Understanding animation:
Understanding Animation offers a number of reasons why animation has been consigned to the margins of film history and criticism, and argues animation's case to be recognised as a significant art form.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London u.a.
Routledge
1998
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Understanding Animation offers a number of reasons why animation has been consigned to the margins of film history and criticism, and argues animation's case to be recognised as a significant art form. |
| Beschreibung: | Filmogr. S. 262 - 265 |
| Beschreibung: | X, 265 S. Ill. |
| ISBN: | 0415115965 0415115973 |
Internformat
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| 245 | 1 | 0 | |a Understanding animation |c Paul Wells |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a London u.a. |b Routledge |c 1998 | |
| 300 | |a X, 265 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Filmogr. S. 262 - 265 | ||
| 520 | 3 | |a Understanding Animation offers a number of reasons why animation has been consigned to the margins of film history and criticism, and argues animation's case to be recognised as a significant art form. | |
| 650 | 7 | |a Animatiefilms |2 gtt | |
| 650 | 4 | |a Dessins animés - Histoire et critique | |
| 650 | 4 | |a Animated films |x History and criticism | |
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Datensatz im Suchindex
| _version_ | 1804126713416777728 |
|---|---|
| adam_text | IMAGE 1
CONTENTS
FIGURES VIII
ACKNOWLEDGEMENTS IX
INTRODUCTION: SEEING THE BRICK 1
IF THE STORY S SO COCK-EYED, WHAT S THE POINT OF IT? 4
SO, WHAT S THE ANSWER? VISUAL EDUCATION? 7
1 THINKING A B O UT A N I M A T ED FILM 10
WHAT IS ANIMATION? 10
FLIPBOOKS, FRAME-BY-FRAME AND FUNNY FACES 11
CASE STUDY: EARLY COMIC STRIP CARTOON CONCEPTS 17
DISNEY AND THE REALIST PRINCIPLE 21
CASE STUDY: THE PROBLEM OF REALISM 24
TRUE ANIMATION? 28
2 N O T ES T O W A R DS A T H E O RY OF A N I M A T I ON 3 5
STYLES AND APPROACHES 35
TERMS AND CONDITIONS: ORTHODOX ANIMATION 36
CASE STUDY: DECONSTRUCTING THE CARTOON 39
TERMS AND CONDITIONS: EXPERIMENTAL ANIMATION 43
CASE STUDIES: NON-OBJECTIVE AND NON-LINEAR ANIMATION 46
BACKWARD LOOKING, FORWARD THINKING: CASES STUDIES IN DEVELOPMENTAL
ANIMATION 51
3 O N CE U P ON A T I M E: NARRATIVE STRATEGIES 68
DEFINITIONS AND DEVICES 69
METAMORPHOSIS 69
CONDENSATION 76
SYNECDOCHE 80
SYMBOLISM AND METAPHOR 83
FABRICATION 90
IMAGE 2
ASSOCIATIVE RELATIONS 93
SOUND 97
ACTING AND PERFORMANCE 104
CHOREOGRAPHY 111
PENETRATION 122
25 W A YS TO START L A U G H I NG
1 MAGICAL SURPRISES 128
2 THE POWER OF PERSONALITY 129
3 THE VISUAL PUN 131
4 EXPECTATION AND EXPLOITATION 134
5 JUST A MINUTE, CHUBBY-YOU AIN T SEEN HALF THE KID S REPERTOIRE-E-E!
SOME OLD SAWS 135
6 CATCH THAT AND PAINT IT GREEN! : ADULT AVERY 140
7 EXTENDING THE PREMISE OF THE VISUAL GAG 141
8 THE DEVELOPMENT OF ALIENATION DEVICES 142
9 LITERAL, VISUAL AND VERBAL GAGS 144
10 ON BLACK HUMOUR 145
11 RECOGNISING TORMENT AND TABOO 146
12 JONES ROAD RUNNER GAGS 150
13 SOME THEORIES ON CHARACTER COMEDY 152
14 THE SHAGGY DOG STORY 156
15 DISCONTINUED LINES 160
16 ACCIDENTS WILL HAPPEN 161
1 7 OBJECTS HAVE A LIFE OF THEIR OWN 162
18 THE SIGHT OF 40-YEAR-OLD GENITALIA IS TOO DISGUSTING, IS IT? :
SELF-CONSCIOUS HUMOUR 163
19 EVERYTHING CAN MEAN ITS OPPOSITE 167
20 YABBA-DABBA-DOO! 168
21 TELLING IT OVER AND OVER AGAIN 1 69
22 25 WAYS TO EXAGGERATE, UNDERSTATE AND ALIENATE 172
23 DEDICATED TO THOSE WHO DISAPPROVE BUT CONTINUE TO WATCH 174
24 DRIESSEN S COMEDY OF CRUELTY 179
25 TECHNO-TITTERS AND POST-MODERN FORMS 180
ISSUES IN REPRESENTATION
THE BODY IN QUESTION 188 FASTER THAN A SPEEDING BULLET . . . : MEN AND
MASCULINITY 190
THE CONCEPT OF EVERYMAN 196
WAYWARD GIRLS AND WICKED WOMEN: THE FEMININE AESTHETIC 198
IMAGE 3
CROSS-DRESSING, TRANSVESTISM, GENDER-BENDING, CROSS-SPECIES COUPLING AND
OTHER UNUSUAL TRENDS 203
CASE STUDY: IS JERRY A GIRL? 208
RACE IN CONTEXT 215
6 ANIMATION AND AUDIENCES: MY MOTHER USED TO CALL ME THUMPER! 222
CINEMA AND THE SPECTATOR 222 THE DISNEY VERSION 223
DISNEY AND MASS OBSERVATION 226
NOSTALGIA S NOT WHAT IT USED TO BE: DISNEY, THEN AND NOW 232
TOWARDS A CONCLUSION 242
NOTES 2 44
BIBLIOGRAPHY 2 50
INDEX 2 58
FILMOGRAPHY 2 62
|
| any_adam_object | 1 |
| author | Wells, Paul 1961- |
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| callnumber-first | N - Fine Arts |
| callnumber-label | NC1765 |
| callnumber-raw | NC1765 |
| callnumber-search | NC1765 |
| callnumber-sort | NC 41765 |
| callnumber-subject | NC - Drawing, Design, Illustration |
| classification_rvk | AP 48600 |
| ctrlnum | (OCoLC)37890346 (DE-599)BVBBV012109218 |
| dewey-full | 791.43/3 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/3 |
| dewey-search | 791.43/3 |
| dewey-sort | 3791.43 13 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV012109218 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:21:50Z |
| institution | BVB |
| isbn | 0415115965 0415115973 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008199199 |
| oclc_num | 37890346 |
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| owner_facet | DE-19 DE-BY-UBM DE-739 DE-M472 DE-12 DE-11 DE-473 DE-BY-UBG DE-Po75 |
| physical | X, 265 S. Ill. |
| publishDate | 1998 |
| publishDateSearch | 1998 |
| publishDateSort | 1998 |
| publisher | Routledge |
| record_format | marc |
| spelling | Wells, Paul 1961- Verfasser (DE-588)137207352 aut Understanding animation Paul Wells 1. publ. London u.a. Routledge 1998 X, 265 S. Ill. txt rdacontent n rdamedia nc rdacarrier Filmogr. S. 262 - 265 Understanding Animation offers a number of reasons why animation has been consigned to the margins of film history and criticism, and argues animation's case to be recognised as a significant art form. Animatiefilms gtt Dessins animés - Histoire et critique Animated films History and criticism Zeichentrickfilm (DE-588)4190578-7 gnd rswk-swf Animationsfilm (DE-588)4142484-0 gnd rswk-swf Animationsfilm (DE-588)4142484-0 s DE-604 Zeichentrickfilm (DE-588)4190578-7 s SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008199199&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wells, Paul 1961- Understanding animation Animatiefilms gtt Dessins animés - Histoire et critique Animated films History and criticism Zeichentrickfilm (DE-588)4190578-7 gnd Animationsfilm (DE-588)4142484-0 gnd |
| subject_GND | (DE-588)4190578-7 (DE-588)4142484-0 |
| title | Understanding animation |
| title_auth | Understanding animation |
| title_exact_search | Understanding animation |
| title_full | Understanding animation Paul Wells |
| title_fullStr | Understanding animation Paul Wells |
| title_full_unstemmed | Understanding animation Paul Wells |
| title_short | Understanding animation |
| title_sort | understanding animation |
| topic | Animatiefilms gtt Dessins animés - Histoire et critique Animated films History and criticism Zeichentrickfilm (DE-588)4190578-7 gnd Animationsfilm (DE-588)4142484-0 gnd |
| topic_facet | Animatiefilms Dessins animés - Histoire et critique Animated films History and criticism Zeichentrickfilm Animationsfilm |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008199199&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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