Contemporary film theory:
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
London [u.a.]
Longman
1996
|
Ausgabe: | 1. publ., 4. impr. |
Schriftenreihe: | Longman critical readers
|
Schlagworte: | |
Beschreibung: | X, 218 S. graph. Darst. |
ISBN: | 0582090318 0582090326 |
Internformat
MARC
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Datensatz im Suchindex
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building | Verbundindex |
bvnumber | BV011990791 |
classification_rvk | AP 45100 |
ctrlnum | (OCoLC)247233193 (DE-599)BVBBV011990791 |
discipline | Allgemeines |
edition | 1. publ., 4. impr. |
format | Book |
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id | DE-604.BV011990791 |
illustrated | Illustrated |
indexdate | 2024-07-09T18:19:48Z |
institution | BVB |
isbn | 0582090318 0582090326 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008114252 |
oclc_num | 247233193 |
open_access_boolean | |
owner | DE-29 DE-M472 |
owner_facet | DE-29 DE-M472 |
physical | X, 218 S. graph. Darst. |
publishDate | 1996 |
publishDateSearch | 1996 |
publishDateSort | 1996 |
publisher | Longman |
record_format | marc |
series2 | Longman critical readers |
spelling | Contemporary film theory ed. and introd. by Antony Easthope 1. publ., 4. impr. London [u.a.] Longman 1996 X, 218 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier Longman critical readers Filmtheorie (DE-588)4071216-3 gnd rswk-swf Filmtheorie (DE-588)4071216-3 s DE-604 Easthope, Antony Sonstige oth |
spellingShingle | Contemporary film theory Filmtheorie (DE-588)4071216-3 gnd |
subject_GND | (DE-588)4071216-3 |
title | Contemporary film theory |
title_auth | Contemporary film theory |
title_exact_search | Contemporary film theory |
title_full | Contemporary film theory ed. and introd. by Antony Easthope |
title_fullStr | Contemporary film theory ed. and introd. by Antony Easthope |
title_full_unstemmed | Contemporary film theory ed. and introd. by Antony Easthope |
title_short | Contemporary film theory |
title_sort | contemporary film theory |
topic | Filmtheorie (DE-588)4071216-3 gnd |
topic_facet | Filmtheorie |
work_keys_str_mv | AT easthopeantony contemporaryfilmtheory |