Bertolt Brecht:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Madison, WI
Univ. of Wisconsin Press
1998
|
| Schriftenreihe: | Monatshefte für deutschsprachige Literatur und Kultur
90,3 : special issue |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Einzelaufnahme eines Zeitschr.-H. |
| Beschreibung: | VI S., S. 295 - 407 |
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Datensatz im Suchindex
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onatshefte
für deutschsprachige Literatur und Kultur
Volume XC ·
Number
3 · 1998
Contents
BRECHT SPECIAL
ISSUE
Jost Hermand and Marc Silberman 296
Introduction:
Brecht Today
Robert Cohen 300
Brecht in Goldbach
Could there still be, in this year of celebrating Brecht's hundredth anniver¬
sary, a single individual who ever knew or met
Brecht
and who has not yet
come forward? The author of this contribution, born in
1941
in Switzerland,
claims to be that individual. From faded memories, distant voices, and dis¬
jointed fragments of poetry, he tries to reconstruct this (for him) historic
moment, fifty years ago. A puppet theater, built by the author's parents from
an old playpen, becomes the stage for a once-in-a-lifetime performance by
Brecht
and Fritz Kortner, a performance whose only trace remains in the
author's head. It might seem that the author's need to identify with the object
of his research got the better of him, were it not for the appearance, in the
spring of
1998,
of volume
30
of the new
Brecht
edition, which contains
Brechťs
letters
.
(RC) (In German)
Karla L.
Schultz 307
Utopias From Hell: Brecht's Mahagonny and Adorno's Treasure of
Indian Joe
The critique of a culture thriving on the magic of substitution and the myth
of equity was developed by
Brecht
and
Adorno in
the late
1920s.
Both criti¬
cized what each considered a deadly combination, idealism and capitalism.
The entanglement is with us still, consisting of the magic formula that says,
Contents
iv
"This is so because I call it so," and the mythical law that decrees, "Every¬
thing has its price." This article takes a current human interest story as the
starting point to trace the approach. Brecht's The Rise and Fall of the City of
Mahagonny
(1929),
as well as Adorno's libretto "after Mark Twain," The
Treasure of Indian Joe
(1932),
are
utopias
with a twist: they self-destruct to
expose their conditions, performing a vivisection on the idealist heart and the
capitalist brain, i.e., the social imaginary and the social law. In both cases, the
negative dialectics employed deconstruct a cultural alliance which rests on
inequity and a fettered imagination. (KLS)
Thomas Eickhoff
317
Keuner und
Karajan
im 'Kalten Kreig'—Die Versuche des
Komponisten Gottfried von Einem, Bertolt Brecht für die
Salzburger Festspiele zu gewinnen
Gottfried von Einem (1918-96),
Austrian composer and member of the Board
of Directors of the Salzburg Festival, maintained contact with
Bertolt Brecht
beginning in
1948.
With Brecht's help, he wanted to undertake a renewal of
the festival, to be inspired by a repertoire of contemporary music and theater.
For his work as a "festival-dramatist,"
Brecht was
to be rewarded with Aus¬
trian citizenship. In spite of the
anti-
Communist mood of the Cold War era,
Brecht
received an Austrian passport after
Einem
had helped him overcome
numerous political bureaucratic impediments. However, as an alleged Com¬
munist sympathizer, the composer became the target of demagogic intrigues.
Before his opponents
—
who mostly grouped themselves around Herbert
von
Karajan
—
could oust him,
Einem
resigned from the Board of Directors. Fur¬
thermore, aesthetic differences prevented a close cooperation of the com¬
poser and the writer. As a result,
Einem
's encounter with
Brecht
did not leave
a lasting impression on his work as a composer.
(TE) (In
German)
Ernst Schumacher
339
"Die
Verurteilung der Roten Armee nach Bertolt Brecht"
This article presents a little-known anonymous parody on the opera "Die
Verurteilung des Lukullus"
by
Bertolt Brecht
and Paul Dessau. Entitled "Die
Verurteilung der Roten Armee nach Bertolt Brecht,"
it was published in the
fall
of
1952
by the anticommunist
Aktion-Verlag in Frankfurt am Main.
Im¬
itating the opera in content and structure, the author of the parody transforms
the Roman hero into the real marshal of the Soviet Union,
Wassili Iwano-
witsch Tschuikow, defender of Moscow and Stalingrad, commander of the
Eighth Army in the
1945
Battle of Berlin, High Commissioner of the Soviet
Union in Germany from
1949
to
1953.
The Red Army is accused of war crimes
and the Soviet system is branded as inhuman; the marshal is sentenced and
the approaching decline of the Soviet Union is prophesied with quotations
from Brecht's The Measure and The Mother.
(ES) (In
German)
Contents
v
Helmut Peitsch 358
'In den Zeiten der Schwäche .': Zu Spuren Brechts in der
europäischen Debatte über engagierte
Litertur
The
important role
Brecht
played in the European debate on committed lit¬
erature in the
1960s
has been overlooked, despite the fact that Adorno's
polemical article of
1962
criticized
Brecht
more harshly than Sartre. Brecht's
notion of
'sich engagieren,'
which brings together politics and aesthetics under
the terms of criticism and change, can be traced back to the early
1930s,
when
Benjamin imported the French debate into German criticism. When Barthes
and
Eco
took up Brecht's concepts in the
1950s
and
1960s,
they ascribed a
meaning to "commitment" which, to a certain degree, anticipated postmod¬
ern tendencies. (HP) (In German)
BOOK REVIEWS
Wiese,
Richard The Phonology of German (Joseph C. Salmons),
373 ·
Newton,
Gerald,
ed.
Luxembourg and
Lëtzebuergesch:
Language and Communication at the
Crossroads of Europe (David J.
Holsinger), 375 · Weimar, Klaus, Hrsg. Real¬
lexikon der deutschen Literaturwissenschaft. Band
I,
А
-G
(Keith Bullivant),
377 ·
Jochens, Jenny
Old
Norse
Images
of Women
(Dick Ringler), 378 ·
Brush,
Kathryn
The Shaping of Art History (Kevin McManamy),
379 ·
Hasty, Will
Adventures in Interpretation: The Works of
Hartmann von Aue
and their Critical
Reception (James V. McMahon),
380 ·
Menhennet, Alan Grimmelshausen the
Storyteller: A Study of the "Simplician" Novels (Marian Sperberg-McQueen),
381
•
Shookman, Ellis Noble Lies, Slant Truths, Necessary Angels
(Helga
Stipa
Mad¬
land), 383 ·
Gray,
Richard T. Stations
of the Divided Subject: Contestation and
Ideological Legitimation in German Bourgeois Literature,
1770-1914
(Lori Wagner),
384 ·
Reddick, John
Georg Büchner:
The Shattered Whole
(G. H,
Hertling),
385
•
Pickar,
Gertrud Bauer
Ambivalence Transcended: A Study of the Writings of
Annette
von
Droste-
Hülshoff (Monika Shafi), 391 ·
Plachta,
Bodo "1000 Schritte
von meinem Canapee": Der Aufbruch Annette von Droste-Hülshoffs in die Literatur
(Monika Shafi), 391 · Gelber, Mark H., Hans Otto Horch und
Sigurd Paul
Scheichl, Hrsg. Von Franzos zu
Canetti.
Jüdische Autoren aus Österreich. Neue Stu¬
dien (Andreas Lixl-Purcell), 392 · Barker, Andrew und Leo Lensing, Hrsg.
Peter Altenberg: Rezept die Welt zu sehen. Kritische Essays, Briefe an Karl Kraus,
Dokumente zur Rezeption, Titelregister der Bücher (Willy Riemer) ,395 · Barker,
Andrew
Telegrams from the Soul:
Peter Altenberg
and the Culture of
fin-de-siècle
Vienna
(Willy Riemer), 395 · Heep, Hartmut
A Different Poem.
Rainer Maria
Rilke'
s
American Translators: RandallJarrell, Robert
Lowell, and
Robert
Bly
(Frank
Baron), 397 · Lichtmann,
Tamas, ed.
Nicht (aus, in, über, von) Österreich: Zur
österreichischen Literatur, zu Celan, Bachmann, Bernhard und anderen (Jürgen
Koppensteiner), 398 · Delabar, Walter und Erhard Schütz, Hrsg. Deutsch¬
sprachige Literatur der 70er und 80er Jahre: Autoren, Tendenzen, Gattungen
(Keith
Bullivant), 399 · Gruettner, Mark Martin Intertextualität und Zeitkritik in
Günter Grass' Kopfgeburten und Die Rättin (Gertrud Bauer Pickar), 400 · Ve-
teto-Conrad, Marilya
Finding a Voice: Identity and the Works of German-Lan-
VI
Contents
guage
Turkish Writers in the Federal Republic of Germany to
1990
(Richard J. Run-
dell),
401 · Horch, Hans Otto und
Charlotte Wardi,
Hrsg. Jüdische Selbstwahr¬
nehmung
(Sander
Gilman),
403 ·
Becker-Cantarino, Barbara,
ed.
Berlin in
Focus: Cultural Transformations in Germany (Gerhard H. Weiss),
405 ·
Rippley,
La Vern J. and Robert J. Paulson,
eds.
German-Bohemians: The Quiet Immigrants
(Gerhard H. Weiss),
406.
NOTES
German Studies Colloquium at Emory University,
316
enee,
338 ·
D
AAD/
Monatshefte
Directory,
357 ·
Workshop,
372.
Central States Confer-
30th Annual Wisconsin |
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