Barbarous dissonance and images of voice in Milton's epics:
Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramati...
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| Format: | Buch |
| Sprache: | English |
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Montreal ; Buffalo
McGill-Queen's University Press
©1996
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Sauer investigates the texts' discursive practices and the politics of their orchestration of voice, exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours |
| Beschreibung: | Contents: 1. The Voices and Politics of Nimrod -- 2. Critical Interventions -- 3. "I now must change / Those notes to Tragic": The Sad Task of Raphael, Satan, and the Poet-Narrator -- 4. The Gendered Hierarchy of Discourse -- 5. "Learning to Curse": Colonialism and Censorship in Paradise -- 6. The Voices of Nebuchadnezzar in Paradise Regained. - Includes bibliographical references (p. [191]-207) and inde Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Sauer investigates the texts' discursive practices and the politics of their orchestration of voice, exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach. By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours |
| Beschreibung: | X, 213 Seiten 24 cm |
| ISBN: | 0773514287 |
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| 500 | |a Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Sauer investigates the texts' discursive practices and the politics of their orchestration of voice, exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach. By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours | ||
| 520 | 3 | |a Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Sauer investigates the texts' discursive practices and the politics of their orchestration of voice, exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach | |
| 520 | |a By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Barbarous Dissonance
and Images of Voice in
Milton s Epics
ELIZABETH SAUER
McGill-Queen s University Press
Montreal amp; Kingston • London • Buffalo
Contents
Acknowledgments ix
Introduction 3
1 The Voices and Politics of Nimrod 14
2 Critical Interventions 35
3 I now must change / Those notes to Tragic: The Sad
Task of Raphael, Satan, and the Poet-Narrator 62
4 The Gendered Hierarchy of Discourse 87
5 Learning to Curse: Colonialism and Censorship
in Paradise 111
6 The Voices of Nebuchadnezzar in Paradise Regained 136
Conclusion 160
Notes 163
Works Cited 191
Index 209
|
| any_adam_object | 1 |
| author | Sauer, Elizabeth 1964- |
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| era | Geschichte 1600-1700 |
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| format | Book |
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| spelling | Sauer, Elizabeth 1964- Verfasser (DE-588)129906956 aut Barbarous dissonance and images of voice in Milton's epics Elizabeth Sauer Montreal ; Buffalo McGill-Queen's University Press ©1996 X, 213 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Contents: 1. The Voices and Politics of Nimrod -- 2. Critical Interventions -- 3. "I now must change / Those notes to Tragic": The Sad Task of Raphael, Satan, and the Poet-Narrator -- 4. The Gendered Hierarchy of Discourse -- 5. "Learning to Curse": Colonialism and Censorship in Paradise -- 6. The Voices of Nebuchadnezzar in Paradise Regained. - Includes bibliographical references (p. [191]-207) and inde Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Sauer investigates the texts' discursive practices and the politics of their orchestration of voice, exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach. By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Sauer investigates the texts' discursive practices and the politics of their orchestration of voice, exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours Milton, John <1608-1674> / Paradise lost Milton, John <1608-1674> / Paradise regained Milton, John <1608-1674> Paradise lost Milton, John <1608-1674> Paradise regained Milton, John 1608-1674 Paradise regained (DE-588)4383069-9 gnd rswk-swf Milton, John 1608-1674 Paradise lost (DE-588)4114602-5 gnd rswk-swf Geschichte 1600-1700 Narration Geschichte Epic poetry, English History and criticism Literature and history England History 17th century Narration (Rhetoric) History 17th century Point of view (Literature) Politics and literature Great Britain History 17th century Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Großbritannien Milton, John 1608-1674 Paradise lost (DE-588)4114602-5 u Erzähltechnik (DE-588)4124854-5 s DE-604 Milton, John 1608-1674 Paradise regained (DE-588)4383069-9 u HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007642324&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sauer, Elizabeth 1964- Barbarous dissonance and images of voice in Milton's epics Milton, John <1608-1674> / Paradise lost Milton, John <1608-1674> / Paradise regained Milton, John <1608-1674> Paradise lost Milton, John <1608-1674> Paradise regained Milton, John 1608-1674 Paradise regained (DE-588)4383069-9 gnd Milton, John 1608-1674 Paradise lost (DE-588)4114602-5 gnd Narration Geschichte Epic poetry, English History and criticism Literature and history England History 17th century Narration (Rhetoric) History 17th century Point of view (Literature) Politics and literature Great Britain History 17th century Erzähltechnik (DE-588)4124854-5 gnd |
| subject_GND | (DE-588)4383069-9 (DE-588)4114602-5 (DE-588)4124854-5 |
| title | Barbarous dissonance and images of voice in Milton's epics |
| title_auth | Barbarous dissonance and images of voice in Milton's epics |
| title_exact_search | Barbarous dissonance and images of voice in Milton's epics |
| title_full | Barbarous dissonance and images of voice in Milton's epics Elizabeth Sauer |
| title_fullStr | Barbarous dissonance and images of voice in Milton's epics Elizabeth Sauer |
| title_full_unstemmed | Barbarous dissonance and images of voice in Milton's epics Elizabeth Sauer |
| title_short | Barbarous dissonance and images of voice in Milton's epics |
| title_sort | barbarous dissonance and images of voice in milton s epics |
| topic | Milton, John <1608-1674> / Paradise lost Milton, John <1608-1674> / Paradise regained Milton, John <1608-1674> Paradise lost Milton, John <1608-1674> Paradise regained Milton, John 1608-1674 Paradise regained (DE-588)4383069-9 gnd Milton, John 1608-1674 Paradise lost (DE-588)4114602-5 gnd Narration Geschichte Epic poetry, English History and criticism Literature and history England History 17th century Narration (Rhetoric) History 17th century Point of view (Literature) Politics and literature Great Britain History 17th century Erzähltechnik (DE-588)4124854-5 gnd |
| topic_facet | Milton, John <1608-1674> / Paradise lost Milton, John <1608-1674> / Paradise regained Milton, John <1608-1674> Paradise lost Milton, John <1608-1674> Paradise regained Milton, John 1608-1674 Paradise regained Milton, John 1608-1674 Paradise lost Narration Geschichte Epic poetry, English History and criticism Literature and history England History 17th century Narration (Rhetoric) History 17th century Point of view (Literature) Politics and literature Great Britain History 17th century Erzähltechnik Großbritannien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007642324&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT sauerelizabeth barbarousdissonanceandimagesofvoiceinmiltonsepics |