Written for the screen: the American motion picture screenplay as text
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Abschlussarbeit Buch |
Sprache: | German |
Veröffentlicht: |
Tübingen
Stauffenburg-Verl.
1997
|
Schriftenreihe: | Transatlantic perspectives
8 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
Beschreibung: | XVI, 260 S. |
ISBN: | 3860573381 |
Internformat
MARC
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Datensatz im Suchindex
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adam_text |
CONTENTS
A
NOTE
ON
CITATION
XV
INTRODUCTION
1
P
ART
O
NE
T
RADITIONAL
L
INES
OF
S
CREENPLAY
R
ESEARCH
:
T
HE
Q
UESTION
OF
A
UTHORSHIP
1.
THE
AMERICAN
SCREENWRITER
AND
AUTHORSHIP
7
1.1.
WRITING
IN
INDUSTRIAL
PRODUCTION
7
1.2.
MULTIPLE
AUTHORSHIP:
TEAM-WRITING
VS.
REWRITING
11
1.3.
DIRECTOR
AND
SCREENWRITER:
THE
VALIDITY
OF
THE
POLITIQUE
DES
AUTEURS
14
1.4.
LITERARY
RECOGNITION:
'
HACK
WRITER
'
VS.
'
EMINENT
AUTHOR
'
18
2.
RE-EVALUATING
SCREENPLAY
AUTHORSHIP
21
P
ART
TWO
T
HE
S
CREENPLAY
:
P
RODUCTION
AND
R
ECEPTION
3.
THE
ROLE
OF
THE
TEXT
IN
THEATER
AND
FILM
25
4.
LITERATURE
IN
FLUX
29
4.1.
THE
SCREENPLAY
IN
PRE-PRODUCTION,
PRODUCTION
AND
POST-PRODUCTION
29
4.2.
THEORY
OF
VERSIONS
36
4.3.
DETERMINING
THE
TEXT-TYPE
40
5.
THE
READERSHIP:
THE
SCREENPLAY
IN
THE
PROPERTY,
BLUEPRINT
AND
READING
MATERIAL
STAGE 48
EXCURSUS:
MASTER
WRITER
AND
MASTER
READER
-
CARL
FOREMAN
'
S
AND
FRED
ZINNEMANN
'
S
HIGH
NOON
52
P
ART
T
HREE
T
HE
N
ATURE
OF
THE
S
CREENPLAY
T
EXT
6.
FILM
AS
DRAMATIC
AND
NARRATIVE
MEDIUM
63
7.
THE
PRESENTATION
OF
THE
SCREENPLAY
TEXT
65
7.1.
DIALOGUE
TEXT
AND
SCENE
TEXT
65
CITIZEN
KANE
PROLOGUE
67
7.2.
THE
MODES
OF
PRESENTATION
71
7.2.1.
MODE
DISTRIBUTION
76
7.2.2.
THE
STYLISTIC
PARADIGM
80
7.2.3.
IMAGERY
AND
THE
LANGUAGE
OF
IMAGES
87
XIV
8.
THE
DIALOGUE
TEXT
92
8.1.
WORD
AND
IMAGE
92
8.2.
NATURAL
CONVERSATION
94
8.3.
DEVIATIONS
FROM
NATURAL
CONVERSATION
99
8.4.
OPEN
SPACES
IN
THE
DIALOGUE
TEXT
103
8.5.
DIALOGUE
CUES
AND
DIALOGUE
REFERENCES
IN
THE
SCENE
TEXT
104
9.
THE
ELEMENTS
OF
THE
SCENE
TEXT
108
9.1.
CHARACTERIZATION
108
9.1.1.
INTRODUCTION
OF
CHARACTERS
108
9.1.2.
NON-VERBAL
BEHAVIOR
AS
A
MEANS
OF
CHARACTERIZATION
115
9.1.2.1.
KINESICS:
FACIAL
EXPRESSION,
GLANCE
AND
EYE
CONTACT
118
9.1.2.2.
HAPTICS
AND
PROXEMICS
121
9.1.2.3.
NATURALISTIC
AND
FORMALIZED
NON-VERBAL
INFORMATION
124
9.1.2.4.
DECODING
NON-VERBAL
MATERIAL:
CHARACTER,
READER
AND
SPECTATOR
128
9.2.
NARRATOR
AND
CHARACTER
PERSPECTIVE
131
9.2.1.
NARRATIVE
AGENTS
AND
FOCALIZATION
IN
FILM
131
9.2.2.
NARRATION
IN
THE
SCREENPLAY
133
9.2.3.
FOCALIZATION
IN
THE
SCREENPLAY
141
9.2.4.
CITIZEN
KANE
AND
BOB
ROBERTS
148
9.2.5.
JACOB
'
S
LADDER
154
9.3.
SETTING
AND
SET
DESIGN
158
9.3.1.
SETTING
AS
SPECTACLE
160
9.3.2.
SPACE
AND
LOCATION
IN
RELATION
TO
CHARACTER
AND
ACTION
166
9.4.
COLOR
AND
LIGHTING
172
9.5.
THE
USE
OF
SOUND
AND
MUSIC
EFFECTS
182
9.5.1.
SOUND
183
9.5.2.
MUSIC
189
9.6.
STORY
TIME
AND
DISCOURSE
TIME
IN
THE
SCREENPLAY
197
9.7.
CAMERA,
MONTAGE
AND
MISE-EN-SCINE
206
9.7.1.
CAMERA
INSTRUCTIONS
207
9.7.2.
EDITING
AND
MONTAGE
209
9.7.3.
TRANSITIONS
213
9.7.4.
IMAGE
COMPOSITION:
MISE-EN-SCINE,
LONG
TAKE
AND
INTERTEXTUAL
REFERENCE
216
9.8.
SCENE
TEXT
ELEMENTS
IN
SYNTHESIS
220
CONCLUDING
NOTE:
THE
HIDDEN
DIRECTOR
230
APPENDIX
233
BIBLIOGRAPHY
235
INDEX
255 |
any_adam_object | 1 |
author | Sternberg, Claudia |
author_facet | Sternberg, Claudia |
author_role | aut |
author_sort | Sternberg, Claudia |
author_variant | c s cs |
building | Verbundindex |
bvnumber | BV011299435 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995 |
callnumber-search | PN1995 |
callnumber-sort | PN 41995 |
callnumber-subject | PN - General Literature |
classification_rvk | HU 1774 |
ctrlnum | (OCoLC)37738133 (DE-599)BVBBV011299435 |
dewey-full | 812.03/09 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 812 - American drama in English |
dewey-raw | 812.03/09 |
dewey-search | 812.03/09 |
dewey-sort | 3812.03 19 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
era | Geschichte 1931-1992 gnd |
era_facet | Geschichte 1931-1992 |
format | Thesis Book |
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geographic_facet | USA |
id | DE-604.BV011299435 |
illustrated | Not Illustrated |
indexdate | 2024-08-16T00:24:46Z |
institution | BVB |
isbn | 3860573381 |
language | German |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007590177 |
oclc_num | 37738133 |
open_access_boolean | |
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physical | XVI, 260 S. |
publishDate | 1997 |
publishDateSearch | 1997 |
publishDateSort | 1997 |
publisher | Stauffenburg-Verl. |
record_format | marc |
series | Transatlantic perspectives |
series2 | Transatlantic perspectives |
spelling | Sternberg, Claudia Verfasser aut Written for the screen the American motion picture screenplay as text Claudia Sternberg Tübingen Stauffenburg-Verl. 1997 XVI, 260 S. txt rdacontent n rdamedia nc rdacarrier Transatlantic perspectives 8 Zugl.: Köln, Univ., Diss., 1995 Geschichte 1931-1992 gnd rswk-swf Motion picture plays History and criticism Textanalyse (DE-588)4194196-2 gnd rswk-swf Drehbuch (DE-588)4127976-1 gnd rswk-swf Textsorte (DE-588)4059664-3 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content USA (DE-588)4078704-7 g Drehbuch (DE-588)4127976-1 s Textanalyse (DE-588)4194196-2 s DE-604 Textsorte (DE-588)4059664-3 s Geschichte 1931-1992 z Transatlantic perspectives 8 (DE-604)BV005916110 8 V:DE-605;X:Imageware application/pdf http://digitale-objekte.hbz-nrw.de/storage2/2018/07/28/file_7/8122501.pdf Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007590177&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Sternberg, Claudia Written for the screen the American motion picture screenplay as text Transatlantic perspectives Motion picture plays History and criticism Textanalyse (DE-588)4194196-2 gnd Drehbuch (DE-588)4127976-1 gnd Textsorte (DE-588)4059664-3 gnd |
subject_GND | (DE-588)4194196-2 (DE-588)4127976-1 (DE-588)4059664-3 (DE-588)4078704-7 (DE-588)4113937-9 |
title | Written for the screen the American motion picture screenplay as text |
title_auth | Written for the screen the American motion picture screenplay as text |
title_exact_search | Written for the screen the American motion picture screenplay as text |
title_full | Written for the screen the American motion picture screenplay as text Claudia Sternberg |
title_fullStr | Written for the screen the American motion picture screenplay as text Claudia Sternberg |
title_full_unstemmed | Written for the screen the American motion picture screenplay as text Claudia Sternberg |
title_short | Written for the screen |
title_sort | written for the screen the american motion picture screenplay as text |
title_sub | the American motion picture screenplay as text |
topic | Motion picture plays History and criticism Textanalyse (DE-588)4194196-2 gnd Drehbuch (DE-588)4127976-1 gnd Textsorte (DE-588)4059664-3 gnd |
topic_facet | Motion picture plays History and criticism Textanalyse Drehbuch Textsorte USA Hochschulschrift |
url | http://digitale-objekte.hbz-nrw.de/storage2/2018/07/28/file_7/8122501.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007590177&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV005916110 |
work_keys_str_mv | AT sternbergclaudia writtenforthescreentheamericanmotionpicturescreenplayastext |
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