Titanic and the making of James Cameron: the inside story of the three-year adventure that rewrote motion picture history
Parisi is among the few journalists whom the notoriously thin-skinned director James Cameron trusts. He granted her amazing access to Titanic, the costliest film ever made. She puts you there on that top-secret set. The opposite of the typical showbiz reporter, she is pro-Cameron. She does not dwell...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Newmarket Press
1998
|
| Schlagworte: | |
| Zusammenfassung: | Parisi is among the few journalists whom the notoriously thin-skinned director James Cameron trusts. He granted her amazing access to Titanic, the costliest film ever made. She puts you there on that top-secret set. The opposite of the typical showbiz reporter, she is pro-Cameron. She does not dwell on the script's weaknesses, as most of the press and the Academy of Motion Picture Arts and Sciences did. But if you have any interest in how this infinitely difficult and technically innovative film was made, Parisi's is the book to read.--From amazon.com |
| Beschreibung: | 234 S. Ill. |
| ISBN: | 1557043647 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV012166503 | ||
| 003 | DE-604 | ||
| 007 | t | ||
| 008 | 980923s1998 a||| |||| 00||| eng d | ||
| 020 | |a 1557043647 |9 1-55704-364-7 | ||
| 035 | |a (OCoLC)38748859 | ||
| 035 | |a (DE-599)BVBBV012166503 | ||
| 040 | |a DE-604 |b ger |e rakddb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-Po75 | ||
| 050 | 0 | |a PN1997.T54 | |
| 082 | 0 | |a 791.43/72 |2 21 | |
| 100 | 1 | |a Parisi, Paula |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Titanic and the making of James Cameron |b the inside story of the three-year adventure that rewrote motion picture history |c Paula Parisi |
| 264 | 1 | |a New York |b Newmarket Press |c 1998 | |
| 300 | |a 234 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a Parisi is among the few journalists whom the notoriously thin-skinned director James Cameron trusts. He granted her amazing access to Titanic, the costliest film ever made. She puts you there on that top-secret set. The opposite of the typical showbiz reporter, she is pro-Cameron. She does not dwell on the script's weaknesses, as most of the press and the Academy of Motion Picture Arts and Sciences did. But if you have any interest in how this infinitely difficult and technically innovative film was made, Parisi's is the book to read.--From amazon.com | |
| 600 | 1 | 7 | |a Cameron, James |d 1954- |0 (DE-588)119066890 |2 gnd |9 rswk-swf |
| 630 | 0 | 4 | |a Titanic (Motion picture : 1997) |
| 630 | 0 | 7 | |a Titanic |g Film |f 1997 |0 (DE-588)4499849-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Dreharbeit |0 (DE-588)4232013-6 |2 gnd |9 rswk-swf |
| 655 | 7 | |8 1\p |0 (DE-588)4133254-4 |a Erlebnisbericht |2 gnd-content | |
| 689 | 0 | 0 | |a Titanic |g Film |f 1997 |0 (DE-588)4499849-1 |D u |
| 689 | 0 | 1 | |a Dreharbeit |0 (DE-588)4232013-6 |D s |
| 689 | 0 | |8 2\p |5 DE-604 | |
| 689 | 1 | 0 | |a Cameron, James |d 1954- |0 (DE-588)119066890 |D p |
| 689 | 1 | |8 3\p |5 DE-604 | |
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 3\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-008241973 | |
Datensatz im Suchindex
| _version_ | 1806324543825903616 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Parisi, Paula |
| author_facet | Parisi, Paula |
| author_role | aut |
| author_sort | Parisi, Paula |
| author_variant | p p pp |
| building | Verbundindex |
| bvnumber | BV012166503 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1997 |
| callnumber-raw | PN1997.T54 |
| callnumber-search | PN1997.T54 |
| callnumber-sort | PN 41997 T54 |
| callnumber-subject | PN - General Literature |
| ctrlnum | (OCoLC)38748859 (DE-599)BVBBV012166503 |
| dewey-full | 791.43/72 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/72 |
| dewey-search | 791.43/72 |
| dewey-sort | 3791.43 272 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV012166503</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">980923s1998 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1557043647</subfield><subfield code="9">1-55704-364-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)38748859</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV012166503</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1997.T54</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/72</subfield><subfield code="2">21</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Parisi, Paula</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Titanic and the making of James Cameron</subfield><subfield code="b">the inside story of the three-year adventure that rewrote motion picture history</subfield><subfield code="c">Paula Parisi</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Newmarket Press</subfield><subfield code="c">1998</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">234 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Parisi is among the few journalists whom the notoriously thin-skinned director James Cameron trusts. He granted her amazing access to Titanic, the costliest film ever made. She puts you there on that top-secret set. The opposite of the typical showbiz reporter, she is pro-Cameron. She does not dwell on the script's weaknesses, as most of the press and the Academy of Motion Picture Arts and Sciences did. But if you have any interest in how this infinitely difficult and technically innovative film was made, Parisi's is the book to read.--From amazon.com</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Cameron, James</subfield><subfield code="d">1954-</subfield><subfield code="0">(DE-588)119066890</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="630" ind1="0" ind2="4"><subfield code="a">Titanic (Motion picture : 1997)</subfield></datafield><datafield tag="630" ind1="0" ind2="7"><subfield code="a">Titanic</subfield><subfield code="g">Film</subfield><subfield code="f">1997</subfield><subfield code="0">(DE-588)4499849-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Dreharbeit</subfield><subfield code="0">(DE-588)4232013-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4133254-4</subfield><subfield code="a">Erlebnisbericht</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Titanic</subfield><subfield code="g">Film</subfield><subfield code="f">1997</subfield><subfield code="0">(DE-588)4499849-1</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Dreharbeit</subfield><subfield code="0">(DE-588)4232013-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Cameron, James</subfield><subfield code="d">1954-</subfield><subfield code="0">(DE-588)119066890</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-008241973</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)4133254-4 Erlebnisbericht gnd-content |
| genre_facet | Erlebnisbericht |
| id | DE-604.BV012166503 |
| illustrated | Illustrated |
| indexdate | 2024-08-03T00:35:24Z |
| institution | BVB |
| isbn | 1557043647 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008241973 |
| oclc_num | 38748859 |
| open_access_boolean | |
| owner | DE-12 DE-Po75 |
| owner_facet | DE-12 DE-Po75 |
| physical | 234 S. Ill. |
| publishDate | 1998 |
| publishDateSearch | 1998 |
| publishDateSort | 1998 |
| publisher | Newmarket Press |
| record_format | marc |
| spelling | Parisi, Paula Verfasser aut Titanic and the making of James Cameron the inside story of the three-year adventure that rewrote motion picture history Paula Parisi New York Newmarket Press 1998 234 S. Ill. txt rdacontent n rdamedia nc rdacarrier Parisi is among the few journalists whom the notoriously thin-skinned director James Cameron trusts. He granted her amazing access to Titanic, the costliest film ever made. She puts you there on that top-secret set. The opposite of the typical showbiz reporter, she is pro-Cameron. She does not dwell on the script's weaknesses, as most of the press and the Academy of Motion Picture Arts and Sciences did. But if you have any interest in how this infinitely difficult and technically innovative film was made, Parisi's is the book to read.--From amazon.com Cameron, James 1954- (DE-588)119066890 gnd rswk-swf Titanic (Motion picture : 1997) Titanic Film 1997 (DE-588)4499849-1 gnd rswk-swf Dreharbeit (DE-588)4232013-6 gnd rswk-swf 1\p (DE-588)4133254-4 Erlebnisbericht gnd-content Titanic Film 1997 (DE-588)4499849-1 u Dreharbeit (DE-588)4232013-6 s 2\p DE-604 Cameron, James 1954- (DE-588)119066890 p 3\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Parisi, Paula Titanic and the making of James Cameron the inside story of the three-year adventure that rewrote motion picture history Cameron, James 1954- (DE-588)119066890 gnd Titanic (Motion picture : 1997) Titanic Film 1997 (DE-588)4499849-1 gnd Dreharbeit (DE-588)4232013-6 gnd |
| subject_GND | (DE-588)119066890 (DE-588)4499849-1 (DE-588)4232013-6 (DE-588)4133254-4 |
| title | Titanic and the making of James Cameron the inside story of the three-year adventure that rewrote motion picture history |
| title_auth | Titanic and the making of James Cameron the inside story of the three-year adventure that rewrote motion picture history |
| title_exact_search | Titanic and the making of James Cameron the inside story of the three-year adventure that rewrote motion picture history |
| title_full | Titanic and the making of James Cameron the inside story of the three-year adventure that rewrote motion picture history Paula Parisi |
| title_fullStr | Titanic and the making of James Cameron the inside story of the three-year adventure that rewrote motion picture history Paula Parisi |
| title_full_unstemmed | Titanic and the making of James Cameron the inside story of the three-year adventure that rewrote motion picture history Paula Parisi |
| title_short | Titanic and the making of James Cameron |
| title_sort | titanic and the making of james cameron the inside story of the three year adventure that rewrote motion picture history |
| title_sub | the inside story of the three-year adventure that rewrote motion picture history |
| topic | Cameron, James 1954- (DE-588)119066890 gnd Titanic (Motion picture : 1997) Titanic Film 1997 (DE-588)4499849-1 gnd Dreharbeit (DE-588)4232013-6 gnd |
| topic_facet | Cameron, James 1954- Titanic (Motion picture : 1997) Titanic Film 1997 Dreharbeit Erlebnisbericht |
| work_keys_str_mv | AT parisipaula titanicandthemakingofjamescamerontheinsidestoryofthethreeyearadventurethatrewrotemotionpicturehistory |