"- Worte klingen, Toene sprechen -"? (Capriccio): text and music in German operas of the 1920s ; a study of the relationship between compositional style and text setting in Richard Strauss' Die aegyptische Helena, Alban Berg's Wozzeck and Arnold Schoenberg's Von heute auf morgen 1 Text
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
1996
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Schlagworte: | |
Beschreibung: | VIII, 198 Bl. |
Internformat
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Datensatz im Suchindex
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author | Fritz, Rebekka 1970- |
author_GND | (DE-588)118190881 |
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language | English |
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spelling | Fritz, Rebekka 1970- Verfasser (DE-588)118190881 aut "- Worte klingen, Toene sprechen -"? (Capriccio) text and music in German operas of the 1920s ; a study of the relationship between compositional style and text setting in Richard Strauss' Die aegyptische Helena, Alban Berg's Wozzeck and Arnold Schoenberg's Von heute auf morgen 1 Text Rebekka Fritz 1996 VIII, 198 Bl. txt rdacontent n rdamedia nc rdacarrier (DE-588)4113937-9 Hochschulschrift gnd-content (DE-604)BV011624876 1 |
spellingShingle | Fritz, Rebekka 1970- "- Worte klingen, Toene sprechen -"? (Capriccio) text and music in German operas of the 1920s ; a study of the relationship between compositional style and text setting in Richard Strauss' Die aegyptische Helena, Alban Berg's Wozzeck and Arnold Schoenberg's Von heute auf morgen |
subject_GND | (DE-588)4113937-9 |
title | "- Worte klingen, Toene sprechen -"? (Capriccio) text and music in German operas of the 1920s ; a study of the relationship between compositional style and text setting in Richard Strauss' Die aegyptische Helena, Alban Berg's Wozzeck and Arnold Schoenberg's Von heute auf morgen |
title_auth | "- Worte klingen, Toene sprechen -"? (Capriccio) text and music in German operas of the 1920s ; a study of the relationship between compositional style and text setting in Richard Strauss' Die aegyptische Helena, Alban Berg's Wozzeck and Arnold Schoenberg's Von heute auf morgen |
title_exact_search | "- Worte klingen, Toene sprechen -"? (Capriccio) text and music in German operas of the 1920s ; a study of the relationship between compositional style and text setting in Richard Strauss' Die aegyptische Helena, Alban Berg's Wozzeck and Arnold Schoenberg's Von heute auf morgen |
title_full | "- Worte klingen, Toene sprechen -"? (Capriccio) text and music in German operas of the 1920s ; a study of the relationship between compositional style and text setting in Richard Strauss' Die aegyptische Helena, Alban Berg's Wozzeck and Arnold Schoenberg's Von heute auf morgen 1 Text Rebekka Fritz |
title_fullStr | "- Worte klingen, Toene sprechen -"? (Capriccio) text and music in German operas of the 1920s ; a study of the relationship between compositional style and text setting in Richard Strauss' Die aegyptische Helena, Alban Berg's Wozzeck and Arnold Schoenberg's Von heute auf morgen 1 Text Rebekka Fritz |
title_full_unstemmed | "- Worte klingen, Toene sprechen -"? (Capriccio) text and music in German operas of the 1920s ; a study of the relationship between compositional style and text setting in Richard Strauss' Die aegyptische Helena, Alban Berg's Wozzeck and Arnold Schoenberg's Von heute auf morgen 1 Text Rebekka Fritz |
title_short | "- Worte klingen, Toene sprechen -"? (Capriccio) |
title_sort | worte klingen toene sprechen capriccio text and music in german operas of the 1920s a study of the relationship between compositional style and text setting in richard strauss die aegyptische helena alban berg s wozzeck and arnold schoenberg s von heute auf morgen text |
title_sub | text and music in German operas of the 1920s ; a study of the relationship between compositional style and text setting in Richard Strauss' Die aegyptische Helena, Alban Berg's Wozzeck and Arnold Schoenberg's Von heute auf morgen |
topic_facet | Hochschulschrift |
volume_link | (DE-604)BV011624876 |
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