The Chekhov theatre: a century of the plays in performance
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
1997
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Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Table of contents Publisher description Inhaltsverzeichnis |
Beschreibung: | XV, 441 S. Ill. |
ISBN: | 0521440750 |
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adam_text | Titel: The Chekhov theatre
Autor: Senelick, Laurence
Jahr: 1997
Contents
List of illustrations page xi
Play list xxxx
Introduction i
1 Compromising with the theatre (Russia 1880-1896) 8
2 A brace of gulls (Russia 1896-1898) 28
3 Moscow nights (The Moscow Art Theatre 1898—1905) 52
4 Competitors and imitators (Russian Empire 1898-1917) 83
5 Chekhov goes West (Europe 1888-1938) 97
6 Comes the Revolution (Russia 1917—1935) no
7 Chekhov learns English (United Kingdom and Ireland
1900-1940) 131
8 At home abroad (Europe and England 1917—1938) 150
9 America discovers Chekhov (USA 1900-1944) 172
10 Under duress (Russia 1938-1945) 188
11 Breaking with tradition (Russia 1950-1970) 200
12 Ferment in an age of stagnation (Russia 1970-1990) 219
13 Out of the rubble (Central and Eastern Europe 1945-1985) 235
14 Utpicturapoesis (Italy and France 1945-1985) 264
15 All-American Chekhov (USA 1950-1995) 283
16 Chekhov without tears (United Kingdom 1950-1993) 305
ix
x Contents
17 Che shov sansfrontieres (The world 1900—1995) 324
18 The perestroika of Chekhov (Eastern Europe and Russian
Federation 1989—1995) 346
Motes 361
Index of Chekhov productions 414
Index of titles and characters 422
Index of proper names 428
Illustrations
1 Mariya Savina as Sasha in the first St. Petersburg production
of Ivanov, Alexandra Theatre, 1889 (from Anton Pavlovich
Chekhov v teatre [Moscow, 1955]) page 21
2 Vera Komissarzhevskaya as Nina in Act I of the first production
of The Seagull, Alexandra Theatre, St. Petersburg, 1896 (from
Anton Pavlovich Chekhov v teatre [Moscow, 1955]) 33
3 Act II of the Moscow Art Theatre Seagull, with Simov s setting
for Act I reused (photo by Scherer and Nabholtz; courtesy
Moscow Art Theatre Museum) 42
4 Simov s dismal and asymmetrical setting for Act IV of the
Moscow Art Theatre Seagull (photo by Scherer and Nabholtz;
courtesy Moscow Art Theatre Museum) 46
5 Uncle Vanya at the Moscow Art Theatre, 1899 (photos by
Scherer und Nabholtz, Laurence Senelick Collection; montage
from Peter Urban, Anton Cechov. Sein Leben im Bildem) 56
6 Simov s setting for Act III of Three Sisters at the Moscow Art
Theatre, 1901 (photo by Fisher; courtesy Moscow Art Theatre
Archive) 62
7 The Cherry Orchard at the Moscow Art Theatre, 1904 (photos
by Fisher; courtesy Moscow Art Theatre archive) 72 3
8 The spacious set for Act IV of Seagull at the Alexandra Theatre
revival, 1904 (from Anton Pavlovich Chekhov v teatre [Moscow, 1955]) 87
9 Eduard Vojan as Astrov in Strycek Vdnd (lJnde Vanya), Prague
National Theatre, 1901 (from Dejiny ceske ho divadlo HI
[Prague, 1977]) 100
10 Isaak Rabinovich s design for Vakhtangov s The Wedding,
Moscow, 1921 (from V. Berezkin, Khudozhnikv teatre Chekhova
[Moscow, 1987J) 119
11 N. Kuzmin s costume sketches for Charlotta and Lopakhin in
Lobanov s production of The Cherry Orchard, Moscow, 1934
(from V Berezkin, Khudozhnik v teatre Chekhova [Moscow, 1987]) 124
xi
xii List of illustrations
12 V Shestakov s rough sketch for his setting for jj Swoons and his
model of the set, Meyerhold Theatre, Moscow, 1935 (from V
Berezkin, Khudozhriik v teatre Chekhova [Moscow, 1987]) 128
13 Philip Ridgeway s Seagull, Little Theatre, London, 1925 (photo
by Sasha, from John Gielgud, an actor s biography in pictures
[London, 1952]) 143
14 Elsa Lanchester as Charlotta and Charles Laughton as
Lopakhin in Tyrone Guthrie s Cherry Orchard, Old Vic,
London, 1933 (photo byj. W. Debenham, from Enciclopedia
dello Spettacolo) 145
15 Act III of Three Sisters directed by Michel Saint-Denis, Queen s
Theatre, London, 1937 (photo by Houston Rogers, from Great
Acting [NY, 1967]) 148
16 The moon rises over Act I in Theodore Komisarjevsky s
Seagull, New Theatre, London, 1936 (courtesy of Harvard
Theatre Collection) 161
17 Act I of George Pitoeff s La Mouette [The Seagull), Studio des
Champs-Elysees, Paris, 1921 (photo by Henri Manuel,
Laurence Senelick Collection) 165
18 Hallie Flanagan s experiment in styles: The Marriage Proposal,
at Vassar College, 1928 (from Theatre Arts Monthly) 179
19 Eva Le Gallienne s Cherry Orchard With Alia Nazimova as
Ranevskaya and Harold Moulton as Trofimov in Act III
(courtesy Museum of the City of New York) 180
20 Stiff upper lips in the last act of Guthrie McClintic s Three
Sisters (from Life magazine) 186
21 V Dmitriev s last act birches for Three Sisters, directed by
Nemirovich-Danchenko, Moscow Art Theatre, 1940 (courtesy
of Moscow Art Theatre Museum) 191
22 Tovstonogov s production of Three Sisters, Gorky Dramatic
Theatre, Leningrad, 1965 (photo by V Gaya; from Enciclopedia
dello spettacolo) 206
23 Enar Stenberg s design for Act IV of The Seagull, directed by
Boris Livanov, Moscow Art Theatre, 1969 (from V Berezkin,
Khudozhnik v teatre Chekhova [Moscow, 1987]) 218
24 Valery Levental s design for The Cherry Orchard, directed by
Anatoly Efros, Taganka, Moscow, 1975: an embodiment of
nostalgia (from Our Chekhov [Moscow, n.d.]) 221
25 Lyubimov s Three Sisters at the Taganka, Moscow, 1981 (from
Teatralnaya zhizn) 228
List of illustrations xiii
26 The omnipresent gazebo of Valery Levental s Seagull, directed
by Oleg Efremov, Moscow Art Theatre, 1980 (photo by I.
Alexandras; courtesy Christine Autant-Mathieu) 232
27 Josef Svoboda s scenography for Otomar Krejca s Tri sestry
(Three Sisters), Prague, 1965 (photo by Vilem Sochurek; courtesy
Josef Svoboda) 242
28 The bark-covered fence and plush-covered interior of
Svoboda s scenography for Krejca s Ivanov of 1970 (photo by
Dr. Jaromir Svoboda; courtesyJarka Burian) 244
29 Ranevskaya (Anneliese Romer), Lopakhin (Branko
Samarovski) and Gaev (Michael Rastl) in the empty landscape
of Act II of Der Kirschgarten (The Cherry Orchard) (from Theater
Heute) 256
30 Veronika Bauer as Nina at the stake in Treplev s play-within-
a-play; DieMb we (The Seagull) directed by Roberto Ciulli,
Theater an der Ruhr, Mulheim, 1984 (photo by Kurt Maron,
from Theater Heute) 258
31 The receding expanse of Act IV of Peter Stein s Die Drei
Schwestern (Three Sisters), Schaubiihne, Berlin, 1984 (photo by
Ruth Walz, from Theatre en Europe) 260
32 The white-on-white setting of An dergrossen Strasse (On the
High Road), designed by Gilles Aillaud and directed by Klaus
Michael Griiber, Schaubtihne Werkstatt, Berlin, 1984 (photo
by Ruth Walz, from Theatre en Europe) 262
33 The Chirico-esque setting for Act II of IIgiardino dei cielegi
(The Cherry Orchard) designed by Tullio Costa Giovangigli for
his brother Orazio, Teatro Quirino, Rome, 1946 (fromWorld
Theatre) 265
34 The shimmering leaf-spattered gauze hovering over the
world of Giorgio Strehler s IIgiardino dei cielegi (The Cherry
Orchard), Piccolo Teatro di Milano, 1974 (photo by Ph.
Ciminaghi, from Theatre en Europe) 269
35 The passerby intrudes in Jean-Louis Barrault s Im Cerisaie
(The Cherry Orchard), Theatre Marigny, Paris, 1954 (photo by
Coll. Roger-Viollet, from Theatre en Europe) 277
36 Nina (Dominique Raymond) performs the play-within-a-play
in Act I of Antoine Vitez s Im Mouette (The Seagull), Theatre
National de Chaillot, Paris, 1984 (photo by Coquex, from
Theatre en Europe) 281
37 Santo Loquasto s decor for Andrei Serban s Cherry Orchard,
xiv List of illustrations
Vivian Beaumont Theatre, NY, 1977 (Billy Rose Theatre
Collection; courtesy the New York Public Library for the
Performing Arts) 298
38 Summering at Martha s Vineyard in Act II of The Seagull,
directed by Ron Daniels, American Repertory Theatre,
Cambridge, 1992 (photo by R. Feldman; courtesy American
Repertory Theatre) 301
39 Act I of Three Sisters, directed by Trevor Nunn, Stratford-upon-
Avon, 1979 (photo by Davies, from Theatre en Europe) 315
40 Trevor Griffiths Chekhovian fantasia Piano, in a decor by
Ashley Martin-Davies, Cottesloe Theatre, London, 1990
(photo by John Haynes, from Plays Players) 320
41 The blue carpets in Act II of La Cerisaie {The Cherry Orchard),
directed by Peter Brook, Bouffes du Nord, Paris, 1983 revival
(photo by Darras, from Theatre en Europe) 327
42 Montana Lattin as a Nanny and Nicole Potter and Viktor
Labintsev as the two Professors in The Uncle Vanya Show
produced by the Irondale Ensemble and the St. Petersburg
Salon Theatre, New York (photo by Gerry Goodstein, from
Theatre Three) 337
43 The human and video blend of Brace Up!, Wooster Group,
NY (photo by Paula Court; courtesy Paula Court) 341
44 Nadezhda Gultyaeva s scenography for Uncle Vanya directed
by Eimuntas Nekrosius, Youth Theatre, Vilnius, 1986 (from
Our Chekhov [Moscow, n.d.]) 350
45 Three Sisters deconstructed by Yury Pogrebnichko, Krasnaya
Presnaya Theatre, Moscow, 1990 (photo by Gennady
Neschmachny, from Theatre Three) 356
46 S. Shakurov as Ivanov and A. Salimonenko as Waffles amid
the rusty pipes of Ivanov and Others, directed by Genrietta
Yanovskaya, Theatre of the Young Spectator, Moscow, 1993
(photo by V Bazhenov, from Moskovsky nablyudatel) 359
|
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spellingShingle | Senelick, Laurence 1942- The Chekhov theatre a century of the plays in performance Čechov, Anton Pavlovič <1860-1904> - teaterhistoria sao Čechov, Anton Pavlovič <1860-1904> - teateruppsättningar sao Chekhov, Anton Pavlovich, 1860-1904 -- Stage history Chekhov, Anton Pavlovich, 1860-1904 -- Dramatic production Čechov, Anton Pavlovič 1860-1904 (DE-588)118638289 gnd Iscensättning - Ryssland - 1900-talet Teater - Iscensättning - Ryssland - 1900-talet sao Geschichte (DE-588)4020517-4 gnd Aufführung (DE-588)4143388-9 gnd Drama (DE-588)4012899-4 gnd |
subject_GND | (DE-588)118638289 (DE-588)4020517-4 (DE-588)4143388-9 (DE-588)4012899-4 |
title | The Chekhov theatre a century of the plays in performance |
title_auth | The Chekhov theatre a century of the plays in performance |
title_exact_search | The Chekhov theatre a century of the plays in performance |
title_full | The Chekhov theatre a century of the plays in performance Laurence Senelick |
title_fullStr | The Chekhov theatre a century of the plays in performance Laurence Senelick |
title_full_unstemmed | The Chekhov theatre a century of the plays in performance Laurence Senelick |
title_short | The Chekhov theatre |
title_sort | the chekhov theatre a century of the plays in performance |
title_sub | a century of the plays in performance |
topic | Čechov, Anton Pavlovič <1860-1904> - teaterhistoria sao Čechov, Anton Pavlovič <1860-1904> - teateruppsättningar sao Chekhov, Anton Pavlovich, 1860-1904 -- Stage history Chekhov, Anton Pavlovich, 1860-1904 -- Dramatic production Čechov, Anton Pavlovič 1860-1904 (DE-588)118638289 gnd Iscensättning - Ryssland - 1900-talet Teater - Iscensättning - Ryssland - 1900-talet sao Geschichte (DE-588)4020517-4 gnd Aufführung (DE-588)4143388-9 gnd Drama (DE-588)4012899-4 gnd |
topic_facet | Čechov, Anton Pavlovič <1860-1904> - teaterhistoria Čechov, Anton Pavlovič <1860-1904> - teateruppsättningar Chekhov, Anton Pavlovich, 1860-1904 -- Stage history Chekhov, Anton Pavlovich, 1860-1904 -- Dramatic production Čechov, Anton Pavlovič 1860-1904 Iscensättning - Ryssland - 1900-talet Teater - Iscensättning - Ryssland - 1900-talet Geschichte Aufführung Drama |
url | http://www.loc.gov/catdir/toc/cam023/96031555.html http://www.loc.gov/catdir/description/cam028/96031555.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007828063&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT senelicklaurence thechekhovtheatreacenturyoftheplaysinperformance |