The technique of audio post-production in video and film:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Undetermined |
| Veröffentlicht: |
London [u.a.]
Focal Press
1990
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XI, 204 S. Ill., graph. Darst. |
| ISBN: | 0240512812 |
Internformat
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| 100 | 1 | |a Amyes, Tim |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The technique of audio post-production in video and film |c Tim Amyes |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a London [u.a.] |b Focal Press |c 1990 | |
| 300 | |a XI, 204 S. |b Ill., graph. Darst. | ||
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Datensatz im Suchindex
| _version_ | 1804126634909892608 |
|---|---|
| adam_text | The technique of audio
post-production
in video and film
Tim Amyes
Focal Press
London and Boston
Contents
Preface v
Acknowledgements vi
1 An historical background 1
2 Video, film and pictures 8
Film g
Video 9
Video recording 9
One-inch format 11
Video cassette recorders 12
Picture machines used in audio post-production suites 14
Comparing the film amp; video 14
3 Audio post-production equipment 16
Video recorders and sound 16
Video sound formats 18
Audio frequency modulation recording 18
Sprocketed film sound 19
Sprocketed magnetic film -16 mm, 35 mm, 70 mm 19
Sprocket drive film machines 20
Capstan drive film machines 20
Requirements for sprocketed film machines 22
Combined magnetic recording 24
Projectors 24
Magnetic tape recorders 25
Audio tape formats 26
Noise reduction systems 26
Requirements for tape machines 27
Photographic sound recording 28
Photographic recording test procedures 30
vii
viii Contents
4 Synchronizing audio post-production equipment 33
The SMPTE/EBU time code 34
4 bit code 37
Drop frame flag-bit number 10 37
Longitudinal time code 38
Vertical interval time code 39
Midi 40
Film time code 40
Synchronizing using sprockets 42
Pilotone neopilot 42
Key numbers 44
Rubber or frame numbers 44
5 Recording and distributing time code 45
Reshaping time code 46
Reclocking time code 46
Dedicated time code channels 47
Distributing time code 47
6 Synchronizers and controllers 50
Servo control of transports 50
Master 51
Slave 52
Chase synchronizers 52
Control synchronizers 54
Intelligent synchronizers 54
Tachometer control 55
Film synchronizers 55
Operational functions of controllers 56
, Digital audio disc post-production systems 62
Requirements of analogue tape recorders suitable for audio 62
post-production synchronizers
Requirements of video tape recorders suitable for 64
post-production synchronizers
Problem of time code synchronization 64
7 Digital sound recording 66
Principle of digital recording 69
Recording digital audio 69
Sampling rate 69
Quantizing level 69
Digital bandwidth 69
Memories 69
Disc drives 69
Workstations 71
Compact discs 73
Magnetic tape 73
R-Dat 75
Pulse code modulation recording 75
Contents ix
8 Recording audio for post-production 78
Multiple camera videotape recording 78
Single camera shooting (video and film) 80
Single camera shooting with multitrack sound recording 80
Slating 81
Double system or single system? 82
Multi-camera film shooting 83
Time code generators and cameras 83
Recording dialogue at time of shooting 84
Spot effects 85
Wild tracks 85
Identification 85
Shooting to playback 86
9 Video editing picture and sound 87
Example of video sound editing with discontinuous shooting 90
Editing separate sound with video 91
Off-line editing 92
Off laying sound and video in preparationfor sound mixing 94
10 Multitrack track laying 96
Sound effects 96
Formats for sound effects 96
Synchronizing time coded tapes of sound effects 100
Laying soundtracks 101
Use of original location tapes 102
Splitting tracks 103
Cue sheets 104
Advantages/disadvantages of multitrack techniques 104
A selection of sound effects and music libraries 105
11 Film editing 106
Film picture editing 106
Film track laying 108
Loops 110
Cue sheets 110
The advantages/disadvantages of track laying using sprocketed 111
magnetic film
Hybrid film and video track laying systems 112
Tele-recording 113
12 Workstations 114
Cue sheet 114
Meter screen 115
The library screen 115
Technical screens 116
Using the work station 117
x Contents
13 Stereo 119
Stereo dialogue
Track laying and stereo
Stereo audio synthesizers
14 Music
Use of music
Music especially composed for a production
Music recording to picture
Music for motion pictures
Musical programmes
Copyright
15 Monitoring and the environment
The control room
Monitoring loudspeakers
Acoustics and reverberation
Background noise
The importance of listening levels
Television monitoring conditions
Film theatre monitoring conditions
Reproduction of motion picture film on television
Visual monitors
Mono and stereo metering
Phase metering
Phase oscilloscope
16 Mixing consoles and audio processing equipment
The mixing console
Types of console
Inputs and controls
Equalizers
Notch filters
Pass filters
Graphic equalizers
Uses of equalizers
Control of dynamics
Limiting
Compression
Noise gates and expanders
Reverberation
Computerization of mixing consoles
17 The mix
Operation of the controller
Pre-read displays
Console automation
Sound sources for the final mix
Contents xi
Cue sheets 171
Pre-mixes 171
Timeshifts during a mix 174
Compatible stereo mixes 175
Lay back 175
Music and effects tracks 176
18 Studio recording 177
Recording dialogue 177
Post-synchronization 178
Loop method 178
Automatic dialogue recording - ADR 178
Post synchronous sound effects 181
Commentary recording 182
19 The transmission and reproduction of audio post-production 183
material
Low quality formats 183
High quality formats 183
The television chain 183
Transmission of television signals 185
Stereo television sound 186
Satellites 187
Domestic video cassette machines 187
The VHS format 188
Beta format 188
Domestic pulse code modulation recording - video 8 190
Optical video discs 190
Surround sound 191
Glossary 192
Index 200
|
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| discipline | Allgemeines |
| edition | 1. publ. |
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| id | DE-604.BV012039616 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:20:35Z |
| institution | BVB |
| isbn | 0240512812 |
| language | Undetermined |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008147346 |
| oclc_num | 246784823 |
| open_access_boolean | |
| owner | DE-M472 DE-83 |
| owner_facet | DE-M472 DE-83 |
| physical | XI, 204 S. Ill., graph. Darst. |
| publishDate | 1990 |
| publishDateSearch | 1990 |
| publishDateSort | 1990 |
| publisher | Focal Press |
| record_format | marc |
| spelling | Amyes, Tim Verfasser aut The technique of audio post-production in video and film Tim Amyes 1. publ. London [u.a.] Focal Press 1990 XI, 204 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Film (DE-588)4017102-4 gnd rswk-swf Audiotechnik (DE-588)4140445-2 gnd rswk-swf Nachbearbeitung (DE-588)4731131-9 gnd rswk-swf Film (DE-588)4017102-4 s Audiotechnik (DE-588)4140445-2 s Nachbearbeitung (DE-588)4731131-9 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008147346&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Amyes, Tim The technique of audio post-production in video and film Film (DE-588)4017102-4 gnd Audiotechnik (DE-588)4140445-2 gnd Nachbearbeitung (DE-588)4731131-9 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4140445-2 (DE-588)4731131-9 |
| title | The technique of audio post-production in video and film |
| title_auth | The technique of audio post-production in video and film |
| title_exact_search | The technique of audio post-production in video and film |
| title_full | The technique of audio post-production in video and film Tim Amyes |
| title_fullStr | The technique of audio post-production in video and film Tim Amyes |
| title_full_unstemmed | The technique of audio post-production in video and film Tim Amyes |
| title_short | The technique of audio post-production in video and film |
| title_sort | the technique of audio post production in video and film |
| topic | Film (DE-588)4017102-4 gnd Audiotechnik (DE-588)4140445-2 gnd Nachbearbeitung (DE-588)4731131-9 gnd |
| topic_facet | Film Audiotechnik Nachbearbeitung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008147346&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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