Mei Lanfang's innovation in Beijing opera: a historical documentation of his artistic career & his representative stage productions
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
1996
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Bayreuth, Univ., Diss., 1997 |
| Beschreibung: | V, 332 S. Ill., graph. Darst. |
Internformat
MARC
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|---|---|---|---|
| 001 | BV011597170 | ||
| 003 | DE-604 | ||
| 005 | 19981126 | ||
| 007 | t| | ||
| 008 | 971029s1996 xx ad|| m||| 00||| eng d | ||
| 016 | 7 | |a 951993607 |2 DE-101 | |
| 035 | |a (OCoLC)643996019 | ||
| 035 | |a (DE-599)BVBBV011597170 | ||
| 040 | |a DE-604 |b ger |e rakddb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-703 |a DE-12 |a DE-384 |a DE-739 |a DE-355 |a DE-29 |a DE-19 |a DE-824 |a DE-11 | ||
| 084 | |a LS 41400 |0 (DE-625)110394: |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Yu, Weijie |d 1956- |e Verfasser |0 (DE-588)115802061 |4 aut | |
| 245 | 1 | 0 | |a Mei Lanfang's innovation in Beijing opera |b a historical documentation of his artistic career & his representative stage productions |c von Weijie Yu |
| 264 | 1 | |c 1996 | |
| 300 | |a V, 332 S. |b Ill., graph. Darst. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Bayreuth, Univ., Diss., 1997 | ||
| 600 | 1 | 7 | |a Mei, Lanfang |d 1894-1961 |0 (DE-588)119556855 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Peking-Oper |0 (DE-588)4173610-2 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Mei, Lanfang |d 1894-1961 |0 (DE-588)119556855 |D p |
| 689 | 0 | 1 | |a Peking-Oper |0 (DE-588)4173610-2 |D s |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m DNB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007811998&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-007811998 | |
Datensatz im Suchindex
| _version_ | 1825140185965264897 |
|---|---|
| adam_text |
VI
CONTENT
PAGE
PREFACE
I
1.
THE
TRADITION
OF
BEIJING
OPERA
1
1.
1
.
A
FRUITION
OF
THE
HISTORICAL
EVOLUTION
1
1.1.1.
THE
ARTISTIC
NATURE
IN
RELATION
TO
THE
ANCIENT
RITUAL
CEREMONIAL
TRADITION
1
1.1.2.
THE
THEATRICAL
CONVENTIONS
FOUND
IN
ZAJU
AND
NANXI
THEATRES
4
1.1.3.
THE
DRAMATIC
MATURITY
OUT
OF
THE
STRUCTURE
OF
YUAN
DYNASTY
ZAJU
7
1.1.4.
THE
MAIN
LITERARY
SOURCE
&
THE
FINER
THEATRICAL
FORM
FROM
MING
DYNASTY
CHUANQI
9
1.1.5.
PREDECESSOR:
KUNJU
AS
A
NATIONWIDE
POPULAR
IMPERIAL
OPERA
STYLE
12
1.1.6.
THE
SPREAD
OF
THE
VARIOUS
REGIONAL
MELODIC-PASSAGE
SYSTEMS
15
1.1.7.
THE
COMPETITION
&
COMBINATION
OF
THE
TWO
MUSICAL
CATEGORIES
18
1.1.8.
PRIMARY
OUTCOME:
THE
VISIT
OF
THE
FOUR
MAJOR
HUIXI
OPERA
ENSEMBLES
20
1.1.9.
FINAL
FORMATION:
THE
ARRIVAL
OF
HANXI
OPERA
ENSEMBLES
23
1.2.
THE
MATURITY
OF
BEIJING
OPERA
25
1.2.1.
PRIMARY
ARTISTIC
FEATURES
25
1.2.2.
THEATRICAL
CONVENTIONS
(1.2.2.1.
ROLE-TYPES
/
1.2.2.2.
CHENSHI
-
THE
REGULATED
STYLISTIC
ACTING
MODEL
UNITS
/
I.2.2.3.
FOUR
SKILLS
&
FIVE
TECHNIQUES)
28
1.2.3.
SCENIC
ARTS
(1.2.3.1.
MAKE-UP
TRADITION
/1
2.3.2.
VARIETY
OF
THE
PAINTED-FREE
OF
JING!
1.2.3.3.
HAIR-DRESSING
&
FACIAL
DECORATION
ARTS
/1.2.3.4.
COSTUME
CONVENTION
/
1.2.3.5.
HEAD
COVERINGS
/
1.2.3.6.
AESTHETIC
DEPARTURE
FOR
STAGE
DECOR
&
PROPS)
36
1.2.4.THE
FORM
OF
MUSICAL
EXPRESSION
'
(1.2.4.1.
THE
STRUCTURE
OF
THE
VARIATION
OF
METRICAL-TYPES
/
I.2.4.2.
ORCHESTRATION
FOR
CIVIL
AND
MILITARY
SCENES
/
1.2.4.3.
DRAMATIC
FUNCTION
OF
PERCUSSION
INSTRUMENTS
48
1.2.5.
PERFORMANCE
PRACTICE
(1.2.5
1.
URBAN
PLAYHOUSE
PERFORMANCE
/
1.2.5.2.
IMPERIAL
&
ROYAL
COURT
PERFORMANCE
/
1.2.5.3.
OTHER
FORMS
OF
PERFORMANCE
PRACTICE)
53
1.2.6.
EARLY
REPERTOIRE,
CELEBRATED
ENSEMBLES,
OUTSTANDING
MASTERS
&
TRAINING
SYSTEM
(1.2.6
1.
REPERTORY
PLAYS
/1
2.6.2.
CELEBRATED
ENSEMBLES
/1.2.6.3.
OUTSTANDING
MASTERS
1
1
2.6.4.
TRAINING
SYSTEM
IN
THE
FORM
OF
ACADEMY
ENSEMBLE)
56
1.2.7.
BEIJING
OPERA
DEVELOPED
IN
SHANGHAI
(1.2.7
1.
OUT
OF
ITSOWNTRADTIION/
1.2.7.2
CHARACTERISTICS
OF
SHANGHAI
STYLE
BEIJING
OPERA
/
1.2.7.3.
ACTRESS
APPEARED
FIRST
IN
SHANGHAI)
64
1.3.
THE
CALL
FOR
A
CHANGE
IN
BEIJING
OPERA
69
1.3.1.
THE
POLITICAL
&
CULTURAL
CHANGES
TN
THE
CHINESE
SOCIETY
(1.3.1.1.
THE
IMPACT
OF
THE
NEW
CULTURE
MOVEMENT
/
1.3.1.2.
THE
MAY
FORTH
MOVEMENT
&
THE
CRITICISM
OF
THE
FEUDALISTIC
CULTURE)
69
1.3.2.
THE
INFLUENCE
OF
THE
WESTERN
CULTURE
(1.3.2.1.
THE
ACCEPTANCE
OF
THE
EUROPEAN
THEATRE
/
I.3.2.2.
THE
RISE
OFSPOKEN
DRAMA
IN
CHINA)
72
VIL
1.3.3.
BEIJING
OPERA
REFORM
MOVEMENT
IN
SHANGHAI
(1.3.3.1.
THEORETICAL
DEPARTURE
/1.3.3.2.
THE
PLAYWRIGHTING
OF
NEW
CLOSET-DRAMA/
1.3.3.3.
THE
STAGE
PRACTICE
OF
CONTEMPORARY
DRESS
PLAYS)
75
1.3.4.
BEIJING
OPERA
REFORM
MOVEMENT
SPREAD
TO
DIE
WHOLE
COUNTRY
82
2.
MEI
UNFANG'S
ARTISTIC
CAREER
84
2.1.
FAMILY
HERITAGE
84
2.1.1.
GRANDFATHER
MEI
QIAOLING
84
2.1.2.
UNCLE
MEI
YULIAN
85
2.1.3.
FATHER
MEI
ZHUFENG
86
2.2.
ORIGINAL
WAY
OF
TRAINING
86
2.2.1.
PRIMARY
ORIENTATION
86
2.2.2.
LEARNING
BY
DOING
88
2.2.3.
THE
CULTIVATION
OF
THE
POWER
OF
EYESIGHT
89
2.3
ARTISTIC
IMPROVEMENT
NOURISHED
BY
DISTINGUISHED
MASTERS
90
2.3.1.
THE
MAJOR
OF
THE
INNOVATED
STYLE
OF
ZHENG-DAN ROLE
TAUGHT
BY
MEI
YUTIAN
90
2.3.2.
THE
INFLUENCE
FROM
DAN-ROLE
MASTER
FANG
YAOQING
92
2.3.3.
ACQUIRING
THE PERFORMANCE
CONVENTIONS
OF
THE
OTHER
ROLE-TYPES
94
2.3.4.
LEARNING
FROM
KUNJU
OPERA
MASTERS
95
2.4.
SHANGHAI
TOUR
AS
A
TURNING-POINT
97
2.4.1.
AN
UNUSUAL
&
SUCCESSFUL
PREMIERE
97
2.4.2.
THE
FIRST
FINAL-SHOW
CHANCE
WITH
A
DAO-MA-DAN
PLAY
99
2.4.3.
THE
FRUITFUL
ACHIEVEMENTS
IN
SHANGHAI
102
2.5.
THE
EARLY
EFFORTS
TO
UP-DATE
BEIJING
OPERA
103
2.5.1.
SWIFT
RISE
TO
FAME
ON
RETURN
TO
RETYING
104
2.5.2.
SIGNIFICANT
CONTACT
WITH
THE
DRAMATIST
QI
RUSHAN
105
2.5.3.
PRIMARY
ATTEMPT
WITH
THE
NEW
PLAYS
IN
CONTEMPORARY
DRESS
106
2.5.4.
FURTHER
ARTISTIC
INSPIRATION
DURING
THE
SECOND
SHANGHAI
TRIP
108
2.5.5.
EIGHTEEN
MONTHS'
INTENSIVE
WORK
WITH
NEW
STAGE
PRODUCTIONS
110
2.5.6.
ATTEMPTS
TO
TRY
WITH
THE
NEW
DRAMATIC
WORKS
DURING
THE
THIRD
SHANGHAI
TOUR
113
2.6.
TOWARDS
ARTISTIC
MATURITY
114
2.6.1.
HARMONIOUS
CO-OPERATION
WITH
VARIOUS
ENSEMBLES
(2.6.1.1.
NEW
PLAYS
WITH
PAOLOWNIA
FRAGRANCE
SOCIETY
/
2.6.1.2.
PERFORMANCE
WITH
SPRING
UNIFICATION
SOCIETY
/
2
6.1.3.
NEW
PRODUCTIONS
WITH
DOUBLE
CELEBRATIONS
ENSEMBLE)
115
2.6.2.
CO-STARRING
WITH
THE
CONTEMPORARY
GREAT
MASTERS
(2.6.2.1.
THE
PERFORMANCE
OF
THE
MASTERPIECES
WITH
TAN
XINPEI
12.6.2.2.
LEARN
"TO
LEARN"
FROM
YU
SHUYAN
/
2.6.23.
THE
ESTABLISHMENT
OF
"LOFTY
FOREST
SOCIETY"
WITH
YANG
XIAOIOU)
117
2.6.3.
THE
ARTISTIC
EXCHANGE
WITH
BEIJING
OPERA
REFORMER
OUYANG
YUQIAN
124
2.6.4.
"INHERITING
CHINA
SOCIETY"
-
MEI
LANFANGS
OWN
ENSEMBLE
127
2.6.5.
"FOUR
GREAT
DAN-ROLE
MASTERS"
(2.6.5.
1
.
CHEN
YANQIU
/
2.6.5.2.
XUN
HUISHENG
/
2.6.5.3.
SHANG
XIAQYUN
/
2
6.5.4.
MEI
LANFANG
AS
THE
LEADING
DAN-ROLE
MASTER)
129
2.7.
WORLD
FAME
136
2.7.1
.PERFORMANCE
FOR
THE
INTERNATIONAL
COMMUNITY
IN
BEIJING
136
2.7.2.TOURING
PERFORMANCES
IN
HONGKONG
138
2.7.3.
THE
JAPAN
TOUR
(2.7.3.1.
THE
FIRST
JAPAN
TOUR
/
2.7.3.2.
THE
SECOND
JAPAN
TOUR)
140
VIN
2.7.4.THE
AMERICA
TOUR
(2.7.4.1.
INITIATION
/
2.7.4.2.
SELECTION
OF
THE
TOURING
REPERTOIRE
1
2.7.4.3.
SPECIAL
STAGE
DECORATION
7
2.7.4.4.
PERFORMANCE PROGRAMS
1
2.7.4.5.
OVERWHELMING
ACCEPTANCE
/
2.7.4.6.
THE
REPRESENTATIVE
RECEPTION
OF
MEI
LANFANGS
PERFORMING
ARTS
/
2.7.4.7.
ARTISTIC
EXCHANGE
WITH
THE
AMERICAN
COLLEAGUES
/
2.7
4.8
RECEIVING
HONORARY
D.
LITT.
DEGREES)
145
2.7.5.
TOUR
TO
THE
SOVIET
UNION
(2.7.5.1.
A
SUCCESSFUL
TOUR
/
2.7.5
2.
AN
INTERNATIONAL
BEIJING
OPERA
SYMPOSIUM
/
2.7.5.3.
MEI
LANFANG
AND
BERTOLT
BRECHT
7
2.7.5.4
ARTISTIC
CO-OPEATION
WITH
EISENSTEIN
7
2.7.5
5.
A
FURTHER
THEATRE
INSPECTION
TRIP
TO
ENGLAND)
163
2.8.
THE
CONTINUAL
SEARCH
172
2.8.1.
VARIOUS
THEATRICAL
ACTIVITIES
DURING
THE
EARLY
1930S'
173
2.8.2.
GIVING
UP
PERFORMANCE
DURING
THE
JAPANESE
OCCUPATION
175
2.8.3.
ENDLESS
EFFORTS
FOR
ARTISTIC
PERFECTION
(1945
-
1961)
(2.8.3.1
INNOVATIVE
DEMONSTRATION-PERFORMANCE
7
2.8.3.2.
FURTHER
ENGAGEMENT
IN
THE
INTERNATIONAL
CULTURAL
EXCHANGE
ACTIVITIES
I
2.8.33.
THE
FILM
OF
"MEI
LON/ONG
'
S
STAGE
ARTS")
177
3.
MEI
UNFANG
'
S
INNOVATION
WITH
HIS
REPERTOTY
PLAYS
187
3.1.
"NEW
PLAYS
IN
CONTEMPORARY
DRESS"
187
3.1.1.
THE
GREAT
WAVES
IN
THE
EVIL
SEA
(I)
/
(II)
(3.1.1.1.
INITIATION/
3.1
1.2.
THE
STORY
/
3.1.1.3.
WORKING
PROCEDURE)
187
3.1.2.
THE
STORM
IN
THE
SEA
OF
OFFICIALDOM
1
89
3.1.3.
DENGXIAGU
(3.1.3.1.
THE
ORIGINAL
STORY
/
3.1.3.2.
THE
PRODUCTION)
191
3.
1.4.
A
STRAND
OF
L
INEN
THREAD
(I)
/
(II)
/
(III)
(3.1.4.1.
THE
ORIGINAL
VERSION
OF
THE
STORY
/
3.1.4.2.
A
PRODUCTION
WITH
A
CHANGED
ENDING)
192
3.1.5.
A
YOUNG
GIR
L
KILLING
A
SNAKE
(3.1.5.1
THE
SOCIAL
BACKGROUND
1
3.1.5.2.
THE
ORIGINAL
STORY
/
3.1.5.3.
THE
SEQUENCE
OF
THE
SCENES
/
3.1.5.4.
ARTISTIC
INNOVATION)
195
3.2.
"SINGING-DANCING
PLAYS
IN
CLASSICAL
COSTUME"
198
3.2.1.
CHANG'ER
FLYING
UP
TO
THE
MOON
(3
2.1.1.
A
PLAY
WRITTEN
FOR
FESTIVAL
PERFORMANCE
73.2.1.2.
THE
STORY
/
3.2.1.3.
THE
SEQUENCE
OF
DIE
SCENES
73.2
1.4
INNOVATIONS)
198
3.2.2.
MULAN
JOININ
G
THE
ARMY
(I)
7
(II)
(3.2.2.1
THE
SOURCE
STORY
/
3.2.2.2.
THE
SEQUENCE
OF
THE
SCENES
/
3.2.2.3.
AN
INNOVATED
ROLE-TYPE)
202
3.2.3.
HEAVENLY_MA
IDEN
SHOWERING
FLOWERS
(3
2.3.1.
THE
ARTISTIC
INSPIRATION
7
3.2
3.2.
THE
SEQUENCE
OF
THE
SCENES
73.2.3.3.
THE
SILK
RIBBON
DANCE)
207
3.2.4.
MAGU
CONGRATULATIN
G
HAPPY
BIRTHDAY
210
3.2.5.
/FON
GRRAA
ST
EALING
THE
BOX
211
3.2.6.
MADAME
SHANGYUAN
211
3.2.7.
THE
GENERAL
B
IDDING
FAREWELL
TO
HIS
FAVOURATE
CONCUBINE
(3.2.7.1.
THE
STORY
7
3.2.7.2.
THE
COMPLETION
OF
DIE
FINAL
VERSION
THROUGH
PERFORMANCE)
213
3.2.8.
LADVXISI
215
3.2.9.
GODDESS
OF
LUO
(3.2.9.1.
THE
HISTORICAL
BACKGROUND
OF
THE
STORY
7
3.2.9.2.
THE
SEQUENCE
OF
THE
SCENES
7
3.2.93.
DANCING
MOVEMENTS)
217
3.2.10.
LIAR
YIRTFENG
(3.2
10.1.INNOVATIVEAPPEARANCE/3.2.10.2.THEATRICALPRESENTADONOFASEAWORLDONABARESTAGE)
220
3.2.11.
THE
OUTSIDE
STORY
OF
TATZAEA
(I)
7
(II)
7
(III)
7
(IV)
(3.2.11.1.
THE
STORY
/
3.2
11.2.
INNOVATIONS
WITH
SCENIC
SETTINGS,
WATER-SLEEVE
TECHNIQUES
&
DANCING
MOVEMENTS)
221
IX
3.3
THE
NEW
PLAYS
BASED
ON
"THE
DREAM
OF
RED
MANSIONS"
225
3.3.1.
DATVU
BURYING
THE
FALLEN
FLOWERS
(3.3.1.1.
THE
PLAY
/
3.3.1.2.
THE
PERFORMANCE)
225
3.3.2.
QIN
GWEN
TE
ARING
OFF
FANS
(3.3.2.1
THE
PLAYWRIGHTING
/
3.3.2.2.
THE
PERFORMANCE)
228
3.3.3.
THE
BEAUTIFUL
XIREN
230
3.4.
THE
NEW
VERSION
OF
TRADITIONAL
BEIJING
OPERA
MASTERPIECES
232
3.4.1.
AN
AFFECTIONATE
COUPLE
IN
JAIL
232
3.4.2.
PHOENIX
RETURNING
TO
THE
NEST
(3.4.2.I.
THE
PLAY
/
3.4.2.2.
THE
PERFORMANCE)
234
3.4.3.
BEAUTY
DEFYING
TYRANNY
236
3.4.4.
THE
DRUNKEN
BEAUTY
238
GENERAL
INTRODUCTION
IN
GERMAN
242
APPENDIX**
I
A
CHRONOLOGY
OF
THE
CHINESE
HISTORICAL
PERIOD
252
N
A
CHRONOLOGY
OF
THE
CHINESE
EMPEROR
REIGNS
FROM
THE
LATE
MING
TO
QING
DYNASTIES
253
IN
CHINESE
THEATRE
CATEGORIES
254
IV
THE
CHRONOLOGICAL
EVOLUTION
OF
THE
CHINESE
THEATRICAL
ARTS
TOWARDS
BEIJING
OPERA
255
V
THE
FOUR
MAJOR
MUSICAL
SYSTEMS
BEFORE
QING
DYNASTY
256
VI
THE
FIVE
POPULAR
MUSICAL
SYSTEMS
DURING
JIAQING
&
DAOGUANG
PERIODS
OF
QING
DYNASTY
257
VII
THE
SOURCES
&
EVOLUTION
OF
THE
MAJOR
MUSICAL
SYSTEMS
IN
BEIJING
OPERA
258
VIII
THE
ROLE-TYPES
IN
BEIJING
OPERA
259
IX
THE
BEIJING
OPERA
SYSTEM
OF
ORCHESTRATION
260
X
CHRONOLOGY
OF
MEI
LANFANG
S
LIFE
261
XI
THE
PREMIERE
DATES
OF
MEI
LANFANGS
MAJOR
INNOVATED
PRODUCTIONS
278
XII
NAMES
OF
THE
THEATRES
WHERE
MEI
LANFANG
PERFORMED
282
XIII
LIST
OF
THE
PLAYS
FROM
MEI
LANFANGS
REPERTOIRE
285
XIV
LIST
OF
THE
ENSEMBLES
WITH
WHICH
MEI
LANFANG
PERFORMED
289
XV
BIBLIOGRAPHY
291
XVI**
*
TRANSCRIPTION
WITH
THE
CHINESE
CHARACTERS
299 |
| any_adam_object | 1 |
| author | Yu, Weijie 1956- |
| author_GND | (DE-588)115802061 |
| author_facet | Yu, Weijie 1956- |
| author_role | aut |
| author_sort | Yu, Weijie 1956- |
| author_variant | w y wy |
| building | Verbundindex |
| bvnumber | BV011597170 |
| classification_rvk | LS 41400 |
| ctrlnum | (OCoLC)643996019 (DE-599)BVBBV011597170 |
| discipline | Musikwissenschaft |
| format | Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV011597170 |
| illustrated | Illustrated |
| indexdate | 2025-02-26T17:01:59Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007811998 |
| oclc_num | 643996019 |
| open_access_boolean | |
| owner | DE-703 DE-12 DE-384 DE-739 DE-355 DE-BY-UBR DE-29 DE-19 DE-BY-UBM DE-824 DE-11 |
| owner_facet | DE-703 DE-12 DE-384 DE-739 DE-355 DE-BY-UBR DE-29 DE-19 DE-BY-UBM DE-824 DE-11 |
| physical | V, 332 S. Ill., graph. Darst. |
| publishDate | 1996 |
| publishDateSearch | 1996 |
| publishDateSort | 1996 |
| record_format | marc |
| spelling | Yu, Weijie 1956- Verfasser (DE-588)115802061 aut Mei Lanfang's innovation in Beijing opera a historical documentation of his artistic career & his representative stage productions von Weijie Yu 1996 V, 332 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Bayreuth, Univ., Diss., 1997 Mei, Lanfang 1894-1961 (DE-588)119556855 gnd rswk-swf Peking-Oper (DE-588)4173610-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Mei, Lanfang 1894-1961 (DE-588)119556855 p Peking-Oper (DE-588)4173610-2 s DE-604 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007811998&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Yu, Weijie 1956- Mei Lanfang's innovation in Beijing opera a historical documentation of his artistic career & his representative stage productions Mei, Lanfang 1894-1961 (DE-588)119556855 gnd Peking-Oper (DE-588)4173610-2 gnd |
| subject_GND | (DE-588)119556855 (DE-588)4173610-2 (DE-588)4113937-9 |
| title | Mei Lanfang's innovation in Beijing opera a historical documentation of his artistic career & his representative stage productions |
| title_auth | Mei Lanfang's innovation in Beijing opera a historical documentation of his artistic career & his representative stage productions |
| title_exact_search | Mei Lanfang's innovation in Beijing opera a historical documentation of his artistic career & his representative stage productions |
| title_full | Mei Lanfang's innovation in Beijing opera a historical documentation of his artistic career & his representative stage productions von Weijie Yu |
| title_fullStr | Mei Lanfang's innovation in Beijing opera a historical documentation of his artistic career & his representative stage productions von Weijie Yu |
| title_full_unstemmed | Mei Lanfang's innovation in Beijing opera a historical documentation of his artistic career & his representative stage productions von Weijie Yu |
| title_short | Mei Lanfang's innovation in Beijing opera |
| title_sort | mei lanfang s innovation in beijing opera a historical documentation of his artistic career his representative stage productions |
| title_sub | a historical documentation of his artistic career & his representative stage productions |
| topic | Mei, Lanfang 1894-1961 (DE-588)119556855 gnd Peking-Oper (DE-588)4173610-2 gnd |
| topic_facet | Mei, Lanfang 1894-1961 Peking-Oper Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007811998&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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