From text to hypertext: decentering the subject in fiction, film, the visual arts, and electronic media
It is a tenet of postmodern writing that the subject - the self - is unstable, fragmented, and decentered. One useful way to examine this principle is to look at how the subject has been treated in various media in the pre-modern, modern, and postmodern eras. Silvio Gaggi pursues this strategy in Fr...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Philadelphia
Univ. of Pennsylvania Press
1997
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Schriftenreihe: | Penn studies in contemporary American fiction
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Schlagworte: | |
Zusammenfassung: | It is a tenet of postmodern writing that the subject - the self - is unstable, fragmented, and decentered. One useful way to examine this principle is to look at how the subject has been treated in various media in the pre-modern, modern, and postmodern eras. Silvio Gaggi pursues this strategy in From Text to Hypertext, analyzing the issues of subject construction and deconstruction in selected examples of visual art, literature, film, and electronic media. In considering electronic media, Gaggi focuses on computer-controlled media, specifically examples of hypertextual fiction by Michael Joyce and Stuart Moulthrop. Besides recognizing how the computer has enabled artists to create works of fiction in which readers themselves become decentered, Gaggi also observes the impact of literature created on computer networks, where even the limitations of CD-ROM are lifted and the notion of individual authorship may for all practical purposes be lost. |
Beschreibung: | XV, 169 S. Ill. |
ISBN: | 0812234006 |
Internformat
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520 | 3 | |a It is a tenet of postmodern writing that the subject - the self - is unstable, fragmented, and decentered. One useful way to examine this principle is to look at how the subject has been treated in various media in the pre-modern, modern, and postmodern eras. Silvio Gaggi pursues this strategy in From Text to Hypertext, analyzing the issues of subject construction and deconstruction in selected examples of visual art, literature, film, and electronic media. In considering electronic media, Gaggi focuses on computer-controlled media, specifically examples of hypertextual fiction by Michael Joyce and Stuart Moulthrop. Besides recognizing how the computer has enabled artists to create works of fiction in which readers themselves become decentered, Gaggi also observes the impact of literature created on computer networks, where even the limitations of CD-ROM are lifted and the notion of individual authorship may for all practical purposes be lost. | |
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Gaggi, Silvio |
author_facet | Gaggi, Silvio |
author_role | aut |
author_sort | Gaggi, Silvio |
author_variant | s g sg |
building | Verbundindex |
bvnumber | BV011559038 |
callnumber-first | N - Fine Arts |
callnumber-label | NX160 |
callnumber-raw | NX160 |
callnumber-search | NX160 |
callnumber-sort | NX 3160 |
callnumber-subject | NX - Arts in General |
classification_rvk | EC 5193 |
ctrlnum | (OCoLC)35559066 (DE-599)BVBBV011559038 |
dewey-full | 700/.1 |
dewey-hundreds | 700 - The arts |
dewey-ones | 700 - The arts |
dewey-raw | 700/.1 |
dewey-search | 700/.1 |
dewey-sort | 3700 11 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte Literaturwissenschaft |
format | Book |
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id | DE-604.BV011559038 |
illustrated | Illustrated |
indexdate | 2024-07-09T18:11:50Z |
institution | BVB |
isbn | 0812234006 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007783126 |
oclc_num | 35559066 |
open_access_boolean | |
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owner_facet | DE-12 DE-19 DE-BY-UBM DE-703 |
physical | XV, 169 S. Ill. |
publishDate | 1997 |
publishDateSearch | 1997 |
publishDateSort | 1997 |
publisher | Univ. of Pennsylvania Press |
record_format | marc |
series2 | Penn studies in contemporary American fiction |
spelling | Gaggi, Silvio Verfasser aut From text to hypertext decentering the subject in fiction, film, the visual arts, and electronic media Silvio Gaggi Philadelphia Univ. of Pennsylvania Press 1997 XV, 169 S. Ill. txt rdacontent n rdamedia nc rdacarrier Penn studies in contemporary American fiction It is a tenet of postmodern writing that the subject - the self - is unstable, fragmented, and decentered. One useful way to examine this principle is to look at how the subject has been treated in various media in the pre-modern, modern, and postmodern eras. Silvio Gaggi pursues this strategy in From Text to Hypertext, analyzing the issues of subject construction and deconstruction in selected examples of visual art, literature, film, and electronic media. In considering electronic media, Gaggi focuses on computer-controlled media, specifically examples of hypertextual fiction by Michael Joyce and Stuart Moulthrop. Besides recognizing how the computer has enabled artists to create works of fiction in which readers themselves become decentered, Gaggi also observes the impact of literature created on computer networks, where even the limitations of CD-ROM are lifted and the notion of individual authorship may for all practical purposes be lost. Beeldcultuur gtt Literaire thema's gtt Subject (filosofie) gtt Arts Themes, motives Creation (Literary, artistic, etc.) Selbst (DE-588)4121653-2 gnd rswk-swf Elektronische Medien (DE-588)4151918-8 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Postmoderne (DE-588)4115604-3 gnd rswk-swf Selbst (DE-588)4121653-2 s Künste (DE-588)4033422-3 s Postmoderne (DE-588)4115604-3 s DE-604 Elektronische Medien (DE-588)4151918-8 s |
spellingShingle | Gaggi, Silvio From text to hypertext decentering the subject in fiction, film, the visual arts, and electronic media Beeldcultuur gtt Literaire thema's gtt Subject (filosofie) gtt Arts Themes, motives Creation (Literary, artistic, etc.) Selbst (DE-588)4121653-2 gnd Elektronische Medien (DE-588)4151918-8 gnd Künste (DE-588)4033422-3 gnd Postmoderne (DE-588)4115604-3 gnd |
subject_GND | (DE-588)4121653-2 (DE-588)4151918-8 (DE-588)4033422-3 (DE-588)4115604-3 |
title | From text to hypertext decentering the subject in fiction, film, the visual arts, and electronic media |
title_auth | From text to hypertext decentering the subject in fiction, film, the visual arts, and electronic media |
title_exact_search | From text to hypertext decentering the subject in fiction, film, the visual arts, and electronic media |
title_full | From text to hypertext decentering the subject in fiction, film, the visual arts, and electronic media Silvio Gaggi |
title_fullStr | From text to hypertext decentering the subject in fiction, film, the visual arts, and electronic media Silvio Gaggi |
title_full_unstemmed | From text to hypertext decentering the subject in fiction, film, the visual arts, and electronic media Silvio Gaggi |
title_short | From text to hypertext |
title_sort | from text to hypertext decentering the subject in fiction film the visual arts and electronic media |
title_sub | decentering the subject in fiction, film, the visual arts, and electronic media |
topic | Beeldcultuur gtt Literaire thema's gtt Subject (filosofie) gtt Arts Themes, motives Creation (Literary, artistic, etc.) Selbst (DE-588)4121653-2 gnd Elektronische Medien (DE-588)4151918-8 gnd Künste (DE-588)4033422-3 gnd Postmoderne (DE-588)4115604-3 gnd |
topic_facet | Beeldcultuur Literaire thema's Subject (filosofie) Arts Themes, motives Creation (Literary, artistic, etc.) Selbst Elektronische Medien Künste Postmoderne |
work_keys_str_mv | AT gaggisilvio fromtexttohypertextdecenteringthesubjectinfictionfilmthevisualartsandelectronicmedia |