Anatomy of film:
Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and incl...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
St. Martin's Press [u.a.]
1998
|
Ausgabe: | 3. ed. |
Schlagworte: | |
Zusammenfassung: | Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless. -Back cover. |
Beschreibung: | XV, 302 S. Ill. |
ISBN: | 0333727215 0312153996 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV011978389 | ||
003 | DE-604 | ||
005 | 19980707 | ||
007 | t | ||
008 | 980527s1998 a||| |||| 00||| eng d | ||
020 | |a 0333727215 |9 0-333-72721-5 | ||
020 | |a 0312153996 |9 0-312-15399-6 | ||
035 | |a (OCoLC)38049713 | ||
035 | |a (DE-599)BVBBV011978389 | ||
040 | |a DE-604 |b ger |e rakddb | ||
041 | 0 | |a eng | |
049 | |a DE-29 |a DE-M472 |a DE-473 | ||
050 | 0 | |a PN1994 | |
082 | 0 | |a 791.43 |2 21 | |
084 | |a AP 45400 |0 (DE-625)7522: |2 rvk | ||
100 | 1 | |a Dick, Bernard F. |d 1935- |e Verfasser |0 (DE-588)12965549X |4 aut | |
245 | 1 | 0 | |a Anatomy of film |c Bernard F. Dick |
250 | |a 3. ed. | ||
264 | 1 | |a New York |b St. Martin's Press [u.a.] |c 1998 | |
300 | |a XV, 302 S. |b Ill. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless. -Back cover. | |
650 | 7 | |a Filmkunst |2 gtt | |
650 | 7 | |a Filmmontage |2 gtt | |
650 | 7 | |a Filmscenario's |2 gtt | |
650 | 4 | |a Film | |
650 | 4 | |a Motion pictures | |
650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Filmanalyse |0 (DE-588)4140882-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Filmtheorie |0 (DE-588)4071216-3 |2 gnd |9 rswk-swf |
655 | 7 | |8 1\p |0 (DE-588)4151278-9 |a Einführung |2 gnd-content | |
689 | 0 | 0 | |a Filmanalyse |0 (DE-588)4140882-2 |D s |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Filmtheorie |0 (DE-588)4071216-3 |D s |
689 | 1 | |5 DE-604 | |
689 | 2 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
689 | 2 | |8 2\p |5 DE-604 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-008104736 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk |
Datensatz im Suchindex
_version_ | 1804126571995332608 |
---|---|
any_adam_object | |
author | Dick, Bernard F. 1935- |
author_GND | (DE-588)12965549X |
author_facet | Dick, Bernard F. 1935- |
author_role | aut |
author_sort | Dick, Bernard F. 1935- |
author_variant | b f d bf bfd |
building | Verbundindex |
bvnumber | BV011978389 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1994 |
callnumber-raw | PN1994 |
callnumber-search | PN1994 |
callnumber-sort | PN 41994 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 45400 |
ctrlnum | (OCoLC)38049713 (DE-599)BVBBV011978389 |
dewey-full | 791.43 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43 |
dewey-search | 791.43 |
dewey-sort | 3791.43 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
edition | 3. ed. |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02335nam a2200529 c 4500</leader><controlfield tag="001">BV011978389</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">19980707 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">980527s1998 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0333727215</subfield><subfield code="9">0-333-72721-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0312153996</subfield><subfield code="9">0-312-15399-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)38049713</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV011978389</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-29</subfield><subfield code="a">DE-M472</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1994</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43</subfield><subfield code="2">21</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 45400</subfield><subfield code="0">(DE-625)7522:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Dick, Bernard F.</subfield><subfield code="d">1935-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)12965549X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Anatomy of film</subfield><subfield code="c">Bernard F. Dick</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">3. ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">St. Martin's Press [u.a.]</subfield><subfield code="c">1998</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XV, 302 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless. -Back cover.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Filmkunst</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Filmmontage</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Filmscenario's</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmanalyse</subfield><subfield code="0">(DE-588)4140882-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4151278-9</subfield><subfield code="a">Einführung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Filmanalyse</subfield><subfield code="0">(DE-588)4140882-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-008104736</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
genre | 1\p (DE-588)4151278-9 Einführung gnd-content |
genre_facet | Einführung |
id | DE-604.BV011978389 |
illustrated | Illustrated |
indexdate | 2024-07-09T18:19:35Z |
institution | BVB |
isbn | 0333727215 0312153996 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008104736 |
oclc_num | 38049713 |
open_access_boolean | |
owner | DE-29 DE-M472 DE-473 DE-BY-UBG |
owner_facet | DE-29 DE-M472 DE-473 DE-BY-UBG |
physical | XV, 302 S. Ill. |
publishDate | 1998 |
publishDateSearch | 1998 |
publishDateSort | 1998 |
publisher | St. Martin's Press [u.a.] |
record_format | marc |
spelling | Dick, Bernard F. 1935- Verfasser (DE-588)12965549X aut Anatomy of film Bernard F. Dick 3. ed. New York St. Martin's Press [u.a.] 1998 XV, 302 S. Ill. txt rdacontent n rdamedia nc rdacarrier Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless. -Back cover. Filmkunst gtt Filmmontage gtt Filmscenario's gtt Film Motion pictures Film (DE-588)4017102-4 gnd rswk-swf Filmanalyse (DE-588)4140882-2 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf 1\p (DE-588)4151278-9 Einführung gnd-content Filmanalyse (DE-588)4140882-2 s DE-604 Filmtheorie (DE-588)4071216-3 s Film (DE-588)4017102-4 s 2\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Dick, Bernard F. 1935- Anatomy of film Filmkunst gtt Filmmontage gtt Filmscenario's gtt Film Motion pictures Film (DE-588)4017102-4 gnd Filmanalyse (DE-588)4140882-2 gnd Filmtheorie (DE-588)4071216-3 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4140882-2 (DE-588)4071216-3 (DE-588)4151278-9 |
title | Anatomy of film |
title_auth | Anatomy of film |
title_exact_search | Anatomy of film |
title_full | Anatomy of film Bernard F. Dick |
title_fullStr | Anatomy of film Bernard F. Dick |
title_full_unstemmed | Anatomy of film Bernard F. Dick |
title_short | Anatomy of film |
title_sort | anatomy of film |
topic | Filmkunst gtt Filmmontage gtt Filmscenario's gtt Film Motion pictures Film (DE-588)4017102-4 gnd Filmanalyse (DE-588)4140882-2 gnd Filmtheorie (DE-588)4071216-3 gnd |
topic_facet | Filmkunst Filmmontage Filmscenario's Film Motion pictures Filmanalyse Filmtheorie Einführung |
work_keys_str_mv | AT dickbernardf anatomyoffilm |