Readings on Ernest Hemingway:
Saved in:
| Format: | Book |
|---|---|
| Language: | English |
| Published: |
San Diego, Calif.
Greenhaven Press
1997
|
| Series: | The Greenhaven Press literary companion to American authors
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | 190 S. |
| ISBN: | 1565104633 1565104625 |
Staff View
MARC
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Record in the Search Index
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| adam_text | THE GREENHAVEN PRESS TO AMERICAN AUTHORS DAVID BENDER, PUBLISHER BRUNO
LEONE, EXECUTIVE EDITOR SCOTT BARBOUR, MANAGING EDITOR BONNIE SZUMSKI,
SERIES EDITOR KATIE DE ROSTER, BOOK EDITOR GREENHAVEN PRESS, SAN DIEGO,
CA CONTENTS FOREWORD INTRODUCTION ERNEST HEMINGWAY: A BIOGRAPHY CHAPTER
1: THE HERO AND THE CODE 1. HEMINGWAY S WORLD BY ROBERT PENN WARREN 34
HEMINGWAY S IS A VIOLENT WORLD, WHOSE HEROES LIVE BY A CODE OF HONOR
THAT GIVES MEANING TO LIFE AND HELPS THEM FACE DEATH, THE GREAT NADA.
2. A MASTER KEY TO UNDERSTANDING HEMINGWAY BY PHILIP YOUNG 39 THE
HEMINGWAY HERO, WHO HAS SUFFERED BOTH PHYSICAL AND EMOTIONAL WOUNDS, IS
BOTH VIRILE AND SENSITIVE. HE NEVER FULLY RECOVERS FROM HIS WOUNDS, AND
HE NEVER REALLY MATURES. 3. DEALING WITH THE FEAR OF FEAR BY JOHN ATKINS
47 HEMINGWAY CONTINUALLY EXPLORED THE CONJUNCTION OF FEAR AND FAILURE,
AND THE HERO S ABILITY TO SUCCEED BY OVERCOM- ING THE FEAR OF FEAR. 4.
THE WORLD CANNOT TOLERATE THE TRUE INDIVIDUAL BY JOSEPH DEFALCO 55 THE
CODE DEMANDS THAT A MAN COMMIT HIMSELF TO THE COR- RECT IDEAL; THIS
OFTEN LEADS TO DEATH, WHICH THE HERO MUST FACE WITH DIGNITY. IN
OVERCOMING THE SORDIDNESS OF THE WORLD, THE HERO BECOMES UNSUITED TO
LIVE IN IT. 5. THE HERO AS A GOOD SPORT BYDELMORE SCHWARTZ 61
HEMINGWAY S HEROES ARE OFTEN ON HOLIDAY OR ON SPORTING TRIPS BECAUSE
THESE SETTINGS ALLOW THE AUTHOR TO DEVELOP HIS THEME OF A SPORTSMANLIKE
MORALITY, INCLUDING THE PROPER MANLY MANNER OF SPEECH. 6. CLIQUISH
ADOLESCENTS OR SHATTERED HEROES IN THE SUN ALSO RISES BY JAMES TWITCHELL
AND CHARLES CHILD WALCUTT 66 MIKE, JAKE, AND BILL MAY BE LIKE AN
ADOLESCENT GANG WITH RIGID STANDARDS OF ACCEPTANCE AND A GROUP SLANG
THAT EX- CLUDES OUTSIDERS, OR THEY MAY BE DAMAGED ADULTS TRYING TO HOLD
ON IN A SPIRITUALLY DAMAGED WORLD. CHAPTER 2: HEMINGWAY: THE MAN IN HIS
WORK 1. HEMINGWAY, NIHILISM, AND THE AMERICAN DREAM BY SAMUEL SHAW 71
THE BACKGROUND FOR HEMINGWAY S TRAGIC VIEW OF THE HUMAN CONDITION IS
AMERICAN NIHILISM, ALTHOUGH HE WANTED TO BE- LIEVE IN SOMETHING MORE.
HIS DEEP COMPASSION FOR HUMAN- ITY IS OFTEN LOST IN THE TOUGH ATTITUDE
OF HIS WRITING. 2. ELABORATING A PERSONAL MYTH BY RALPH ELLISON 78
HEMINGWAY S RUGGED INDIVIDUALISM COMES FROM THE ABAN- DONMENT OF THE
NATIONAL DEMOCRATIC MYTH FOR THE PERSONAL MYTH, WHICH SIGNALS A LOSS OF
HUMANISM IN AMERICAN CUL- TURE. HIS WORK CONDITIONS READERS TO LOWER
SOCIAL VALUES AND A DECREASED SENSE OF COLLECTIVE RESPONSIBILITY. 3.
REJECTING A SEPARATE PEACE BY EDGAR JOHNSON 85 HEMINGWAY S BODY OF
WORK SHOWS CONSIDERABLE INTELLECTUAL DEVELOPMENT. FOR EXAMPLE, IN TO
HAVE AND HAVE NOT HE BEGINS TO REJECT HIS PREVIOUS IDEA THAT THE HERO
MUST STAND ALONE IN THE WORLD. 4. HEMINGWAY S MEN AND (THE ABSENCE OF)
WOMEN BY LESLIE FIEDLER 90 REALLY ONLY COMFORTABLE WHEN WRITING OF MEN
WITHOUT WOMEN, HEMINGWAY DID TRY*UNSUCCESSFULLY, FOR THE MOST PART*TO
CREATE VIVID FEMALE CHARACTERS IN HIS MORE AMBI- TIOUS FICTION. 5. A
STRANGE KIND OF ROMANCE BY STANLEY COOPERMAN 96 HEMINGWAY S TREATMENT OF
LOVE*LIKE HIS TREATMENT OF DEATH*BETRAYS HIS OWN FEAR OF A FULL SPECTRUM
OF EXPERIENCE. CHAPTER 3: THE HEMINGWAY STYLE 1. ART AS SURVIVAL BY
ALFRED KAZIN 103 HEMINGWAY SOUGHT A WAY OF WRITING THAT COULD EXPRESS
THE REAL THING *SO REAL THAT IT WOULD SEEM TO EXTEND BE- YOND NORMAL
THREE-DIMENSIONAL REALITY. HE FELT THAT IF HE COULD PERFECTLY CONVEY THE
ESSENCE OF A THING, HE COULD RISE ABOVE THAT CONFUSION WHICH WAS HALF
THE TERROR OF LIVING. 2. A FOCUS ON THE IMMEDIATE AND THE HUMAN IN A
FAREWELL TO ARMS BY JAY GELLENS 110 HEMINGWAY EXAMINES THE DRAMA OF
REASONABLE PEOPJE CAUGHT UP IN THE ABSURDITY OF WAR BY FOCUSING ON THE
CON- CRETE DETAILS OF LIFE IN THE MIDST OF CHAOS. CONCENTRATING ON THE
RICH SENSORY DETAIL OF THE LOVE STORY BRINGS A TRANSITORY SENSE OF
FRESHNESS TO A WORLD AT WAR. 3. FOOD AS AN ELEMENT OF THE ICEBERG
PRINCIPLE BY LINDA UNDERBILL AND JEANNE NAKJAVANI 114 HEMINGWAY S
TREATMENT OF FOOD IN HIS WRITING ILLUSTRATES HIS ICEBERG PRINCIPLE,
HIS THEORY THAT AS LONG AS A WRITER KNOWS EVERYTHING ABOUT HIS SCENES
AND CHARACTERS, HE ONLY NEED SHOW A SMALL PART TO BE CREDIBLE. HIS USE
OF SPECIFIC, CONCRETE INFORMATION ABOUT FOOD IS ALSO AN EXAMPLE OF HIS
INSISTENCE ON USING TRUE INFORMATION TO INVEST HIS WRITING WITH
IMPACT, IMMEDIACY, AND AUTHORITY. 4. CONRAD S INFLUENCE ON HEMINGWAY BY
JEFFREY MEYERS 123 PANORAMIC DESCRIPTION, THE HEROIC CODE OF HONOR, AND
THE NEED TO TEST ONESELF IN EXTREME SITUATIONS ARE AMONG THE COMMON
ELEMENTS IN THE WORKS OF WRITER JOSEPH CONRAD AND HEMINGWAY. 5. THE
UNIVERSE ON EDGE BY DAVID HUGHES 126 HEMINGWAY S EARLY SHORT STORIES
WERE INTENSE AND HONEST, ACHIEVING HARD-WON EFFECTS OF HIGH SUBTLETY
WITH FEW AND SIMPLE WORDS. AS HE BECAME FAMOUS, THOUGH, HIS WRITING
BEGAN TO LOSE THESE QUALITIES. HE BEGAN TO USE THE INTRU- SIONS OF A
PUBLIC LIFE AS AN EXCUSE TO AVOID THE HARD WORK OF PORTRAYING HIS VISION
OF THE UNIVERSE ON EDGE, AND HIS NOVELS REFLECT THIS LOSS OF
INTENSITY. CHAPTER 4: HEMINGWAY RECONSIDERED 1. AN ONGOING REVALUATION
OF HEMINGWAY BY KEITH FERRELL 133 ALTHOUGH CHANGING ACADEMIC STYLES AND
SOCIAL CONCERNS HAVE RESULTED IN AN UNEVEN PERCEPTION OF HEMINGWAY S
WORK AMONG CRITICS, THE READING PUBLIC CONTINUES TO AD- MIRE HIS
ACHIEVEMENTS. POSTHUMOUS PUBLICATION OF MORE OF HIS WORK HAS OFFERED A
WIDER VIEW OF BOTH HIS SKILLS AND HIS PERSONALITY. 2. THE SUN ALSO
RISES, SIXTY YEARS LATER BY JOHN W. ALDRIDGE 138 HEMINGWAY S POWERFUL
RESPONSE TO EXPERIENCE AND TIGHT MINIMALIST STYLE WERE THE TOOLS HE USED
TO CREATE A MORALLY FASTIDIOUS WORLD, FULL OF FEARFUL AND TRAGIC
ADVENTURE. THE PRODUCT OF HIS COMPLEX ARTISTRY STILL STANDS AS A
SIGNIFICANT WORK OF LITERATURE. 3. ANTI-SEMITISM IN THE SUN ALSO RISES
BY GAY WILENTZ 14 6 ROBERT COHN IS NOT MERELY AN OFFENSIVE CAD;
HEMINGWAY, WHO DOES NOT USE SUPERFLUOUS WORDS, FREQUENTLY INSERTS
JEWISH IN THE EPITHETS USED FOR COHN. HEMINGWAY SEEMS TO HOLD THE
OUTSIDER/ALIEN/IMMIGRANT RESPONSIBLE FOR DE- VALUING THE WORLD IN WHICH
MANLY VIRTUES LEAD TO SUCCESS. 4. WOMEN AND MINORITIES IN TO HAVE AND
HAVE NOT BY JERYL J. PRESCOTT 153 ALTHOUGH HE EXHIBITS SYMPATHY FOR THE
PLIGHT OF WOMEN IN THIS NOVEL, HEMINGWAY CONSISTENTLY DEVALUES CUBANS
AND AFRICANS, USING THEM AS FOILS TO INCREASE THE PERCEIVED STATURE OF
THE WHITE HERO. 5. HEMINGWAY S HUMOR BY SHELDON NORMAN GREBSTEIN 162
HUMOR IS AN IMPORTANT FACET OF HEMINGWAY S WORK*A FACT OFTEN DISGUISED
BY THE GRIM SUBJECT MATTER OF MUCH OF HIS WRITING. A SENSE OF HUMOR IS A
VITAL COMPONENT OF THE CODE THAT ENABLES HIS HEROES TO EXHIBIT GRACE
UNDER PRESSURE, AND COMEDY IS ALSO WOVEN INTO THE STRUCTURE OF THE
NOVELS AS A COUNTERPOINT TO THE TRAGIC ELEMENTS. 6. A FEW NOTES OF
LITERARY HISTORY ON A FAREWELL TO ARMS BY CARLOS BAKER 170 THE FIRST
DRAFT OF THE NOVEL WAS STOLEN, AND HEMINGWAY DID NOT RETURN TO THE BOOK
FOR SEVERAL YEARS. HIS INCREASED MA- TURITY PROBABLY HELPED MAKE THE
BOOK BETTER, BUT IT STILL TOOK SEVERAL TRIES TO GET THE ENDING RIGHT.
CHRONOLOGY 176 WORKS BY ERNEST HEMINGWAY 180 FOR FURTHER RESEARCH 181
INDEX 184
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 813 - American fiction in English |
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| dewey-search | 813/.52 |
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| discipline | Anglistik / Amerikanistik |
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| indexdate | 2024-07-09T18:07:32Z |
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| isbn | 1565104633 1565104625 |
| language | English |
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| physical | 190 S. |
| publishDate | 1997 |
| publishDateSearch | 1997 |
| publishDateSort | 1997 |
| publisher | Greenhaven Press |
| record_format | marc |
| series2 | The Greenhaven Press literary companion to American authors |
| spelling | Readings on Ernest Hemingway Katie de Koster, book ed. Ernest Hemingway San Diego, Calif. Greenhaven Press 1997 190 S. txt rdacontent n rdamedia nc rdacarrier The Greenhaven Press literary companion to American authors Hemingway, Ernest <1899-1961> Criticism and interpretation Hemingway, Ernest 1899-1961 (DE-588)118549030 gnd rswk-swf Hemingway, Ernest 1899-1961 (DE-588)118549030 p DE-604 De Koster, Katie Sonstige oth GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007595314&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Readings on Ernest Hemingway Hemingway, Ernest <1899-1961> Criticism and interpretation Hemingway, Ernest 1899-1961 (DE-588)118549030 gnd |
| subject_GND | (DE-588)118549030 |
| title | Readings on Ernest Hemingway |
| title_alt | Ernest Hemingway |
| title_auth | Readings on Ernest Hemingway |
| title_exact_search | Readings on Ernest Hemingway |
| title_full | Readings on Ernest Hemingway Katie de Koster, book ed. |
| title_fullStr | Readings on Ernest Hemingway Katie de Koster, book ed. |
| title_full_unstemmed | Readings on Ernest Hemingway Katie de Koster, book ed. |
| title_short | Readings on Ernest Hemingway |
| title_sort | readings on ernest hemingway |
| topic | Hemingway, Ernest <1899-1961> Criticism and interpretation Hemingway, Ernest 1899-1961 (DE-588)118549030 gnd |
| topic_facet | Hemingway, Ernest <1899-1961> Criticism and interpretation Hemingway, Ernest 1899-1961 |
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