The films of Theo Angelopoulos: a cinema of contemplation
Greek film director Theo Angelopoulos is one of the most widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. In the first book in English to focus on Angelopoulos's unique cinematic vision, Andrew Horton provides an illuminating contex...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton Univ. Press
1997
|
| Schriftenreihe: | Princeton modern Greek studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Greek film director Theo Angelopoulos is one of the most widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. In the first book in English to focus on Angelopoulos's unique cinematic vision, Andrew Horton provides an illuminating contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work. Horton situates the director in the context of over 3,000 years of Greek culture and history. Somewhat like Andrei Tarkovsky in Russia or Antonioni in Italy, Angelopoulos has used cinema to explore the history and individual identities of his culture With such far-reaching influences as Greek myth, ancient tragedy and epic, Byzantine iconography and ceremony, Greek and Balkan history, modern Greek pop culture including bouzouki music, shadow puppet theater, and the Greek music hall tradition, Angelopoulos emerges as an original "thinker" with the camera, and a distinctive director who is bound to make a lasting contribution to the art form |
| Beschreibung: | XII, 227 S. Ill. |
| ISBN: | 0691011419 |
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| 520 | 3 | |a Greek film director Theo Angelopoulos is one of the most widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. In the first book in English to focus on Angelopoulos's unique cinematic vision, Andrew Horton provides an illuminating contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work. Horton situates the director in the context of over 3,000 years of Greek culture and history. Somewhat like Andrei Tarkovsky in Russia or Antonioni in Italy, Angelopoulos has used cinema to explore the history and individual identities of his culture | |
| 520 | |a With such far-reaching influences as Greek myth, ancient tragedy and epic, Byzantine iconography and ceremony, Greek and Balkan history, modern Greek pop culture including bouzouki music, shadow puppet theater, and the Greek music hall tradition, Angelopoulos emerges as an original "thinker" with the camera, and a distinctive director who is bound to make a lasting contribution to the art form | ||
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Datensatz im Suchindex
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| adam_text | THEFILMSOF
Theo Angelopoulos
nemaContemplat
f ANDREW HORTON
/jJ • PRINCETONUNIVERSITYPRESS • PRINCETON ,N~EWJEVSEY
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Contents
PREFACE xi
ACKNOWLEDGMENTS xiii
INTRODUCTION
The Voyage beyond the Borders 3
PART ONE: CULTURE, HISTORY, CINEMA 23
CHAPTER 1
Cinema and the Borders of Greek Culture 25
CHAPTER 2
The Moving Pattern of Images: Greek History and
Individual Perspectives 55
CHAPTER 3
Angelopoulos, the Continuous Image, and Cinema 73
PART TWO: FIVE FILMS 89
CHAPTER 4
Reconstruction: Help Me, I m Lost 91
CHAPTER 5
The Travelling Players: Figures in the Landscape of Myth
and History 102
CHAPTER 6
Voyage to Cythera: One Two Oh, My God
I m Out of Step 127
CHAPTER 7
Landscape in the Mist: A Documentary Fairy Tale 144
CHAPTER 8
The Suspended Step of the Stork: If I Take One More Step,
I Will Be Somewhere Else 161
PART THREE: CONCLUSIONS 179
CHAPTER 9
Ulysses Gaze: We Are Dying People 181
X CONTENTS
CONCLUSIONS
From the Cinematic Gaze to a Culture of Links 202
FiLMOGRAPHY 211
BIBLIOGRAPHY 217
INDEX 223
|
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| discipline | Allgemeines |
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| id | DE-604.BV011401351 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:09:08Z |
| institution | BVB |
| isbn | 0691011419 |
| language | English |
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| physical | XII, 227 S. Ill. |
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| spelling | Horton, Andrew Verfasser aut The films of Theo Angelopoulos a cinema of contemplation Andrew Horton Princeton, NJ Princeton Univ. Press 1997 XII, 227 S. Ill. txt rdacontent n rdamedia nc rdacarrier Princeton modern Greek studies Greek film director Theo Angelopoulos is one of the most widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. In the first book in English to focus on Angelopoulos's unique cinematic vision, Andrew Horton provides an illuminating contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work. Horton situates the director in the context of over 3,000 years of Greek culture and history. Somewhat like Andrei Tarkovsky in Russia or Antonioni in Italy, Angelopoulos has used cinema to explore the history and individual identities of his culture With such far-reaching influences as Greek myth, ancient tragedy and epic, Byzantine iconography and ceremony, Greek and Balkan history, modern Greek pop culture including bouzouki music, shadow puppet theater, and the Greek music hall tradition, Angelopoulos emerges as an original "thinker" with the camera, and a distinctive director who is bound to make a lasting contribution to the art form Angelopoulos, Thodōros <1935-> - Critique et interprétation Angelopoulos, Thodōros <1935-> Criticism and interpretation Angelopulos, Thodōros 1935-2012 (DE-588)119013568 gnd rswk-swf Films gtt Film Film (DE-588)4017102-4 gnd rswk-swf Angelopulos, Thodōros 1935-2012 (DE-588)119013568 p Film (DE-588)4017102-4 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007664855&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Horton, Andrew The films of Theo Angelopoulos a cinema of contemplation Angelopoulos, Thodōros <1935-> - Critique et interprétation Angelopoulos, Thodōros <1935-> Criticism and interpretation Angelopulos, Thodōros 1935-2012 (DE-588)119013568 gnd Films gtt Film Film (DE-588)4017102-4 gnd |
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| title | The films of Theo Angelopoulos a cinema of contemplation |
| title_auth | The films of Theo Angelopoulos a cinema of contemplation |
| title_exact_search | The films of Theo Angelopoulos a cinema of contemplation |
| title_full | The films of Theo Angelopoulos a cinema of contemplation Andrew Horton |
| title_fullStr | The films of Theo Angelopoulos a cinema of contemplation Andrew Horton |
| title_full_unstemmed | The films of Theo Angelopoulos a cinema of contemplation Andrew Horton |
| title_short | The films of Theo Angelopoulos |
| title_sort | the films of theo angelopoulos a cinema of contemplation |
| title_sub | a cinema of contemplation |
| topic | Angelopoulos, Thodōros <1935-> - Critique et interprétation Angelopoulos, Thodōros <1935-> Criticism and interpretation Angelopulos, Thodōros 1935-2012 (DE-588)119013568 gnd Films gtt Film Film (DE-588)4017102-4 gnd |
| topic_facet | Angelopoulos, Thodōros <1935-> - Critique et interprétation Angelopoulos, Thodōros <1935-> Criticism and interpretation Angelopulos, Thodōros 1935-2012 Films Film |
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