documentary film movement an anthology |
| title_exact_search | The documentary film movement an anthology |
| title_full | The documentary film movement an anthology ed. and introd. by Ian Aitken |
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| title_short | The documentary film movement |
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