Nietzsche's noontide friend: the self as metaphoric double
Hough argues that Nietzsche's favorite way to describe the self is to use opposed pairs of metaphors. The sea and the land, the pursuit of archaeology and the "granite stratum" of the self, the child and pregnancy, are tropes he uses to show the self as both an active critic of cultur...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
University Park, Pa.
Pennsylvania State Univ. Press
1997
|
| Schriftenreihe: | Literature & philosophy
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| Schlagworte: | |
| Zusammenfassung: | Hough argues that Nietzsche's favorite way to describe the self is to use opposed pairs of metaphors. The sea and the land, the pursuit of archaeology and the "granite stratum" of the self, the child and pregnancy, are tropes he uses to show the self as both an active critic of culture and a creation of that culture. Noon and shadow exemplify this dual thinking. The free spirit, according to Nietzsche, is dogged by a shadow, a shadow cast by the free spirit's efforts to overcome himself. Perfect noon - emblematic of the Ubermensch - is the moment of ecstatic release for the free spirit. Thus the Ubermensch is not a separate "superhuman" being but rather an ecstatic moment in the experience of free spirits Hough succeeds in showing that the doubleness motif strikes deeper into the heart of Nietzsche's thinking than has been realized. Favorite Nietzschean images, such as that of pregnancy, suddenly take on new meaning when considered in this light. Careful to avoid a reductionist view, Hough adds significantly to our understanding of Nietzsche's contribution to modern thought |
| Beschreibung: | XXV, 158 S. |
| ISBN: | 0271016493 |
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| 520 | 3 | |a Hough argues that Nietzsche's favorite way to describe the self is to use opposed pairs of metaphors. The sea and the land, the pursuit of archaeology and the "granite stratum" of the self, the child and pregnancy, are tropes he uses to show the self as both an active critic of culture and a creation of that culture. Noon and shadow exemplify this dual thinking. The free spirit, according to Nietzsche, is dogged by a shadow, a shadow cast by the free spirit's efforts to overcome himself. Perfect noon - emblematic of the Ubermensch - is the moment of ecstatic release for the free spirit. Thus the Ubermensch is not a separate "superhuman" being but rather an ecstatic moment in the experience of free spirits | |
| 520 | |a Hough succeeds in showing that the doubleness motif strikes deeper into the heart of Nietzsche's thinking than has been realized. Favorite Nietzschean images, such as that of pregnancy, suddenly take on new meaning when considered in this light. Careful to avoid a reductionist view, Hough adds significantly to our understanding of Nietzsche's contribution to modern thought | ||
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| id | DE-604.BV011600460 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-21T12:02:32Z |
| institution | BVB |
| isbn | 0271016493 |
| language | English |
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| physical | XXV, 158 S. |
| publishDate | 1997 |
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| publisher | Pennsylvania State Univ. Press |
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| series2 | Literature & philosophy |
| spelling | Hough, Sheridan Verfasser aut Nietzsche's noontide friend the self as metaphoric double Sheridan Hough University Park, Pa. Pennsylvania State Univ. Press 1997 XXV, 158 S. txt rdacontent n rdamedia nc rdacarrier Literature & philosophy Hough argues that Nietzsche's favorite way to describe the self is to use opposed pairs of metaphors. The sea and the land, the pursuit of archaeology and the "granite stratum" of the self, the child and pregnancy, are tropes he uses to show the self as both an active critic of culture and a creation of that culture. Noon and shadow exemplify this dual thinking. The free spirit, according to Nietzsche, is dogged by a shadow, a shadow cast by the free spirit's efforts to overcome himself. Perfect noon - emblematic of the Ubermensch - is the moment of ecstatic release for the free spirit. Thus the Ubermensch is not a separate "superhuman" being but rather an ecstatic moment in the experience of free spirits Hough succeeds in showing that the doubleness motif strikes deeper into the heart of Nietzsche's thinking than has been realized. Favorite Nietzschean images, such as that of pregnancy, suddenly take on new meaning when considered in this light. Careful to avoid a reductionist view, Hough adds significantly to our understanding of Nietzsche's contribution to modern thought Nietzsche, Friedrich Wilhelm <1844-1900> Nietzsche, Friedrich 1844-1900 (DE-588)118587943 gnd rswk-swf Metaphor Self (Philosophy) Superman (Philosophical concept) Selbst (DE-588)4121653-2 gnd rswk-swf Nietzsche, Friedrich 1844-1900 (DE-588)118587943 p Selbst (DE-588)4121653-2 s DE-604 |
| spellingShingle | Hough, Sheridan Nietzsche's noontide friend the self as metaphoric double Nietzsche, Friedrich Wilhelm <1844-1900> Nietzsche, Friedrich 1844-1900 (DE-588)118587943 gnd Metaphor Self (Philosophy) Superman (Philosophical concept) Selbst (DE-588)4121653-2 gnd |
| subject_GND | (DE-588)118587943 (DE-588)4121653-2 |
| title | Nietzsche's noontide friend the self as metaphoric double |
| title_auth | Nietzsche's noontide friend the self as metaphoric double |
| title_exact_search | Nietzsche's noontide friend the self as metaphoric double |
| title_full | Nietzsche's noontide friend the self as metaphoric double Sheridan Hough |
| title_fullStr | Nietzsche's noontide friend the self as metaphoric double Sheridan Hough |
| title_full_unstemmed | Nietzsche's noontide friend the self as metaphoric double Sheridan Hough |
| title_short | Nietzsche's noontide friend |
| title_sort | nietzsche s noontide friend the self as metaphoric double |
| title_sub | the self as metaphoric double |
| topic | Nietzsche, Friedrich Wilhelm <1844-1900> Nietzsche, Friedrich 1844-1900 (DE-588)118587943 gnd Metaphor Self (Philosophy) Superman (Philosophical concept) Selbst (DE-588)4121653-2 gnd |
| topic_facet | Nietzsche, Friedrich Wilhelm <1844-1900> Nietzsche, Friedrich 1844-1900 Metaphor Self (Philosophy) Superman (Philosophical concept) Selbst |
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