After Beethoven: imperatives of originality in the symphony
Beethoven cast a looming shadow over the nineteenth century. For composers he was a model both to emulate and to overcome. "You have no idea how it feels," Brahms confided, "when one always hears such a giant marching behind one." Exploring the response of five composers - Berlio...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass. [u.a.]
Harvard Univ. Press
1996
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| Schlagworte: | |
| Zusammenfassung: | Beethoven cast a looming shadow over the nineteenth century. For composers he was a model both to emulate and to overcome. "You have no idea how it feels," Brahms confided, "when one always hears such a giant marching behind one." Exploring the response of five composers - Berlioz, Mendelssohn, Schumann, Brahms, and Mahler - to what each clearly saw as the challenge of Beethoven's symphonies, Evan Bonds richly enhances our understanding of the evolution of the symphony and Beethoven's legacy. Bonds lucidly argues that the great symphonists of the nineteenth century cleared creative space for themselves by both confronting and deviating from the practices of their potentially overpowering precursor. His analysis places familiar masterpieces in a new light. |
| Beschreibung: | 212 S. graph. Darst. |
| ISBN: | 0674008553 |
Internformat
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| 520 | 3 | |a Beethoven cast a looming shadow over the nineteenth century. For composers he was a model both to emulate and to overcome. "You have no idea how it feels," Brahms confided, "when one always hears such a giant marching behind one." Exploring the response of five composers - Berlioz, Mendelssohn, Schumann, Brahms, and Mahler - to what each clearly saw as the challenge of Beethoven's symphonies, Evan Bonds richly enhances our understanding of the evolution of the symphony and Beethoven's legacy. Bonds lucidly argues that the great symphonists of the nineteenth century cleared creative space for themselves by both confronting and deviating from the practices of their potentially overpowering precursor. His analysis places familiar masterpieces in a new light. | |
| 600 | 1 | 4 | |a Beethoven, Ludwig van <1770-1827> - Influence |
| 600 | 1 | 4 | |a Berlioz, Hector <1803-1869> / Harold en Italie |
| 600 | 1 | 4 | |a Brahms, Johannes <1833-1897> / Symphonies - no 1, op. 68 - do mineur |
| 600 | 1 | 4 | |a Mahler, Gustav <1860-1911> / Symphonies - no 4 - sol majeur |
| 600 | 1 | 4 | |a Mendelssohn-Bartholdy, Felix <1809-1847> / Lobgesang |
| 600 | 1 | 4 | |a Schumann, Robert <1810-1856> / Symphonies - no 4, op. 120 - ré mineur |
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Datensatz im Suchindex
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| author | Bonds, Mark Evan 1954- |
| author_GND | (DE-588)131657917 |
| author_facet | Bonds, Mark Evan 1954- |
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| author_sort | Bonds, Mark Evan 1954- |
| author_variant | m e b me meb |
| building | Verbundindex |
| bvnumber | BV011318661 |
| callnumber-first | M - Music |
| callnumber-label | ML1255 |
| callnumber-raw | ML1255 |
| callnumber-search | ML1255 |
| callnumber-sort | ML 41255 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 54530 LR 54535 |
| ctrlnum | (OCoLC)34966249 (DE-599)BVBBV011318661 |
| dewey-full | 784.2/184/09034 784.184 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 784 - Instruments & instrumental ensembles |
| dewey-raw | 784.2/184/09034 784.184 |
| dewey-search | 784.2/184/09034 784.184 |
| dewey-sort | 3784.2 3184 49034 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1800-1900 Geschichte 1800-1900 gnd |
| era_facet | Geschichte 1800-1900 |
| format | Book |
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| id | DE-604.BV011318661 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:07:43Z |
| institution | BVB |
| isbn | 0674008553 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007604109 |
| oclc_num | 34966249 |
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| owner_facet | DE-703 DE-12 DE-20 DE-355 DE-BY-UBR DE-B170 |
| physical | 212 S. graph. Darst. |
| publishDate | 1996 |
| publishDateSearch | 1996 |
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| publisher | Harvard Univ. Press |
| record_format | marc |
| spelling | Bonds, Mark Evan 1954- Verfasser (DE-588)131657917 aut After Beethoven imperatives of originality in the symphony Mark Evan Bonds Cambridge, Mass. [u.a.] Harvard Univ. Press 1996 212 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier Beethoven cast a looming shadow over the nineteenth century. For composers he was a model both to emulate and to overcome. "You have no idea how it feels," Brahms confided, "when one always hears such a giant marching behind one." Exploring the response of five composers - Berlioz, Mendelssohn, Schumann, Brahms, and Mahler - to what each clearly saw as the challenge of Beethoven's symphonies, Evan Bonds richly enhances our understanding of the evolution of the symphony and Beethoven's legacy. Bonds lucidly argues that the great symphonists of the nineteenth century cleared creative space for themselves by both confronting and deviating from the practices of their potentially overpowering precursor. His analysis places familiar masterpieces in a new light. Beethoven, Ludwig van <1770-1827> - Influence Berlioz, Hector <1803-1869> / Harold en Italie Brahms, Johannes <1833-1897> / Symphonies - no 1, op. 68 - do mineur Mahler, Gustav <1860-1911> / Symphonies - no 4 - sol majeur Mendelssohn-Bartholdy, Felix <1809-1847> / Lobgesang Schumann, Robert <1810-1856> / Symphonies - no 4, op. 120 - ré mineur Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Originalité Symphonie - 19e siècle Originality Symphony 19th century Sinfonie (DE-588)4055087-4 gnd rswk-swf Sinfonie (DE-588)4055087-4 s Geschichte 1800-1900 z DE-604 |
| spellingShingle | Bonds, Mark Evan 1954- After Beethoven imperatives of originality in the symphony Beethoven, Ludwig van <1770-1827> - Influence Berlioz, Hector <1803-1869> / Harold en Italie Brahms, Johannes <1833-1897> / Symphonies - no 1, op. 68 - do mineur Mahler, Gustav <1860-1911> / Symphonies - no 4 - sol majeur Mendelssohn-Bartholdy, Felix <1809-1847> / Lobgesang Schumann, Robert <1810-1856> / Symphonies - no 4, op. 120 - ré mineur Originalité Symphonie - 19e siècle Originality Symphony 19th century Sinfonie (DE-588)4055087-4 gnd |
| subject_GND | (DE-588)4055087-4 |
| title | After Beethoven imperatives of originality in the symphony |
| title_auth | After Beethoven imperatives of originality in the symphony |
| title_exact_search | After Beethoven imperatives of originality in the symphony |
| title_full | After Beethoven imperatives of originality in the symphony Mark Evan Bonds |
| title_fullStr | After Beethoven imperatives of originality in the symphony Mark Evan Bonds |
| title_full_unstemmed | After Beethoven imperatives of originality in the symphony Mark Evan Bonds |
| title_short | After Beethoven |
| title_sort | after beethoven imperatives of originality in the symphony |
| title_sub | imperatives of originality in the symphony |
| topic | Beethoven, Ludwig van <1770-1827> - Influence Berlioz, Hector <1803-1869> / Harold en Italie Brahms, Johannes <1833-1897> / Symphonies - no 1, op. 68 - do mineur Mahler, Gustav <1860-1911> / Symphonies - no 4 - sol majeur Mendelssohn-Bartholdy, Felix <1809-1847> / Lobgesang Schumann, Robert <1810-1856> / Symphonies - no 4, op. 120 - ré mineur Originalité Symphonie - 19e siècle Originality Symphony 19th century Sinfonie (DE-588)4055087-4 gnd |
| topic_facet | Beethoven, Ludwig van <1770-1827> - Influence Berlioz, Hector <1803-1869> / Harold en Italie Brahms, Johannes <1833-1897> / Symphonies - no 1, op. 68 - do mineur Mahler, Gustav <1860-1911> / Symphonies - no 4 - sol majeur Mendelssohn-Bartholdy, Felix <1809-1847> / Lobgesang Schumann, Robert <1810-1856> / Symphonies - no 4, op. 120 - ré mineur Originalité Symphonie - 19e siècle Originality Symphony 19th century Sinfonie |
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