Don't look now:
In this lucid, detailed and subtle account of the film, Mark Sanderson describes the collaboration between director and actors which sustained the emotional richness of Don't Look Now. He returns to Daphne du Maurier's original text and to the traditions of Gothic writing which underpins t...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
British Film Institute
1996
|
Ausgabe: | 1. publ. |
Schriftenreihe: | BFI Modern Classics
|
Schlagworte: | |
Zusammenfassung: | In this lucid, detailed and subtle account of the film, Mark Sanderson describes the collaboration between director and actors which sustained the emotional richness of Don't Look Now. He returns to Daphne du Maurier's original text and to the traditions of Gothic writing which underpins the film's combination of horror, melodrama and black comedy. Sanderson examines the intricate visual style of Don't Look Now, uncovering the way in which particular motifs are used to amplify the film's depiction of two terrible deaths. He finds compensation for the film's grimly fatalistic view of life in its celebration of sexual relationships and the power of recollection. |
Beschreibung: | Literaturverzeichnis Seite 83-84 |
Beschreibung: | 84 Seiten Illustrationen |
ISBN: | 9780851705729 0851705723 |
Internformat
MARC
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520 | 3 | |a In this lucid, detailed and subtle account of the film, Mark Sanderson describes the collaboration between director and actors which sustained the emotional richness of Don't Look Now. He returns to Daphne du Maurier's original text and to the traditions of Gothic writing which underpins the film's combination of horror, melodrama and black comedy. Sanderson examines the intricate visual style of Don't Look Now, uncovering the way in which particular motifs are used to amplify the film's depiction of two terrible deaths. He finds compensation for the film's grimly fatalistic view of life in its celebration of sexual relationships and the power of recollection. | |
600 | 1 | 7 | |a Roeg, Nicolas / Don't look now |2 ram |
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650 | 4 | |a Motion pictures |z United States |x History | |
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Sanderson, Mark |
author_GND | (DE-588)139411658 |
author_facet | Sanderson, Mark |
author_role | aut |
author_sort | Sanderson, Mark |
author_variant | m s ms |
building | Verbundindex |
bvnumber | BV011692435 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1997 |
callnumber-raw | PN1997.D6333 |
callnumber-search | PN1997.D6333 |
callnumber-sort | PN 41997 D6333 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 59800 |
ctrlnum | (OCoLC)36100689 (DE-599)BVBBV011692435 |
dewey-full | 791.43/72 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/72 |
dewey-search | 791.43/72 |
dewey-sort | 3791.43 272 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
edition | 1. publ. |
format | Book |
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geographic | USA |
geographic_facet | USA |
id | DE-604.BV011692435 |
illustrated | Illustrated |
indexdate | 2024-07-09T18:14:09Z |
institution | BVB |
isbn | 9780851705729 0851705723 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007884258 |
oclc_num | 36100689 |
open_access_boolean | |
owner | DE-M472 DE-355 DE-BY-UBR DE-B170 DE-92 |
owner_facet | DE-M472 DE-355 DE-BY-UBR DE-B170 DE-92 |
physical | 84 Seiten Illustrationen |
publishDate | 1996 |
publishDateSearch | 1996 |
publishDateSort | 1996 |
publisher | British Film Institute |
record_format | marc |
series2 | BFI Modern Classics |
spelling | Sanderson, Mark Verfasser (DE-588)139411658 aut Don't look now Mark Sanderson 1. publ. London British Film Institute 1996 84 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier BFI Modern Classics Literaturverzeichnis Seite 83-84 In this lucid, detailed and subtle account of the film, Mark Sanderson describes the collaboration between director and actors which sustained the emotional richness of Don't Look Now. He returns to Daphne du Maurier's original text and to the traditions of Gothic writing which underpins the film's combination of horror, melodrama and black comedy. Sanderson examines the intricate visual style of Don't Look Now, uncovering the way in which particular motifs are used to amplify the film's depiction of two terrible deaths. He finds compensation for the film's grimly fatalistic view of life in its celebration of sexual relationships and the power of recollection. Roeg, Nicolas / Don't look now ram Roeg, Nicolas 1928-2018 (DE-588)11910928X gnd rswk-swf Don't look now (Motion picture) Don't look now (DE-588)4643163-9 gnd rswk-swf Don't look now (Roeg) gtt Film Geschichte Motion pictures United States History USA Roeg, Nicolas 1928-2018 (DE-588)11910928X p Don't look now (DE-588)4643163-9 u DE-604 |
spellingShingle | Sanderson, Mark Don't look now Roeg, Nicolas / Don't look now ram Roeg, Nicolas 1928-2018 (DE-588)11910928X gnd Don't look now (Motion picture) Don't look now (DE-588)4643163-9 gnd Don't look now (Roeg) gtt Film Geschichte Motion pictures United States History |
subject_GND | (DE-588)11910928X (DE-588)4643163-9 |
title | Don't look now |
title_auth | Don't look now |
title_exact_search | Don't look now |
title_full | Don't look now Mark Sanderson |
title_fullStr | Don't look now Mark Sanderson |
title_full_unstemmed | Don't look now Mark Sanderson |
title_short | Don't look now |
title_sort | don t look now |
topic | Roeg, Nicolas / Don't look now ram Roeg, Nicolas 1928-2018 (DE-588)11910928X gnd Don't look now (Motion picture) Don't look now (DE-588)4643163-9 gnd Don't look now (Roeg) gtt Film Geschichte Motion pictures United States History |
topic_facet | Roeg, Nicolas / Don't look now Roeg, Nicolas 1928-2018 Don't look now (Motion picture) Don't look now Don't look now (Roeg) Film Geschichte Motion pictures United States History USA |
work_keys_str_mv | AT sandersonmark dontlooknow |