Madcaps, screwballs, and con women: the female trickster in American culture
Madcaps, Screwballs, and Con Women is the first study to explore the cultural work performed by female tricksters in the "new country" of American mass consumer culture. Beginning with nineteenth-century novels such as The Hidden Hand, or Capitola the Madcap and moving through twentieth-ce...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Philadelphia
Univ. of Pennsylvania Press
1998
|
Schriftenreihe: | Feminist cultural studies, the media, and political culture
|
Schlagworte: | |
Zusammenfassung: | Madcaps, Screwballs, and Con Women is the first study to explore the cultural work performed by female tricksters in the "new country" of American mass consumer culture. Beginning with nineteenth-century novels such as The Hidden Hand, or Capitola the Madcap and moving through twentieth-century fiction, film, radio, and television, Lori Landay looks at how popular heroines use craft and deceit to circumvent the limitations of femininity She considers texts of the 1920s such as the silent film It and Anita Loos's Gentlemen Prefer Blondes; pre- and post-Production Code Mae West films, Depression-era screwball comedy, and wartime comedy; the postwar television series I Love Lucy; and such contemporary texts as The Mary Tyler Moore Show, Ellen, Batman Returns, and Sister Act. In addition, Landay explores the connections between these texts and advertisements selling products that encourage female deception and trickery When these texts are seen in a continuum, they tell a powerful story about woman's place and women's power during the sexual desegregation of American society |
Beschreibung: | XI, 258 S. Ill. |
ISBN: | 0812234359 0812216512 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV012063151 | ||
003 | DE-604 | ||
005 | 20070731 | ||
007 | t | ||
008 | 980717s1998 a||| |||| 00||| eng d | ||
020 | |a 0812234359 |9 0-8122-3435-9 | ||
020 | |a 0812216512 |9 0-8122-1651-2 | ||
035 | |a (OCoLC)37987032 | ||
035 | |a (DE-599)BVBBV012063151 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-M472 |a DE-19 |a DE-188 | ||
050 | 0 | |a HQ1426 | |
082 | 0 | |a 305.42/0973 |2 21 | |
082 | 0 | |a 305.420973 | |
100 | 1 | |a Landay, Lori |e Verfasser |4 aut | |
245 | 1 | 0 | |a Madcaps, screwballs, and con women |b the female trickster in American culture |c Lori Landay |
264 | 1 | |a Philadelphia |b Univ. of Pennsylvania Press |c 1998 | |
300 | |a XI, 258 S. |b Ill. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Feminist cultural studies, the media, and political culture | |
520 | 3 | |a Madcaps, Screwballs, and Con Women is the first study to explore the cultural work performed by female tricksters in the "new country" of American mass consumer culture. Beginning with nineteenth-century novels such as The Hidden Hand, or Capitola the Madcap and moving through twentieth-century fiction, film, radio, and television, Lori Landay looks at how popular heroines use craft and deceit to circumvent the limitations of femininity | |
520 | |a She considers texts of the 1920s such as the silent film It and Anita Loos's Gentlemen Prefer Blondes; pre- and post-Production Code Mae West films, Depression-era screwball comedy, and wartime comedy; the postwar television series I Love Lucy; and such contemporary texts as The Mary Tyler Moore Show, Ellen, Batman Returns, and Sister Act. In addition, Landay explores the connections between these texts and advertisements selling products that encourage female deception and trickery | ||
520 | |a When these texts are seen in a continuum, they tell a powerful story about woman's place and women's power during the sexual desegregation of American society | ||
650 | 4 | |a Feminismus | |
650 | 4 | |a Frau | |
650 | 4 | |a Feminist theory |z United States | |
650 | 4 | |a Man-woman relationships |z United States | |
650 | 4 | |a Women in literature | |
650 | 4 | |a Women in mass media | |
650 | 4 | |a Women in popular culture |z United States | |
650 | 4 | |a Women |z United States |v Comic books, strips, etc | |
650 | 0 | 7 | |a Betrügerin |0 (DE-588)7579089-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kultur |0 (DE-588)4125698-0 |2 gnd |9 rswk-swf |
651 | 4 | |a USA | |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 0 | 1 | |a Kultur |0 (DE-588)4125698-0 |D s |
689 | 0 | 2 | |a Betrügerin |0 (DE-588)7579089-0 |D s |
689 | 0 | |5 DE-604 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-008164786 |
Datensatz im Suchindex
_version_ | 1804126661058232320 |
---|---|
any_adam_object | |
author | Landay, Lori |
author_facet | Landay, Lori |
author_role | aut |
author_sort | Landay, Lori |
author_variant | l l ll |
building | Verbundindex |
bvnumber | BV012063151 |
callnumber-first | H - Social Science |
callnumber-label | HQ1426 |
callnumber-raw | HQ1426 |
callnumber-search | HQ1426 |
callnumber-sort | HQ 41426 |
callnumber-subject | HQ - Family, Marriage, Women |
ctrlnum | (OCoLC)37987032 (DE-599)BVBBV012063151 |
dewey-full | 305.42/0973 305.420973 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 305 - Groups of people |
dewey-raw | 305.42/0973 305.420973 |
dewey-search | 305.42/0973 305.420973 |
dewey-sort | 3305.42 3973 |
dewey-tens | 300 - Social sciences |
discipline | Soziologie |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02801nam a2200541 c 4500</leader><controlfield tag="001">BV012063151</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20070731 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">980717s1998 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0812234359</subfield><subfield code="9">0-8122-3435-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0812216512</subfield><subfield code="9">0-8122-1651-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)37987032</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV012063151</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-M472</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">HQ1426</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">305.42/0973</subfield><subfield code="2">21</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">305.420973</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Landay, Lori</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Madcaps, screwballs, and con women</subfield><subfield code="b">the female trickster in American culture</subfield><subfield code="c">Lori Landay</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Philadelphia</subfield><subfield code="b">Univ. of Pennsylvania Press</subfield><subfield code="c">1998</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XI, 258 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Feminist cultural studies, the media, and political culture</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Madcaps, Screwballs, and Con Women is the first study to explore the cultural work performed by female tricksters in the "new country" of American mass consumer culture. Beginning with nineteenth-century novels such as The Hidden Hand, or Capitola the Madcap and moving through twentieth-century fiction, film, radio, and television, Lori Landay looks at how popular heroines use craft and deceit to circumvent the limitations of femininity</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">She considers texts of the 1920s such as the silent film It and Anita Loos's Gentlemen Prefer Blondes; pre- and post-Production Code Mae West films, Depression-era screwball comedy, and wartime comedy; the postwar television series I Love Lucy; and such contemporary texts as The Mary Tyler Moore Show, Ellen, Batman Returns, and Sister Act. In addition, Landay explores the connections between these texts and advertisements selling products that encourage female deception and trickery</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">When these texts are seen in a continuum, they tell a powerful story about woman's place and women's power during the sexual desegregation of American society</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Feminismus</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Frau</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Feminist theory</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Man-woman relationships</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women in mass media</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women in popular culture</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women</subfield><subfield code="z">United States</subfield><subfield code="v">Comic books, strips, etc</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Betrügerin</subfield><subfield code="0">(DE-588)7579089-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Betrügerin</subfield><subfield code="0">(DE-588)7579089-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-008164786</subfield></datafield></record></collection> |
geographic | USA USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV012063151 |
illustrated | Illustrated |
indexdate | 2024-07-09T18:21:00Z |
institution | BVB |
isbn | 0812234359 0812216512 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008164786 |
oclc_num | 37987032 |
open_access_boolean | |
owner | DE-12 DE-M472 DE-19 DE-BY-UBM DE-188 |
owner_facet | DE-12 DE-M472 DE-19 DE-BY-UBM DE-188 |
physical | XI, 258 S. Ill. |
publishDate | 1998 |
publishDateSearch | 1998 |
publishDateSort | 1998 |
publisher | Univ. of Pennsylvania Press |
record_format | marc |
series2 | Feminist cultural studies, the media, and political culture |
spelling | Landay, Lori Verfasser aut Madcaps, screwballs, and con women the female trickster in American culture Lori Landay Philadelphia Univ. of Pennsylvania Press 1998 XI, 258 S. Ill. txt rdacontent n rdamedia nc rdacarrier Feminist cultural studies, the media, and political culture Madcaps, Screwballs, and Con Women is the first study to explore the cultural work performed by female tricksters in the "new country" of American mass consumer culture. Beginning with nineteenth-century novels such as The Hidden Hand, or Capitola the Madcap and moving through twentieth-century fiction, film, radio, and television, Lori Landay looks at how popular heroines use craft and deceit to circumvent the limitations of femininity She considers texts of the 1920s such as the silent film It and Anita Loos's Gentlemen Prefer Blondes; pre- and post-Production Code Mae West films, Depression-era screwball comedy, and wartime comedy; the postwar television series I Love Lucy; and such contemporary texts as The Mary Tyler Moore Show, Ellen, Batman Returns, and Sister Act. In addition, Landay explores the connections between these texts and advertisements selling products that encourage female deception and trickery When these texts are seen in a continuum, they tell a powerful story about woman's place and women's power during the sexual desegregation of American society Feminismus Frau Feminist theory United States Man-woman relationships United States Women in literature Women in mass media Women in popular culture United States Women United States Comic books, strips, etc Betrügerin (DE-588)7579089-0 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Kultur (DE-588)4125698-0 s Betrügerin (DE-588)7579089-0 s DE-604 |
spellingShingle | Landay, Lori Madcaps, screwballs, and con women the female trickster in American culture Feminismus Frau Feminist theory United States Man-woman relationships United States Women in literature Women in mass media Women in popular culture United States Women United States Comic books, strips, etc Betrügerin (DE-588)7579089-0 gnd Kultur (DE-588)4125698-0 gnd |
subject_GND | (DE-588)7579089-0 (DE-588)4125698-0 (DE-588)4078704-7 |
title | Madcaps, screwballs, and con women the female trickster in American culture |
title_auth | Madcaps, screwballs, and con women the female trickster in American culture |
title_exact_search | Madcaps, screwballs, and con women the female trickster in American culture |
title_full | Madcaps, screwballs, and con women the female trickster in American culture Lori Landay |
title_fullStr | Madcaps, screwballs, and con women the female trickster in American culture Lori Landay |
title_full_unstemmed | Madcaps, screwballs, and con women the female trickster in American culture Lori Landay |
title_short | Madcaps, screwballs, and con women |
title_sort | madcaps screwballs and con women the female trickster in american culture |
title_sub | the female trickster in American culture |
topic | Feminismus Frau Feminist theory United States Man-woman relationships United States Women in literature Women in mass media Women in popular culture United States Women United States Comic books, strips, etc Betrügerin (DE-588)7579089-0 gnd Kultur (DE-588)4125698-0 gnd |
topic_facet | Feminismus Frau Feminist theory United States Man-woman relationships United States Women in literature Women in mass media Women in popular culture United States Women United States Comic books, strips, etc Betrügerin Kultur USA |
work_keys_str_mv | AT landaylori madcapsscrewballsandconwomenthefemaletricksterinamericanculture |