Silence and pauses in discourse and music:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
1998
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XII, 296 S. |
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Datensatz im Suchindex
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| adam_text | Titel: Silence and pauses in discourse and music
Autor: Danielewicz-Betz, Anna Maria
Jahr: 1998
Table of Contents
Preface xi
Chapter 1: Introduction 1
1 The motivation and goals of the thesis...........................................................1
2 The concept of silence....................................................................................4
3 Chapter outline................................................................................................4
Chapter 2: Interrelations of language and music 7
1 Introduction.....................................................................................................7
2 Levels of analysis...........................................................................................9
2.1 Music and phonology............................................................................9
2.2 Phonetics.............................................................................................10
2.3 Grammar..............................................................................................12
2.4 The meaning of music.........................................................................16
2.5 Semiotics.............................................................................................19
2.6 Discourse analysis...............................................................................21
2.6.1 Rhythm in speech. Musical parallels.......................................21
2.6.2 Text analysis. Structure and form............................................23
3 Language and music.....................................................................................25
3.1 Contemporary music and speech.........................................................25
3.2 Terminology in common.....................................................................27
3.3 Whistled languages.............................................................................28
4 Literature and music.....................................................................................29
4.1 The relations of music and literature...................................................30
4.2 Musical strategies and techniques used for literary purposes.............31
5 Language and music: similarities and differences........................................32
6 Conclusion and Outlook...............................................................................36
Chapter 3: Language and music -variations 37
1 Introduction...................................................................................................37
1.1 Comparative semiotics........................................................................37
2 Register analysis...........................................................................................39
2.1 Field of discourse................................................................................40
2.2 Mode of discourse...............................................................................41
2.3 Tenor of discourse...............................................................................47
2.3.1 Relationship.............................................................................47
2.3.2 Formality..................................................................................48
2.3.3 Role..........................................................................................49
2.3.4 Focus........................................................................................49
2.3.5 Functional tenor.......................................................................49
3 Register analysis: philharmonic concert.......................................................51
4 Conclusion....................................................................................................53
y Chapter 4: Silence and pauses in language 55
1 Introduction...................................................................................................55
1.1 Acoustic and perceptual silence..........................................................56
1.2 Silence vs. pauses................................................................................57
1.3 Stillness vs. silence in discourse.........................................................57
2 Investigation of pauses: state of the art.........................................................58
2.1 Classification of pauses.......................................................................59
2.2 Social approach to pausing..................................................................62
2.3 Perception of pauses............................................................................62
2.3.1 Linguistic determiners of pauses.............................................63
2.3.2 Prosodic determiners of pausing..............................................64
2.3.3 Pauses related to different verbal tasks....................................65
2.4 Syntactic pauses..................................................................................67
3 Boundary perception.....................................................................................69
3.1 Juncture in speech...............................................................................69
3.2 Syntactic disambiguation vs. prosodic disambiguation......................70
4 Communicative silence.................................................................................73
4.1 Example of a communicative silence. Cum tacent clamant:
silence is an admission of guilt...........................................................76
4.2 Silence facilitating communication.....................................................76
4.3 Silent misunderstandings.....................................................................77
4.4 Silence in discourse. Pauses in conversation......................................78
5 Conclusion....................................................................................................81
y Chapter 5: Silence and rests in music 83
1 Introduction...................................................................................................83
1.1 Acoustic and perceptive silence..........................................................83
1.2 Silence and stillness............................................................................84
1.3 Silence.................................................................................................84
1.3.1 Rests.........................................................................................85
1.3.2 Silence and rests: terminological problems.............................85
2 Rests in notation...........................................................................................87
3 Musicological classification of rests.............................................................90
4 Musical functions of rests.............................................................................97
4.1 Functions of rests in different musical forms and styles.....................98
5 Alternative classification of rests................................................................106
5.1 Cage s functions of silence...............................................................112
6 Boundary signals........................................................................................113
6.1 Prosodic units in music.....................................................................113
6.2 Boundary signals...............................................................................114
7 Time in music.............................................................................................117
8 Conclusion..................................................................................................119
Chapter 6: Silence in literature and music: text vs. performance 123
1 Introduction.................................................................................................123
1.1 Text vs. performance.........................................................................124
2 Music and nonverbal communication in prose...........................................125
2.1 Punctuation........................................................................................126
2.2 Prosodic features...............................................................................127
2.3 Silence and pauses in literary texts...................................................129
2.4 Time in literary works.......................................................................133
2.5 Music in literary texts........................................................................133
3 Pauses in poetry..........................................................................................137
3.1 Ancient poetry: the pause in Greek lyric poetry...............................138
3.2 Halliday s analysis of English poetry. Silent beats...........................140
3.3 Musical features of poetry. Text vs. recitation..................................142
3.4 Pauses in recitation............................................................................144
3.5 Pauses in prose and poetry reading vs. musical performance...........146
3.6 Silence as subject matter in poetry....................................................148
4 Text vs. performance in drama...................................................................150
4.1 Theatrical score.................................................................................150
4.2 Dramatic performance. Silence and musical elements......................151
4.3 Silence in ancient drama...................................................................155
4.4 Silence in Shakespeare plays.............................................................156
4.5 Functions of silence in contemporary drama....................................158
4.6 Harold Pinter s non-verbal repertoire...............................................161
4.7 Musical drama : an example of the verbal representation
(Gestaltung) of a musical form.........................................................164
5 Score (musical text) and performance........................................................166
5.1 Contemporary music.........................................................................168
5.2 Meaningful silence and rests in musical performance......................169
5.3 Speech rests....................................................................................170
5.4 Silence as subject matter and form of expression.............................178
6 Conclusion..................................................................................................179
Chapter 7: Framing of silence: the Catholic Mass and
philharmonic concert 181
1 Introduction.................................................................................................181
1.1 Frame analysis...................................................................................182
2 The Mass.....................................................................................................183
2.1 Frame analysis: the Mass..................................................................185
2.1.1 Religious silence....................................................................185
2.1.2 The Catholic worship.............................................................186
2.1.3 Variations on the main pattern: Funeral service,
wedding, first communion, children s and youth Mass........188
2.1.4 Noise in the religious worship...............................................189
3 Framing of a philharmonic concert.............................................................190
4 Parallels between the Mass and the philharmonic concert.........................191
5 Conclusion..................................................................................................193
Chapter 8: Functional approach: silence and pauses in
discourse and music. Silence in other forms of art 195
1 Introduction.................................................................................................195
(2 Sounds and silence......................................................................................196
V 3 Communicative silence...............................................................................197
3.1 Pauses in discourse analysis..............................................................200
3.2 Intentional silence in contemporary music........................................201
4 Functions of pauses and rests.....................................................................203
5 Examples of functional silence in musical works and literature................209
5.1 Dramatic rests and silence.................................................................209
5.2 Descriptive rests. Depiction of movement........................................213
5.3 Comprehensive (cognitive) rests.......................................................218
5.4 Emotional rests..................................................................................218
5.5 Disfluency and disintegration............................................................219
5.6 Fading away......................................................................................220
5.7 Verbal description of silence. Examples of communicative
and expressive silence in literature....................................................222
6 Positive and negative valuation of silence..................................................226
7 Rests in dance.............................................................................................229
8 Silent paintings.........................................................................................233
8.1 Edward Hopper.................................................................................234
9 Conclusion..................................................................................................236
Chapter 9; Prosodic transcription and coding of speech and music. Auditory
and acoustic analysis of rests and boundary signals in music 237
1 Introduction.................................................................................................237
2 Musical borrowings in discourse transcription...........................................238
3 Rhythm in speech. Musical parallels..........................................................241
3.1 Rhythmic pauses (silent beats)..........................................................241
4 Prosodic analysis of music. The computer-assisted
transcription of the musical data corpus.....................................................242
4.1 Corpus details....................................................................................242
4.2 Transcription details..........................................................................243
4.3 Analysis of the corpus.......................................................................244
4.4 Duration of rests................................................................................244
4.5 Classification of rests........................................................................245
4.6 New classification of rests (stage 2)..................................................248
5 Sample musical utterances .......................................................................249
5.1 bachO2 ...........................................................................................251
5.2 beet301 ..........................................................................................252
5.3 fugeO3 ...........................................................................................254
5.4 haydn01 .........................................................................................255
5.5 prok01 ...........................................................................................256
5.6 russian ...........................................................................................257
5.7 stock02 ..........................................................................................258
5.8 webern01 .......................................................................................259
6 Main observations.......................................................................................259
7 An example of an alternative auditory analysis..........................................260
8 Conclusion..................................................................................................263
Chapter 10: Conclusion and summary 267
1 Concluding remarks....................................................................................267
2 Functions of silence, pauses and rests........................................................268
3 Summary..................................................................................................270
4 Contribution of this thesis..........................................................................271
Appendix 273
Principal literary sources 275
Bibliography 277
|
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| title_auth | Silence and pauses in discourse and music |
| title_exact_search | Silence and pauses in discourse and music |
| title_full | Silence and pauses in discourse and music von Anna Danielewicz-Betz |
| title_fullStr | Silence and pauses in discourse and music von Anna Danielewicz-Betz |
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