The widening circle: consequences of modernism in contemporary art
In this collection of critical essays, Barry Schwabsky reexamines the art produced since the 1960s, demonstrating how the achievements of "high modernism" remain consequential to it, through tensions between representation, abstraction, and language. Offering close readings of works produc...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
1997
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Ausgabe: | 1. publ. |
Schriftenreihe: | Contemporary artists and their critics
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | In this collection of critical essays, Barry Schwabsky reexamines the art produced since the 1960s, demonstrating how the achievements of "high modernism" remain consequential to it, through tensions between representation, abstraction, and language. Offering close readings of works produced by several generations of European and American artists, he begins with an analysis of the late period of two Abstract Expressionists, Philip Guston and Mark Rothko, who saw their own success as a failure of reception and who came to question radically their own work. With the core of the book focused on Michelangelo Pistoletto and Mel Bochner, major figures of Arte Povera and Conceptual Art whose works in a variety of media demonstrate a deepening critical engagement with modernism, Schwabsky also studies the work of emerging artists, such as L. C. Amrstrong and Rainer Ganahl, who continue to examine modernism's legacies. |
Beschreibung: | XV, 230 S. Ill. |
ISBN: | 0521562821 0521565693 |
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520 | 3 | |a In this collection of critical essays, Barry Schwabsky reexamines the art produced since the 1960s, demonstrating how the achievements of "high modernism" remain consequential to it, through tensions between representation, abstraction, and language. Offering close readings of works produced by several generations of European and American artists, he begins with an analysis of the late period of two Abstract Expressionists, Philip Guston and Mark Rothko, who saw their own success as a failure of reception and who came to question radically their own work. With the core of the book focused on Michelangelo Pistoletto and Mel Bochner, major figures of Arte Povera and Conceptual Art whose works in a variety of media demonstrate a deepening critical engagement with modernism, Schwabsky also studies the work of emerging artists, such as L. C. Amrstrong and Rainer Ganahl, who continue to examine modernism's legacies. | |
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Datensatz im Suchindex
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adam_text | CONTENTS LIST OF ILLUSTRATIONS PAGE VII PREFACE AND ACKNOWLEDGMENTS XI
PARTI ABSTRACTION, REPRESENTATION . . . 1 THE WIDENING CIRCLE:
ABSTRACTION AND REPRESENTATION IN CONTEMPORARY ART AND CRITICISM 3 2
THE REAL SITUATION : PHILIP GUSTON AND MARK ROTHKO AT THE END OF THE
1960S 11 3 NORMAN BLUHM AND THE ETERNAL FEMININE 19 4 COLOR FIELD AND
CARO: MANNERIST MODERNISM 30 5 LARRY POONS: FORMALISM IN RUINS 39 6
GESTURE REVISITED: MEL BOCHNER, HOWARD BUCHWALD, BRICE MARDEN 45 7 MARY
HEILMANN S CERAMICS AND PAINTINGS: COLOR AS SUBSTANCE 55 8 PORFIRIO
DIDONNA: VISION FULFILLED 67 9 MOIRA DRYER: ANSWERING MACHINES 77 10 THE
RUSTLE OF PAINTING: JACQUES LACAN, DAVID ROW, BRENDA ZLAMANY 84 PART II
ITALIAN INTERLUDE 11 WDEPISIS 97 12 ROTELLASCOPE 103 13 MICHELANGELO
PISTOLETTO: MIRRORS TO MONUMENTS 115 14 THE ABSTRACTION EPIDEMIC: A
CONVERSATION WITH DEMETRIO PAPARONI 127 15 16 17 18 19 PART III . . .
AND INSCRIPTION THOMAS CHIMES: CONCERNING THE SURFACE CY TWOMBLY: ET IN
ARCADIA EGO? BRUCE CONNER S INKBLOT DRAWINGS: DOCUMENTS FOR A SECRET
TRADITION REVERSE CONTINUITY: THE PRINTS OF MEL BOCHNER RUBBLE:
REPRESENTING MEL BOCHNER S EARLY WORK 143 152 159 169 179 20 ROSS
BLECKNER: MEMORIES OF LIGHT 21 L. C. ARMSTRONG: WRITTEN ON THE SKIN 22
RAINER GANAHL: WINDOWS ON THE WORD 191 200 205 NOTES INDEX 213 227
|
any_adam_object | 1 |
author | Schwabsky, Barry |
author_GND | (DE-588)137431368 |
author_facet | Schwabsky, Barry |
author_role | aut |
author_sort | Schwabsky, Barry |
author_variant | b s bs |
building | Verbundindex |
bvnumber | BV011552035 |
callnumber-first | N - Fine Arts |
callnumber-label | N6494 |
callnumber-raw | N6494.M64 |
callnumber-search | N6494.M64 |
callnumber-sort | N 46494 M64 |
callnumber-subject | N - Visual Arts |
classification_rvk | LH 65827 |
ctrlnum | (OCoLC)34839781 (DE-599)BVBBV011552035 |
dewey-full | 709.045 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.045 |
dewey-search | 709.045 |
dewey-sort | 3709.045 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
edition | 1. publ. |
era | Geschichte 1900-2000 Geschichte 1950-1993 gnd |
era_facet | Geschichte 1900-2000 Geschichte 1950-1993 |
format | Book |
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spelling | Schwabsky, Barry Verfasser (DE-588)137431368 aut The widening circle consequences of modernism in contemporary art Barry Schwabsky 1. publ. Cambridge [u.a.] Cambridge Univ. Press 1997 XV, 230 S. Ill. txt rdacontent n rdamedia nc rdacarrier Contemporary artists and their critics In this collection of critical essays, Barry Schwabsky reexamines the art produced since the 1960s, demonstrating how the achievements of "high modernism" remain consequential to it, through tensions between representation, abstraction, and language. Offering close readings of works produced by several generations of European and American artists, he begins with an analysis of the late period of two Abstract Expressionists, Philip Guston and Mark Rothko, who saw their own success as a failure of reception and who came to question radically their own work. With the core of the book focused on Michelangelo Pistoletto and Mel Bochner, major figures of Arte Povera and Conceptual Art whose works in a variety of media demonstrate a deepening critical engagement with modernism, Schwabsky also studies the work of emerging artists, such as L. C. Amrstrong and Rainer Ganahl, who continue to examine modernism's legacies. Armstrong, L. C Bluhm, Norman <1921-1999> Bochner, Mel <1940-> Dryer, Moira Ganahl, Rainer <1966-> Guston, Philip <1913-1980> Heilmann, Mary <1940-> Pistoletto, Michelangelo <1933-> Poons, Larry Rothko, Mark <1903-1970> Twombly, Cy <1928-> Schwabsky, Barry (DE-588)137431368 gnd rswk-swf Geschichte 1900-2000 Geschichte 1950-1993 gnd rswk-swf Abstractie gtt Beeldende kunsten gtt Modernisme (art) ram Postmodernisme ram Representatie (algemeen) gtt Taal gtt Kunst Postmoderne Art, Modern 20th century Modernism (Art) Postmodernism Kunst (DE-588)4114333-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunst (DE-588)4114333-4 s Geschichte 1950-1993 z DE-604 Schwabsky, Barry (DE-588)137431368 p SWBplus Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007777808&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Schwabsky, Barry The widening circle consequences of modernism in contemporary art Armstrong, L. C Bluhm, Norman <1921-1999> Bochner, Mel <1940-> Dryer, Moira Ganahl, Rainer <1966-> Guston, Philip <1913-1980> Heilmann, Mary <1940-> Pistoletto, Michelangelo <1933-> Poons, Larry Rothko, Mark <1903-1970> Twombly, Cy <1928-> Schwabsky, Barry (DE-588)137431368 gnd Abstractie gtt Beeldende kunsten gtt Modernisme (art) ram Postmodernisme ram Representatie (algemeen) gtt Taal gtt Kunst Postmoderne Art, Modern 20th century Modernism (Art) Postmodernism Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)137431368 (DE-588)4114333-4 (DE-588)4143413-4 |
title | The widening circle consequences of modernism in contemporary art |
title_auth | The widening circle consequences of modernism in contemporary art |
title_exact_search | The widening circle consequences of modernism in contemporary art |
title_full | The widening circle consequences of modernism in contemporary art Barry Schwabsky |
title_fullStr | The widening circle consequences of modernism in contemporary art Barry Schwabsky |
title_full_unstemmed | The widening circle consequences of modernism in contemporary art Barry Schwabsky |
title_short | The widening circle |
title_sort | the widening circle consequences of modernism in contemporary art |
title_sub | consequences of modernism in contemporary art |
topic | Armstrong, L. C Bluhm, Norman <1921-1999> Bochner, Mel <1940-> Dryer, Moira Ganahl, Rainer <1966-> Guston, Philip <1913-1980> Heilmann, Mary <1940-> Pistoletto, Michelangelo <1933-> Poons, Larry Rothko, Mark <1903-1970> Twombly, Cy <1928-> Schwabsky, Barry (DE-588)137431368 gnd Abstractie gtt Beeldende kunsten gtt Modernisme (art) ram Postmodernisme ram Representatie (algemeen) gtt Taal gtt Kunst Postmoderne Art, Modern 20th century Modernism (Art) Postmodernism Kunst (DE-588)4114333-4 gnd |
topic_facet | Armstrong, L. C Bluhm, Norman <1921-1999> Bochner, Mel <1940-> Dryer, Moira Ganahl, Rainer <1966-> Guston, Philip <1913-1980> Heilmann, Mary <1940-> Pistoletto, Michelangelo <1933-> Poons, Larry Rothko, Mark <1903-1970> Twombly, Cy <1928-> Schwabsky, Barry Abstractie Beeldende kunsten Modernisme (art) Postmodernisme Representatie (algemeen) Taal Kunst Postmoderne Art, Modern 20th century Modernism (Art) Postmodernism Aufsatzsammlung |
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