Story sense: writing story and script for feature films
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Undetermined |
| Veröffentlicht: |
New York u.a.
McGraw-Hill
1996
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVII, 398 S. graph. Darst. |
| ISBN: | 0070389969 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Story Sense
Writing Story and Script
for Feature Films
and Television
Paul Lucey
The McGraw-Hill Companies, Inc
New York St Louis San Francisco Auckland Bogota Caracas Lisbon
London Madrid Mexico City Milan Montreal New Delhi
San Juan Singapore Sydney Tokyo Toronto
Contents
PREFACE xiii
Part One
WRITING THE STORY
1 Selecting an Idea for a Motion Picture Story
Characteristics of Good Story Ideas 4
Adaptation 12
Additional Sources for Stories 19
Using the Six Story Archetypes to Develop the Idea 24
Populating the Story Idea with Temp Characters 29
Enriching a Story Idea: An Example 30
Summary 33
Exercises 34
2 Building the Story Structure 35
The Frame of the Story 35
Defining Story and Event 39
Developing a Story Structure Based on the Dramatic Problem 43
The Story Concept 46
Using the Problem to Create a Dramatic Crisis 48
Using the Crisis to Interrupt the Status Quo of the Story 49
The Internal Problem and the External Problem of a Story 51
The Nature of Dramatic Conflict 52
How the Villain Creates Conflict 55
vii
X Contents
8 Writing for the Camera: Visual Storytelling 222
Cinematography for Screenwriters 223
The Four Elements of Visual Content 226
The Three Prime Camera Angles 233
The Visual Design of the Film 235
Visualizing Action Scenes and Character Scenes 237
How Sound and Images Work Together to Tell the Story 241
Strategies for Enhancing Visual Content 243
Summary 252
Exercises 253
9 Writ ing Stage Directions 254
Writing Stage Directions 257
Stage Directions for Action 260
Writing Character Descriptions 263
Breaking the Rules 268
Describing Secondary Characters 269
Using Capitalization and Punctuation in Stage Directions 270
Summary 271
Exercises 272
10 Script Format for Feature Films and Television 273
The First Pages of Your Script 273
Sample Script: Try Again Tomorrow 274
Explanation of Notes in Sample Script 280
Sitcom Format 284
Summary 286
Exercises 287
11 Rewrit ing 288
Rewriting Problems with the Story 292
Rewriting Problems with the Characters 299
Rewriting Problems with the Scenes 302
Rewriting the Dialogue 306
Rewriting to Improve-Dramatization 309
Rewriting for the Camera 311
Rewriting Exposition and Fixing Format Problems 312
What About the Title? 314
Summary 314
Exercises 315
Contents xi
12 Career Counseling for New Screenwriters 317
Advice far New Writers 317
To Be or Not to Be in LA ? 320
The Literary Agent 322
How Scripts Are Evaluated 324
The Pitch Meeting 326
The Story Conference 330
Case Study: The Santa Clause 333
Making Movies Out of the Mainstream 334
Summary 338
Exercises 339
APPENDIXES
A Media That Illustrate Points Made in the Chapters 341
B The Screenwriter s Reference Shelf 345
C Cast List, Sequence Breakdown, and Shot Numbers
of The Verdict 347
D Professional Version of the Marry Me—or Else Scene 359
E Rewrite of Immigrant Scene Exercise in Chapter 11 361
F Writers Guild of America TV Market List 366
G Script Evaluation Forms 368
H Writers Guild of America Min imum Basic Agreement
1991-1995 373
I Writer s Deal Memorandum 375
GLOSSARY 378
BIBLIOGRAPHY 388
INDEX 393
|
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| spelling | Lucey, Paul Verfasser aut Story sense writing story and script for feature films Paul Lucey New York u.a. McGraw-Hill 1996 XVII, 398 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier Fernsehen (DE-588)4016825-6 gnd rswk-swf Drehbuch (DE-588)4127976-1 gnd rswk-swf Drehbuch (DE-588)4127976-1 s Fernsehen (DE-588)4016825-6 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007688519&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Story sense writing story and script for feature films |
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