Bloomsbury pie: the making of the Bloomsbury boom
Celebrated and maligned with equal vigor, the Bloomsbury Group is the best-documented artistic coterie in twentieth-century literature. The novelists Virginia Woolf and E. M. Forster, the artists Roger Fry, Duncan Grant, and Vanessa Bell, and the economist John Maynard Keynes were among this charmed...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Holt
1997
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Zusammenfassung: | Celebrated and maligned with equal vigor, the Bloomsbury Group is the best-documented artistic coterie in twentieth-century literature. The novelists Virginia Woolf and E. M. Forster, the artists Roger Fry, Duncan Grant, and Vanessa Bell, and the economist John Maynard Keynes were among this charmed circle that emerged in London before the First World War and came to exercise a complex, lingering influence on English art and letters. Theirs was a world of great talent - even genius - sexual intrigue, and gossip; they cultivated an atmosphere in which it was possible to say anything, do anything. Their peak of influence in the 1920s was followed by forty years of sustained sidelong derogation, and occasional frontal attack, from such famously hostile critics as D. H. Lawrence and Wyndham Lewis, until, in the 1960s, the idea of Bloomsbury exploded in the public imagination, transforming the Group into an almost mass-market attraction Not in their darkest nightmares could Bloomsbury's contemporary detractors have imagined that Charleston Farmhouse, where Vanessa Bell and Duncan Grant once lived and painted, would eventually attract some 15,000 visitors each year, or that a high-profile film, Carrington, would be based on Lytton Strachey's largely platonic love affair with an obscure artist on the fringes of the hallowed Group. Bloomsbury Pie examines the persistent allure of Bloomsbury - a fascination driven by nostalgia, adoration, and antipathy - and tracks the resurgence of interest in the Group, from a handful of biographies in the 1960s through the feminist discovery of Virginia Woolf in the 1970s and the enshrinement of the Bloomsberries as cultural icons in the 1980s and 1990s Drawing on a wealth of material generated by this revival, Regina Marler chronicles the story of the Bloomsbury boom - its scholars, collectors, and fanatics - and explores the industry it has spawned among writers, publishers, and art dealers. In the process she creates an impressive social history of a tenacious and unwieldy cultural phenomenon |
| Beschreibung: | Literaturangaben |
| Beschreibung: | 296 S. |
| ISBN: | 0805044167 |
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| 520 | 3 | |a Celebrated and maligned with equal vigor, the Bloomsbury Group is the best-documented artistic coterie in twentieth-century literature. The novelists Virginia Woolf and E. M. Forster, the artists Roger Fry, Duncan Grant, and Vanessa Bell, and the economist John Maynard Keynes were among this charmed circle that emerged in London before the First World War and came to exercise a complex, lingering influence on English art and letters. Theirs was a world of great talent - even genius - sexual intrigue, and gossip; they cultivated an atmosphere in which it was possible to say anything, do anything. Their peak of influence in the 1920s was followed by forty years of sustained sidelong derogation, and occasional frontal attack, from such famously hostile critics as D. H. Lawrence and Wyndham Lewis, until, in the 1960s, the idea of Bloomsbury exploded in the public imagination, transforming the Group into an almost mass-market attraction | |
| 520 | |a Not in their darkest nightmares could Bloomsbury's contemporary detractors have imagined that Charleston Farmhouse, where Vanessa Bell and Duncan Grant once lived and painted, would eventually attract some 15,000 visitors each year, or that a high-profile film, Carrington, would be based on Lytton Strachey's largely platonic love affair with an obscure artist on the fringes of the hallowed Group. Bloomsbury Pie examines the persistent allure of Bloomsbury - a fascination driven by nostalgia, adoration, and antipathy - and tracks the resurgence of interest in the Group, from a handful of biographies in the 1960s through the feminist discovery of Virginia Woolf in the 1970s and the enshrinement of the Bloomsberries as cultural icons in the 1980s and 1990s | ||
| 520 | |a Drawing on a wealth of material generated by this revival, Regina Marler chronicles the story of the Bloomsbury boom - its scholars, collectors, and fanatics - and explores the industry it has spawned among writers, publishers, and art dealers. In the process she creates an impressive social history of a tenacious and unwieldy cultural phenomenon | ||
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| _version_ | 1804126492888662016 |
|---|---|
| any_adam_object | |
| author | Marler, Regina |
| author_facet | Marler, Regina |
| author_role | aut |
| author_sort | Marler, Regina |
| author_variant | r m rm |
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| callnumber-search | DA685.B65 |
| callnumber-sort | DA 3685 B65 |
| callnumber-subject | DA - Great Britain |
| classification_rvk | HM 1139 |
| ctrlnum | (OCoLC)36727523 (DE-599)BVBBV011905640 |
| dewey-full | 820.9/00912 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 820 - English & Old English literatures |
| dewey-raw | 820.9/00912 |
| dewey-search | 820.9/00912 |
| dewey-sort | 3820.9 3912 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| edition | 1. ed. |
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| geographic_facet | Bloomsbury (London, England) Intellectual life 20th century Bloomsbury (London, England) Social life and customs |
| id | DE-604.BV011905640 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T18:18:19Z |
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| isbn | 0805044167 |
| language | English |
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| physical | 296 S. |
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| spelling | Marler, Regina Verfasser aut Bloomsbury pie the making of the Bloomsbury boom Regina Marler 1. ed. New York Holt 1997 296 S. txt rdacontent n rdamedia nc rdacarrier Literaturangaben Celebrated and maligned with equal vigor, the Bloomsbury Group is the best-documented artistic coterie in twentieth-century literature. The novelists Virginia Woolf and E. M. Forster, the artists Roger Fry, Duncan Grant, and Vanessa Bell, and the economist John Maynard Keynes were among this charmed circle that emerged in London before the First World War and came to exercise a complex, lingering influence on English art and letters. Theirs was a world of great talent - even genius - sexual intrigue, and gossip; they cultivated an atmosphere in which it was possible to say anything, do anything. Their peak of influence in the 1920s was followed by forty years of sustained sidelong derogation, and occasional frontal attack, from such famously hostile critics as D. H. Lawrence and Wyndham Lewis, until, in the 1960s, the idea of Bloomsbury exploded in the public imagination, transforming the Group into an almost mass-market attraction Not in their darkest nightmares could Bloomsbury's contemporary detractors have imagined that Charleston Farmhouse, where Vanessa Bell and Duncan Grant once lived and painted, would eventually attract some 15,000 visitors each year, or that a high-profile film, Carrington, would be based on Lytton Strachey's largely platonic love affair with an obscure artist on the fringes of the hallowed Group. Bloomsbury Pie examines the persistent allure of Bloomsbury - a fascination driven by nostalgia, adoration, and antipathy - and tracks the resurgence of interest in the Group, from a handful of biographies in the 1960s through the feminist discovery of Virginia Woolf in the 1970s and the enshrinement of the Bloomsberries as cultural icons in the 1980s and 1990s Drawing on a wealth of material generated by this revival, Regina Marler chronicles the story of the Bloomsbury boom - its scholars, collectors, and fanatics - and explores the industry it has spawned among writers, publishers, and art dealers. In the process she creates an impressive social history of a tenacious and unwieldy cultural phenomenon Bloomsbury group (DE-588)4134653-1 gnd rswk-swf Geschichte 1900-2000 Bloomsbury group gtt Engels gtt Letterkunde gtt Popularisering gtt Alltag, Brauchtum Englisch Literatur Arts, English England London Authors, English Homes and haunts England London Bloomsbury group English literature 20th century History and criticism English literature England London History and criticism Rezeption (DE-588)4049716-1 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Bloomsbury (London, England) Intellectual life 20th century Bloomsbury (London, England) Social life and customs Bloomsbury group (DE-588)4134653-1 b Rezeption (DE-588)4049716-1 s Geschichte (DE-588)4020517-4 s DE-604 |
| spellingShingle | Marler, Regina Bloomsbury pie the making of the Bloomsbury boom Bloomsbury group (DE-588)4134653-1 gnd Bloomsbury group gtt Engels gtt Letterkunde gtt Popularisering gtt Alltag, Brauchtum Englisch Literatur Arts, English England London Authors, English Homes and haunts England London Bloomsbury group English literature 20th century History and criticism English literature England London History and criticism Rezeption (DE-588)4049716-1 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4134653-1 (DE-588)4049716-1 (DE-588)4020517-4 |
| title | Bloomsbury pie the making of the Bloomsbury boom |
| title_auth | Bloomsbury pie the making of the Bloomsbury boom |
| title_exact_search | Bloomsbury pie the making of the Bloomsbury boom |
| title_full | Bloomsbury pie the making of the Bloomsbury boom Regina Marler |
| title_fullStr | Bloomsbury pie the making of the Bloomsbury boom Regina Marler |
| title_full_unstemmed | Bloomsbury pie the making of the Bloomsbury boom Regina Marler |
| title_short | Bloomsbury pie |
| title_sort | bloomsbury pie the making of the bloomsbury boom |
| title_sub | the making of the Bloomsbury boom |
| topic | Bloomsbury group (DE-588)4134653-1 gnd Bloomsbury group gtt Engels gtt Letterkunde gtt Popularisering gtt Alltag, Brauchtum Englisch Literatur Arts, English England London Authors, English Homes and haunts England London Bloomsbury group English literature 20th century History and criticism English literature England London History and criticism Rezeption (DE-588)4049716-1 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Bloomsbury group Engels Letterkunde Popularisering Alltag, Brauchtum Englisch Literatur Arts, English England London Authors, English Homes and haunts England London English literature 20th century History and criticism English literature England London History and criticism Rezeption Geschichte Bloomsbury (London, England) Intellectual life 20th century Bloomsbury (London, England) Social life and customs |
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