Gadda:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Italian |
| Veröffentlicht: |
Roma [u.a.]
Laterza
1998
|
| Ausgabe: | 1. ed. |
| Schriftenreihe: | Biblioteca universale Laterza
486 : Scrittori italiani |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XV, 243 S. |
| ISBN: | 8842055581 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804126792340996096 |
|---|---|
| adam_text | Indice
Introduzione VII
Avvertenza XV
I. Milano, la guerra, i diari 3
1.1. Carlo Emilio Gadda milanese, p. 3 - 1.2. I diari di
guerra e diprigionia, p. 5 -1.3. Un metodo manzoniano,
p. 7 -1.4. Il tribunale del silenzio, p. 8 - 1.5. Il diario se-
greto, p. 12 - 1.6. «La passeggiata autunnale», p. 16
II. Ingegneria e letteratura: la sperimentazione
globale 23
2.1. Esperimenti narrativi: il «Racconto italiano di igno-
to del Novecento», p. 23 - 2.2. D manifesto letterario:
l «Apologia manzoniana», p. 28 - 2.3. Esperimenti nar-
rativi: «Novella seconda», p. 30 - 2.4. Coordinate filoso-
fiche: la «Meditazione milanese», p. 34 - 2.5. D primo li-
bro: «La Madonna dei filosofi», p. 39 - 2.6. Esperimenti
narrativi: «La meccanica», p. 46 - 2.7. Il giudizio univer-
sale: «L incendio di via Keplero», p. 53 - 2.8. Educazio-
ne alternativa: «San Giorgio in casa Brocchi», p. 54 - 2.9.
D diario impossibile: «II castello di Udine», p. 59 - 2.10.
Processi milanesi: «L Adalgisa», p. 64 - 2.11.1 modi del-
l allegoria: «H primo libro delle favole», p. 73
III. Il tribunale tragico: «La cognizione del dolore» 79
3.1. Autobiografia tragica, p. 79
3.1.1. Autobiografia e letteratura, p. 79 - 3.1.2. Un giallo
linguistico, p. 80 - 3.1.3. Maschere di storia, p. 88
243
3.2. Allegoria e parodia, p. 93
3.2.1. Un fulmine di guerra, p. 93 - 3.2.2. Fulmini e pia-
noforti, p. 97 - 3.2.3. Napoleone e le bagnarole, p. 101 -
3.2.4. Vati e fantasmi, p. 105 - 3.2.5. Figure polivalenti,
p. 107 - 3.2.6. Processo ai brillanti, p. 108 - 3.2.7. Dop-
pia lettura, p. Ili
3.3. Procedure figurali, p. 114
3.3.1. La morte in memoria, p. 114 - 3.3.2. Formiche in
marcia, p. 117 - 3.3.3. Ferite di guerra, p. 122 - 3.3.4. Il
modello dantesco, p. 124 - 3.3.5. Piatone e il dovere,
p. 126 - 3.3.6. Il tribunale della scrittura, p. 128 - 3.3.7.
La seconda guerra mondiale, p. 131
IV. Lo stile della memoria: «Quer pasticciamo
brutto de via Merulana» 133
4.1. Un ipotesi di indagine, p. 133
4.1.1. Un giallo a quattro dimensioni, p. 133 - 4.1.2. La
scuola infernale, p. 139 - 4.1.3. Memoria permanente e
personaggi recidivi, p. 144
4.2. Lo stile della colpa, p. 146
4.2.1. Le orecchie di Mussolini, p. 146 - 4.2.2. Il palazzo
maledetto, p. 149 - 4.2.3. Morte e memoria, p. 152 - 4.2.4.
La giuria allusiva, p. 154 - 4.2.5. H modello tragico,
p. 156 - 4.2.6. I gioielli maledetti, p. 163 - 4.2.7. Dia-
gramma processuale, p. 167 - 4.2.8. Infanzia e sacrificio,
p. 172 - 4.2.9. Anagramma militare, p. 173 - 4.2.10. San-
zioni metamorfìche, p. 179
4.3. Lo stile dell innocenza, p. 182
4.3.1. Procedure grottesche, p. 182 - 4.3.2. Colpevoli su
misura, p. 187 - 4.3.3. Inquisizione e fascismo, p. 198 -
4.3.4. La sospensione del giudizio, p. 203 - 4.3.5. L in-
giustizia permanente, p. 212 - 4.3.6. Paradosso tragico, p.
217 - 43.7. Lo stile della memoria, p. 222
V. La scrittura e il silenzio 233
5.1. Addizioni e variazioni, p. 233 - 5.2. Approssimazio-
ne alla morte, p. 234
Cronologia della vita e delle opere 235
Bibliografia 239
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| illustrated | Not Illustrated |
| indexdate | 2024-07-09T18:23:05Z |
| institution | BVB |
| isbn | 8842055581 |
| language | Italian |
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| physical | XV, 243 S. |
| publishDate | 1998 |
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