Making Documentary Films and Reality Videos: a practical guide to planning, filming, and editing documentaries of real events
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Owl Books
1997
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| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXIV, 342 S. |
| ISBN: | 0805044515 |
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| adam_text | BARRY HAMPE
making
DOCUMENTARY
FILMS and
REALITY VIDEOS
A PRACTICAL
GUIDE TO
PLANNING,
FILMING,
AND EDITING
DOCUMENTARIES
OF REAL EVENTS
AN OWL BOOK
Henry Holt and Company
New York
CONTENTS
PART I: MAKING ANALOGS OF REALITY 1
1 It Looks So Easy 3
It Takes More 4
The Camera Won t Do It for You 5
Good Images Don t Just Happen 6
A New Interest in Documentaries 8
Documentary Genres 9
About This Book 12
2 How Things Got This Way 15
The Hollywood Model 16
Breaking the Rules 20
Cinema Verite Changed the World 22
The Reality Problem 23
Two Major Approaches to Documentary 27
xi
xii •
3 Reality Is Not Enough
The Form of Reality
High Degree of Abstraction of Film and Video
Digitally Enhanced Images
Every Frame Requires a Decision
4 Recording Human Behavior
What It Takes
How Not to Record Behavior
A Set of Ideas about Documenting Behavior
5 Visual Evidence
Miss Darling and the Scene That Wasn t There
Keep It Visual
When Is a Film Not a Film?
Gathering Evidence
Behavior as Visual Evidence
Recording Visual Evidence
Editing Visual Evidence
Interviews as Visual Evidence
When Pictures Contradict What Is Said
Unreal Images
Visuals, Empty Shots, and Visual Evidence
6 Verisimilitude in Documentary
Verisimilitude in The War Game
Verisimilitude in a Documentary
Verisimilitude and Editing
CONTENTS
37
CONTENTS • xiii
7 Ethics in Making a Documentary 77
The Question of Releases 78
The Need for a Documentary Ethic 79
Informed Consent 83
The Eye of the Beholder 84
Areas of Confusion 86
Making Our Own Ethical judgments 88
PART IhPREPRODUCTION 91
8 Steps in Producing a Documentary 93
Preproduction 93
Production 97
Postproduction 98
9 The Documentary Idea 103
What Is the Concept? 103
Conventional Concepts 109
• Planning 112
Documenting Behavior or a Unique Event 115
10 Writing a Documentary 119
What Does the Writer Do? 119
The Writer s Gifts to the Production 120
Proposal Writing 126
Treatment 127
Film Treatment: A Young Child Is 128
iv •
The Script
Writing the Words That Are Said
Suggestions for Documentary Scriptwriters
11 Scouting
Lighting
Sound
People and Things
Fees, Permits, and Minders
Convenience
Crew Comfort
Out-of-Town Locations
Location Costs
General Considerations
Planning for Spontaneity
12 The Documentary Crew
Who Does What on a Production
Who Will Do What on Your Production?
Finding and Choosing a Production Crew
13 Equipment
Film or Video?
Camera Equipment
Sound Equipment
Lighting and Grip Equipment
Miscellaneous
Should }bu Rent or Buy Equipment?
Be Sure You Have an Eauibment Meister
CONTENTS
CO TENTS • xv
14 Scheduling 173
Preproduction 174
Production 175
Location Shooting 177
One Day in a Hospital 178
Then There Are Those Other Days 183
Scheduling Postproduction 183
15 How Much Will It Cost? 185
Factors Affecting the Budget 186
Above- and Below-the-Line Costs 188
A Budgeting Checklist 188
PART III: PRODUCTION 197
16 Recording Picture and Sound 199
Zero-Level Knowledge 199
Recording for Editing 202
A Documentary Is Made with Light 203
Camera Work 207
Documentary Sound 213
17 Working on Location 218
Preparation 218
Be a Good Visitor 219
Time Off While on Location 220
Clients, Friends, and Family 220
cvi •
18 Building an Invisible Wall
Documentary Situations
Temptations
What about a Hidden Camera?
19 Directing People Who Are Not Actors
Hold Auditions
You Have to Be the Professional
Acting Natural
Seven Deadly Sins
Learn from Working with Children
20 When You Must Work with Actors
Casting
Auditions
What Does a Documentarian Know about Actors?
Costume and Makeup
Directing Actors
One-on-One
Film and Video Acting vs Stage Acting
21 The Documentary Interview
What Is an Interview?
Preparation
On Location
Shooting Options
Ask the Right Questions
Practice
CONTENTS
CONTENTS • xvii
22 Some Other Production Considerations 272
It s Hard, Physical Work 272
Your Hotel or Motel 274
Be Truthful and Be Punctual • 274
Write Thank-you Letters 275
PART IV: POSTPRODUCTION 277
23 Preparation for Post 279
Protect Your Original Footage 279
Get Organized 280
Logging Footage 280
Narration, Graphics, Animation 284
Doing a Paper Edit 285
How Long to Allow for Edit Prep 286
24 Editing the Documentary 287
Transcript Editing 290
Using an Editor 291
Editing from the Script 292
Work on the Whole Documentary 293
The Importance of a Good Opening 296
Middles 300
The Ending • 304
Seven Sins of Editing 304
Fine Cut • 306
Getting Feedback 307
xviii • CONTENTS
25 Finishing the Production 309
Approval Showing 309
Final Elements 310
The Video On-line 311
Finishing on Film 313
Going to Distribution 313
Enjoy It—and Move On 313
Appendix 315
Filmography 319
Bibliography 316
Index • 329
|
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| spelling | Hampe, Barry Verfasser aut Making Documentary Films and Reality Videos a practical guide to planning, filming, and editing documentaries of real events Barry Hampe 1. ed. New York, NY Owl Books 1997 XXIV, 342 S. txt rdacontent n rdamedia nc rdacarrier Dokumentarfilm (DE-588)4012653-5 gnd rswk-swf (DE-588)4048476-2 Ratgeber gnd-content Dokumentarfilm (DE-588)4012653-5 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007814076&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hampe, Barry Making Documentary Films and Reality Videos a practical guide to planning, filming, and editing documentaries of real events Dokumentarfilm (DE-588)4012653-5 gnd |
| subject_GND | (DE-588)4012653-5 (DE-588)4048476-2 |
| title | Making Documentary Films and Reality Videos a practical guide to planning, filming, and editing documentaries of real events |
| title_auth | Making Documentary Films and Reality Videos a practical guide to planning, filming, and editing documentaries of real events |
| title_exact_search | Making Documentary Films and Reality Videos a practical guide to planning, filming, and editing documentaries of real events |
| title_full | Making Documentary Films and Reality Videos a practical guide to planning, filming, and editing documentaries of real events Barry Hampe |
| title_fullStr | Making Documentary Films and Reality Videos a practical guide to planning, filming, and editing documentaries of real events Barry Hampe |
| title_full_unstemmed | Making Documentary Films and Reality Videos a practical guide to planning, filming, and editing documentaries of real events Barry Hampe |
| title_short | Making Documentary Films and Reality Videos |
| title_sort | making documentary films and reality videos a practical guide to planning filming and editing documentaries of real events |
| title_sub | a practical guide to planning, filming, and editing documentaries of real events |
| topic | Dokumentarfilm (DE-588)4012653-5 gnd |
| topic_facet | Dokumentarfilm Ratgeber |
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