Proceedings of the 1994 International Computer Music Conference: September 12 - 17, 1994
Gespeichert in:
| Körperschaft: | |
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| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
San Francisco, Calif. [u.a.]
1994
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | NT: The human touch |
| Beschreibung: | XXI, 516 S. Ill., graph. Darst. |
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| adam_text | PROCEEDINGS OF THE 1994 INTERNATIONAL COMPUTER MUSIC CONFERENCE
ORGANISED BY INTERNATIONAL COMPUTER MUSIC ASSOCIATION AND DANISH
INSTITUTE OF ELECTROACOUSTIC MUSIC SEPTEMBER 12-17,1994 WAYNE SIEGEL,
CONFERENCE CHAIRMAN. UNIVERS!TATS3!BLIOTHEK HANNOVER TECHNISCHE
INFORMAT1ONSBIBLIOTHEK UB/TIB HANNOVER 89 112 867 006 TABLE OF CONTENTS
CHAIRMAN S INTRODUCTION I ABOUT THE PROCEEDINGS II ABOUT THE PAPER
SELECTION PROCESS III SUPPORT IV CONFERENCE STAFF, SELECTION PANELS,
ICMA BOARD V PREVIOUS CONFERENCES VII CONFERENCE GUIDE VIII CONCERT
SCHEDULE IX INSTALLATIONS, LISTENING ROOM XI DEMONSTRATIONS SUMMARY XII
WORKSHOPS XIII SPECIAL EVENTS 14/ 9 19:45 KEYNOTE ADDRESS: TOUCHING A
PUBLIC TREVOR WISHART 16/9 15:30 TOUCHED BY MACHINE? COMPOSITION AND
PERFORMANCE IN THE DIGITAL AGE 1 SPECIALPANEL STEPHEN POPE, CHAIR 15/9
15:30 IS THERE LIFE AFTER MIDI? 2 SPECIAL TALK MILLER PUCKETTE PAPER
SESSION 5B MUSIC WORKS 16/9 10:50 MP1 REVISITED: AGA MATTER FOR PIANO
AND TAPE 3 5B SEVER TIPEI 11:10 TEMPORAL-GESTALT SEGMENTATION -
EXTENSIONS FOR COMPOUND MONOPHONIC AND SIMPLE POLYPHONIC MUSICAL
CONTEXTS: APPL. TO WORKS BY CAGE, BOULEZ, BABBITT, XENAKIS AND LIGETI 7
YAYOI UNO, ROLAND HIIBSCHER 11:30 PHYSICAL MODELS FOR MUSIC AND ANIMATED
IMAGE; THE USE OF CORDIS- ANIMA?IN ESQUISSES ,AMUSICFILMBYACROE. 11
CLAUDE CADOZ, ANNIE LUCIANI, JEAN-LOUP FLORENS PAPER SESSION 5A
AESTHETICS, PHILOSOPHY, CRITICISM 16/ 9 9:00 THE COMPUTER MUSIC WORLD
VIEW: SKETCH OF AN ETHNOMUSICOLOGICAL AND 5A AESTHETIC APPROACH 19 EVAN
CHAMBERS 9:20 THE EXTENDED ENVIRONMENT 23 JOHN YOUNG 9:40 NOVELTY,
PROGRESS AND RESEARCH METHOD IN COMPUTER MUSIC COMPOSITION 27 JEFF
PRESSING 10:00 LOCAL/FIELD : TOWARDS A TYPOLOGY OF LIVE ELECTROACOUSTIC
MUSIC 31 SIMON EMMERSON PAPER SESSION 1A PSYCHOACOUSTICS, PERCEPTION 14/
9 10:40 MODELING THE INFLUENCE OF PITCH DURATION ON THE INDUCTION OF
TONALITY 1A FROMPITCH-USE 35 NIALL GRIFFITH TABLE OF CONTENTS XIV ICMC
PROCEEDINGS 1994 11:00 COMPUTER-ASSISTED TRAINING OF TIMBRE PERCEPTION
SKILLS 38 RENE QUESNEL 11:20 TIMBRE CHARACTERIZATION WITH MEL-CEPSTRUM
AND NEURAL NETS 42 GIOVANNI DE POLI, PIERO COSI, PAOLO PRANDONI 11:40
LOUDNESS OF MUSICAL SOUNDS IN REVERBERANT ENVIRONMENT 46 JAN CHOMYSZYN
17/ 9 10:00 A VISUAL MODEL FOR EMBEDDED CHROMA SPACES: THEORY AND
SOFTWARE 7C APPLICATIONS 50 ENRIQUE MORENO PAPER SESSION 7B MACHINE
RECOGNITION OF MUSIC 17/9 9:00 KANT: A CRITIQUE OF PURE QUANTIFICATION
52 7B GERARD ASSAYAG, CARLOS AGON, JOSHUA FINEBERG, CAMILO RUEDA 9:30
PATTERN PROCESSING IN MUSIC 60 ROBERT ROWE, TANG-CHUN LI 9:50 AUTOMATING
ENSEMBLE PERFORMANCE 63 LORIN GRUBB, ROGER B. DANNENBERG 10:20 ADAPTIVE
KARAOKE SYSTEM: HUMAN SINGING ACCOMPANIMENT BASED ON SPEECH RECOGNITION
70 WATARU INOUE, SHUJI HASHIMOTO PAPER SESSION 4A MACHINE RECOGNITION OF
MUSIC - FOOT-TAPPING 15/9 16:20 FOOT-TAPPING: A BRIEF INTRODUCTION TO
BEAT INDUCTION 78 4A PETER DESAIN, HENKJAN HONING 16:30 RULEBASEDMODELS
OF INITIALBEATINDUCTION ANDAN ANALYSIS OJTHEIRBEHAVIOUR 8 0 PETER
DESAIN, HENKJAN HONING 16:40 A MODEL OF BEAT INDUCTION ACCOUNTING FOR
PERCEPTUAL AMBIGUITY BY CONTINUOUSLY VARIABLE PARAMETERS 83 RICHARD
PARNCUTT 17:00 RHYTHM TRACKING USING MULTIPLE HYPOTHESES 85 DAVID
ROSENTHAL, MASATAKA GOTO, YOICHI MURAOKA 17:10 AN AUDITORY - MOTOR MODEL
OF BEAT INDUCTION 88 NEIL P. MCANGUSTODD, CHRIS LEE 17:20 THE RESONANT
DYNAMICS OJ BEAT TRACKING AND METER PERCEPTION 90 EDWARD W. LARGE 17:30
ADVANCED ISSUES IN BEAT INDUCTION MODELING: SYNCOPATION, TEMPO AND
TIMING 92 PETER DESAIN, HENKJAN HONING PAPER SESSION 3A EXPRESSIVE
PERFORMANCE ANALYSIS 15/9 9:00 LEARNING EXPRESSION AT MULTIPLE
STRUCTURAL LEVELS 95 3 A GERHARD WIDMER 9:30 THE RUBATOPERFORMANCE
WORKSTATION ON NEXTSTEP 102 GUERINO MAZZOLA, OLIVER ZAHORKA 10:00 NEURAL
NETWORKS VS. RULES SYSTEM: EVALUATION TEST OF AUTOMATIC PERFORMANCE OF
MUSICAL SCORES 109 ROBERTO BRESIN, GIOVANNI DE POLI, GIOVANNI U BATTEL,
ALVISE VIDOLIN PAPER SESSION 3A NEURAL NETS 15/9 10:50 EVALUATIONS OF
ARTIFICIAL-NEURAL-NETWORK TYPES FOR THE DETERMINATION OF PITCH 114 3 A
IAN TAYLOR, MIKE GREENHOUGH 11:20 MELONET: NEURAL NETWORKS THAT LEARN
HARMONY-BASED MELODICVARIATIONS 121 JOHANNES FEULNER, DOMINIK HORNEL
ICMC PROCEEDINGS 1994 XV TABLE OF CONTENTS 11:40 THE DETECTION OF
RHYTHMIC REPETITION USING A SELF-ORGANISING NEURAL NETWORK 125 SIMON
ROBERTS, MIKE GREENHOUGH 17/9 10:00 A RHYTHM PERCEPTION MODEL BY NEURAL
RHYTHM GENERATORS 129 7C KEN-ICHIOHYA PAPER SESSION 6B GENETIC
ALGORITHMS 16/9 16:30 GEN JAM: A GENETIC ALGORITHMFOR GENERATING JAZZ
SOLOS 131 6B JOHN BILES 17:00 GENETIC ALGORITHMS AS A METHOD FOR
GRANULAR SYNTHESIS REGULATION 138 ICHIRO FUJINAGA, JASON VANTOMME 17/9
10:00 GENERATING RHYTHMS WITH GENETIC ALGORITHMS 142 7C DAMON HOROWITZ
PAPER SESSION IB, 7A INTERACTIVE PERFORMANCE 14/9 9:00 TOWARD A NEW
MODEL OF PERFORMANCE 144 IB MON-CHUCHEN 9:20 A META TRUMPET (ER) 147
JONATHAN IMPETT 9:40 ADAPTIVE TIMBRE CONTROL SYSTEM USING GESTURE 151
PITOYO HARTONO, KAZUMI ASANO, WATARU INOUE, SHUJI HASHIMOTO 10:10 AN
EVALUATION OF INPUT DEVICES FOR USE IN THE ISEE HUMAN-SYNTHESIZER
INTERFACE 15 9 ROEL VETEGAAL, BARRY EAGLESTONE, MICHAEL CLARKE THE AXI0
MIDI CONTROLER 163 BRAD CARIOU 17/9 11:20 THE VIRTUAL PIANO ACTION:
DESIGN AND IMPLEMENTATION 167 7A BRENT GILLESPIE 11:40 THE USE OF ACTIVE
TACTILE AND FORCE FEEDBACK IN TIMBRE CONTROLLING ELECTRONIC INSTRUMENTS
. 171 BERT BONGERS 15/9 10:00 LIVE PERFORMANCE AND VIRTUOSIC PITCH-BEND
TECHNIQUE FOR THE SYNTHESIZER 175 3C STUART FAVILLA 10:00 THE LDR
CONTROLLER 177 STUART FAVILLA 10:00 THE MIDI TIME CLIP: A
PERFORMER/MACHINE SYNCHRONIZATION SYSTEM FOR LIVE PERFORMANCE 181 BRUCE
PENNYCOOK, DALE STAMMEN 10:00 USING HYPERLNSTRUMENTSFOR THE
REDISTRIBUTION OF THE PERFORMANCE CONTROL INTERFACE . . 183 TIM
ANDERSON, DEBBIE HEARN 10:00 DYNAMIC INTONATION FOR KEYBOARD INSTRUMENTS
185 ROGER MUNCK-FAIRWOOD 16/9 16:30 MOTOGRAPHICON: A SYSTEM FOR COMPUTER
CHOREOGRAPHY 187 6C PETER RAJKA, LAMAS UNGVARY 16:30 NUNTIUS: A
TRANSMEDIAL COMMUNICATION SYSTEM FOR COMPUTER MUSIC AND COMPUTER
CHOREOGRAPHY 190 TAMAS UNGVARY 17/ 9 15:30 A VIRTUAL PIANO CONCERTO -
COUPLING OF THE MATHEWS/BOIE RADIO DRUM AND THE 8C YAMAHA DISKLAVIER
GRAND PIANO IN THE SEVEN WONDERS OF THE ANCIENT WORLD 192 DAVID A.
JAFFE, ANDREW SCHLOSS TABLE OF CONTENTS XVI ICMC PROCEEDINGS 1994 15:30
DEMONSTRATION OF GESTURE SENSORS FOR THE SHAKUHACHI 196 HARUHIRO
KATAYOSE,TSUTOMU KANAMORI, SATOSHI SHIMURA, SEIJI INOKUCHI 15:30 THE
SOUNDLAB: A WEARABLE COMPUTER MUSIC INSTRUMENT 200 STEVEN CURTIN PAPER
SESSION 3B,7B COMPOSITION, COMPOSITION SYSTEMS 15/ 9 10:50 FORMAL
PROCESSES OF TIMBRE COMPOSITION CHALLENGING THE DUALISTIC PARADIGM 3B OF
COMPUTER MUSIC 202 AGOSTINO DI SCIPIO 11:20 ALGORITHMS ADAPTED FROM
CHAOS THEORY: COMPOSITIONAL CONSIDERATIONS 209 JAMES HARLEY 11:40 THE
MORPHO CONCEPTS: TRENDS IN A SOFTWARE FOR ACOUSMATIC MUSIC COMPOSITION
.... 213 DANIEL TERUGGI 17/ 9 11:00 A COMMON LISP INTERFACE FOR DYNAMIC
PATCHING WITH THE IRCAM SIGNAL 7B PROCESSING WORKSTATION 216 THOMAS
HUMMEL 11:20 DESIGN ANDIMPLEMENTATION OF AN OBJECT- ORIENTED MEDIA
COMPOSITION FRAMEWORK . . . 220 PHILIPP ACKERMANN 11:40 THE COMMUNAL
GROOVE MACHINE 22 4 AMNON WOLMAN, CANTON BECKER PAPER SESSION 6 A MUSIC
WORKSTATIONS 16/9 16:30 THE IRCAM REAL-TIME PLATFORM -EVOLUTIONS AND
PERSPECTIVES 228 6A FRANCOIS DECHELLE, MAURIZIO DE CECCO, MILLER
PUCKETTE, DAVID ZICARELLI 16:50 MARS APPLICATION USING APPLI20
DEVELOPMENT TOOLS: A CASE STUDY 230 FABIO ARMANI, ANDREA PALADIN,
CLAUDIO ROSATI 14/9 10:00 THE MARS STATION: ALGORITHM DESIGN AND REAL
TIME PERFORMANCE 237 1C ENZO MAGGI, FABIO ARMANI 10:00 MAC MUSIC, THE
MUSIC N ENVIRONMENT FOR MACINTOSH. ALGORITHMIC SYNTHESIS AND COMPOSITION
MADE EASY. 239 ISIDORE PEREZ 10:00 THE MUSICAL OBJECT DEVELOPMENT
ENVIRONMENT: MODE (TEN YEARS OF MUSIC SOFTWARE IN SMALLTALK) 241 STEPHEN
TRAVIS POPE PAPER SESSION IB MUSIC LANGUAGES 14/9 10:40 LAMBDA CALCULUS
AND MUSIC CALCULI 243 1B YANN ORLAREY, DOMINIQUE FOBER, STEPHANE LEZT,
MARK BILTON 11:10 ABSTRACT TIME WARPING OF COMPOUND EVENTS AND SIGNALS
251 ROGER B. DANNENBERG 11:30 BLENDING TRADITIONAL OFF-LINE ALGORITHMIC
TEXTUAL INPUT WITH REALTIME INTERACTION AND GRAPHICS 255 DANIEL
OPPENHEIM PAPER SESSION 8A MUSIC REPRESENTATION, DATA STRUCTURES 17/9
15:30 MUSICALLY SALIENT CONTROL ABSTRACTIONS FOR SOUND SYNTHESIS 256 8A
GERHARD ECKEL, RAMON GONZALES-ARROYO 15:50 MUSIC SPACE: A METAPHOR FOR
MUSIC REPRESENTATION AND MUSIC GENERATION 260 IOANNIS ZANNOS 16:20
COMPLEX MUSICAL PATTERN DESCRIPTION IN COMMON MUSIC . 266 HEINRICHTAUBE
TCMC PROCEEDINGS 1994 XVII TABLE OF CONTENTS 15/ 9 16:20 SOUNDMODELS: A
LANGUAGE FOR DESCRIPTION OF SOUND AND SONIC STRUCTURES BASED 4C ON A
TAXONOMY. 270 PETER LUNDEN PAPER SESSION 2B MUSIC GRAPHICS 14/9 13:00 A
GRAPHICAL ENVIRONMENT FOR ELECTROACOUSTIC MUSIC COMPOSITION 272 2B DAVID
ROSSITER, DAVID M. HOWARD 13:20 A GRAPHICAL USER INTERFACE FOR MIDI
SIGNAL GENERATION AND SOUND SYNTHESIS 276 YOUICHI HORRY 13:40 THE AUDIO
BROWSER -AN AUDIO DATABASE NAVIGATION TOOLIN A VIRTUAL ENVIRONMENT . . .
280 JOHNF.WHITEHEAD 17/9 10:00 A MODULAR CONSTRUCTION SET FOR
TIME-DOMAIN EDITORS 284 7C BERNHARD FEITEN, MARKUPS SPITZER PAPER
SESSION 2B MUSIC NOTATION 14/9 14:00 THE DESIGN OF APEN-BASED MUSIC
NOTATION SYSTEM 28 6 2B GUY GARNETT, ANNICK LEROY, GIOVANNI MULLER 14:30
OPTICAL MUSIC RECOGNITION - PROGRESS REPORT 293 AMNON WOLMAN, TAD YAEGER
14:50 A FUZZY SYNTACTIC APPROACH TO RECOGNISING HAND-WRITTEN MUSIC 297
GREGWATKINS 17/ 9 10:00 NOTEABILITY: A MUSIC NOTATION SYSTEM THAT
COMBINES MUSICAL INTELLIGENCE 7C WITH GRAPHICAL FLEXIBILITY 303 KEITH
HAMEL PAPER SESSION 8B AUDIO SIGNAL PROCESSING 17/9 15:30 DSP BASED
RELIABLE PITCH-TO-MIDI CONVERTER BY HARMONIC MATCHING 307 8B FRANCISCO
J. CASAJUS-QUIROS, PABLO FERNANDEZ-CID 15:50 BLIND DECOMPOSITION OF
CONCURRENT SOUNDS 311 MAMORUUEDA, SHUJI HASHIMOTO 16:20 THE EFFECTS OF
MULTI-CHANNEL SIGNAL DECORRELATION IN AUDIO REPRODUCTION 319 GARY
KENDALL 16/9 10:00 GEOMETRIC SOUND TRANSFORMATIONS 327 5C GORDON MONRO,
JON DRUMMOND 10:00 TIMBRE MORPHING USING THE LEMUR REPRESENTATION 329
BRYAN HOLLOWAY, EDWIN TELLMAN, LIPPOLD HAKEN 10:00 ANALYSIS/SYNTHESIS OF
SOUND USING ATIME-VARYING LINEAR MODEL 331 CHARLES W.THERRIEN, ROBERTO
CRISTI, OLAV KJONO 10:00 EFFICIENT FOURIER SYNTHESIS OF NONSTATIONARY
SINUSOIDS 33 3 MICHAEL GOODWIN, XAVIER RODET GRANULATION AND
TIME-SHIFTING OF SAMPLED SOUND IN REAL-TIME WITH A QUADDSPAUDIO COMPUTER
SYSTEM 335 TIMOTHY BARTOO, DAVID MURPHY, RUSSELL OVANS, BARRY TRUAX
AUDIO ANALYSIS AND RE-SYNTHESIS REALTIME MUSICAL APPLICATIONS USING FFT
BASED RESYNTHESIS 338 ZACK SETTEL, CORT LIPPE A METHOD OF DEMISING AND
RECONSTRUCTING AUDIO SIGNALS 344 JONATHAN BERGER, M. GOLDBERG, R.
COIFMAN 16/9 6C 16:30 PAPER SESSION 7A 17/9 7A 9:00 9:30 TABLE OF
CONTENTS XVIII ICMC PROCEEDINGS 1994 9:50 SOUND HYBRIDIZATION BASED ON A
DETERMINISTIC PLUS STOCHASTIC DECOMPOSITION MODEL . . . 348 XAVIER SERRA
10:10 USING WAVELET BASED ANALYSIS AND RESYNTHESIS TO UNCOVER THE PAST
352 JONATHAN BERGER, CHARLES NICHOLS 10:40 A REAL TIME SINGING VOICE
ANALYSIS/SYNTHESIS SYSTEM 356 PETER PABON 11:00 AVIRTUALCASTRATO(!?) 357
PHILIPPE DEPALLE, G. GARCIA, XAVIER RODET 14/9 10:00 REAL-TIME
SPECTRUM/CEPSTRUM GAMES 361 1C PETER PABON PAPER SESSION 2A, 3B, 5B
SOUND SYNTHESIS TECHNIQUES REAL-TIME ADDITIVE SYNTHESIS CONTROLLED BY A
MIXTURE OF NEURAL-NETWORKS AND DIRECT MANIPULATION OF PHYSICAL AND
PERCEPTUAL ATTRIBUTES. 362 ADRIAN FREED, MARK GOLDSTEIN, MICHAEL
GOODWIN, MICHAEL LEE, KEITH MCMILLER XAVIER RODET, DAVID WESSEL, MATTHEW
WRIGHT A MULTIRATE OPTIMISATION FOR REAL-TIME ADDITIVE SYNTHESIS 364
DESMOND PHILLIPS, ALLAN PURVIS, SIMON JOHNSON NEURAL NETWORKS FOR
MUSICAL TONES COMPRESSION, CONTROL AND SYNTHESIS 368 ROBERTO BRESIN,
ALESSANDRO VEDOVETTO CONTROL OF FREQUENCY AND DECAY IN OSCILLATING
FILTERS USING MULTIRATE TECHNIQUES . . . . 372 FRODE HOLM CONNECTIONS
BETWEEN FEEDBACK DELAY NETWORKS AND WAVEGUIDE NETWORKS FOR DIGITAL
REVERBERATION 376 JULIUS O. SMITH, DAVIDE ROCHESSO CIRCULANT FEEDBACK
DELAY NETWORKS FOR SOUND SYNTHESIS AND PROCESSING. 378 DAVIDE ROCHESSO,
JULIUS O. SMITH REAL-TIME SYNTHESIS ON A MULTI-PROCESSOR NETWORK 382
TAKEBUMI ITAGAKI, ALLAN PURVIS, PETER D. MANNING STABILITY/INSTABILITY
OF PERIODIC SOLUTIONS AND CHAOS IN PHYSICAL MODELS OF MUSICAL
INSTRUMENTS. 386 XAVIER RODET 9:30 DYNAMICALLY CONFIGURABLE
FEEDBACK/DELAY NETWORKS: A VIRTUAL INSTRUMENT COMPOSITION MODEL 394
MICHAEL HAMMAN 9:50 ORGANIZING THE PARAMETER SPACE OF PHYSICALMODELS
WITH SOUNDFEATURE MAPS 39 8 BERNHARD FEITEN, GERHARD BEHLES 10:10
INTELLIGENT SYNTHESIS CONTROL WITH APPLICATIONS TO A PHYSICAL MODEL OF
ACOUSTIC GUITAR. . 402 ZOLTAN JANOSY, MATTI KARJALAINEN, VESAVALIMAKI
16/9 9:00 A SIMPLIFIED APPROACH TO MODELING DISPERSION CAUSED BY
STIFFNESS IN 5B STRINGS AND PLATES 407 SCOTT A. VAN DUYNE, JULIUS O.
SMITH III 9:20 TRAVELING WAVE IMPLEMENTATION OF A LOSSLESS MODE-COUPLING
FILTER AND THE WAVE DIGITAL HAMMER. 411 SCOTT A. VAN DUYNE, JOHN R.
PIERCE, JULIUS O. SMITH III 9:50 ON THE USE OF SCHRODINGER S EQUATION IN
THE ANALYTIC DETERMINATION OF HORN REFLECTANCE 419 DAVID BERNERS 14/9 2A
16/9 5C 14/9 2A 15/9 3B 13:00 13:20 13:50 10:00 14:10 14:30 9:00 ICMC
PROCEEDINGS 1994 XIX TABLE OF CONTENTS 10:10 DIGITAL WAVEGUIDE MODELING
OF WIND INSTRUMENT BORES CONSTRUCTED OF TRUNCATED CONES 423
VESAVALIMAKI, MATTI KARJALAINEN 16/ 9 10:00 SYNTHESIS OF TRUMPET TONES
USING A FIXED WAVETABLE AND A CENTROID-CONTROLLED 5C SECOND ORDER FILTER
43 1 ANDREW HORNER, JAMES BEAUCHAMP 16/ 9 10:00 COMBINED LINEAR AND
NONLINEAR PERIODIC PREDICTION IN CALIBRATING MODELS OF MUSICAL
INSTRUMENTS TO RECORDINGS 433 GARY SCAVONE, PERRY R. COOK PAPER SESSION
5A AUDIO HARDWARE, NETWORKING 16/9 10:30 THE REBIRTH OF COMPUTER MUSIC
BY ANALOG SIGNAL PROCESSING 435 5A ADRIAN FREED 11:00 A NEW NETWORK AND
COMMUNICATIONS PROTOCOL FOR ELECTRONIC MUSICAL DEVICES 443 DAVID WESSEL,
KEITH MCMILLEN, MATTHEW WRIGHT, DAVID SIMON 11:20 REAL-TIME MIDI DATA
FLOW ON ETHERNET AND THE SOFTWARE ARCHITECTURE OF MIDISHARE . . . 447
DOMINIQUE FOBER 11:40 MIDI AND AUDIO VIA ISDN 451 OLE NIELSEN, TELE
DANMARK PAPER SESSION 1A, 4C ACOUSTICS AND SIMULATION 14/ 9 9:00 VIRTUAL
INSTRUMENTS IN VIRTUAL ROOMS - A REAL-TIME BINAURAL ROOM SIMULATION 1A
ENVIRONMENT FOR PHYSICAL MODELS OF MUSICAL INSTRUMENTS 455 JYRI
HUOPANIEMI, MATTI KARJALAINEN, VESAVALIMAKI, TOMMI HUOTILAINEN 9:30
SIMULATION OF ROOM ACOUSTICS WITH A 3-D FINITE DIFFERENCE MESH 463 LAURI
SAVIOJA,TAPIOTAKALA,TIMO RINNE 9:50 SNDSPACE: A GRAPHICAL 3-D STEREO
SOFTWARE TOOL 467 GAVIN R. STARKS, KEN LINTON 10:10 MODELBASED
INTERACTIVE SOUND FORAN IMMERSIVE VIRTUALENVIRONMENT 471 ROBIN BARGAR,
INSOOK CHOI, SUMIT DAS, CAMILLE GOUDESEUNE 15/9 16:20 SOUND
SPATIALIZATION IN REAL TIME BY FIRST-REFLECTION SIMULATION 475 4C DAVIDE
ROCCHESSO, OSCAR BALLAN, LUCA MOZZONI 16:20 SOUNDUTILITIES 2.0: A
SOFTWARE SYSTEM FOR CREATING VIRTUAL ACOUSTIC SPACES 477 DALE STAMMEN,
GILBERT SOULODRE 16:20 A DYNAMIC SPATIAL SOUND MOVEMENT TOOLKIT 479
FERNANDO LOPEZ LEZCANO 16:20 PITCH: THE PERCUSSION INSTRUMENTS TIMBRAL
CLASSIFICATION HIERARCHY 481 ROBERT BELL 16:20 VOICE SOURCE AND ACOUSTIC
OUTPUT QUALITIES FOR SINGING SYNTHESIS 483 DAVID ROSSITER, DAVID M.
HOWARD 16:20 ANALYSIS OF TOUCH EFFECT ON THE TRANSIENT OF PIPE ORGANS
WITH MECHANICAL TRANSMISSION 485 GIOVANNI B. DEBIASI PAPER SESSION 2D
EDUCATION, STUDIO REPORTS 14/9 13:00 INSTRUCTION OJCOMPUTER MUSIC FOR
COMPUTER ENGINEERING STUDENTS AND PROFESSIONALS. . 487 2D PANEL ANTONIO
CAMURRI, GIOVANNI DE POLI, ROGER DANNENBERG, JULIUS O. SMITH, HARUHIRO
KATAYOSE 14:00 PHONOS: STUDIO REPORTS 488 XAVIER SERRA, GABRIEL BRNCIC
TABLE OF CONTENTS XX ICMC PROCEEDINGS 1994 14:20 CENTER FOR COMPUTER
RESEARCH IN MUSIC AND ACOUSTICS (CCRMA) 490 FERNANDO LOPEZ LEZCANO 14:40
INTEGRATED ARTS TECHNOLOGY: NEW FACILITIES AT THE UNIVERSITY OF MICHIGAN
493 EVAN CHAMBERS 15:00 THE THEREMIN CENTER FOR ELECTRO-ACOUSTIC MUSIC
495 ANDRE SMIRNOV 15/9 16:20 COMPUTER MUSIC AT TEXAS A & M UNIVERSITY
497 4D MARA HELMUTH 16:40 UNIVERSITY COLLEGE BRETTON HALL-STUDIO REPORT
499 LEIGH LANDY, PASCHALL DE PAOR 17:00 COMPUTER MUSIC PROJECT OF THE
UNIVERSITY OF ILLINOIS EXPERIMENTAL MUSIC STUDIOS . . . . 501 SEVER
TIPEI, JAMES BEAUCHAMP 17:20 THE IBM COMPUTER MUSIC CENTRE: STUDIO
REPORT 503 DAVID JAMESON 17/9 15:30 UNIVERSITY OF HELSINKI ELECTRONIC
MUSIC STUDIO 504 8D KAI LASSFOLK, KALEVTIITS 15:50 THE MAKING OF AN
ALL-DIGITAL FACILITY FOR ARTISTIC PRODUCTION AND RESEARCH UNDER THE
LABEL AVANTGARDE 506 JOHANNES GOEBEL 16:10 IRIS STUDIO REPORT 507
GIUSEPPE DI GIUGNO AUTHORLNDEX 509 SUBJECT INDEX 512 ICMC PROCEEDINGS
1994 XXI TABLE OF CONTENTS
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| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)36835919 (DE-599)BVBBV011292963 |
| format | Conference Proceeding Book |
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| genre | (DE-588)1071861417 Konferenzschrift 1994 Århus gnd-content |
| genre_facet | Konferenzschrift 1994 Århus |
| id | DE-604.BV011292963 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:07:17Z |
| institution | BVB |
| institution_GND | (DE-588)5184940-9 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007584593 |
| oclc_num | 36835919 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XXI, 516 S. Ill., graph. Darst. |
| publishDate | 1994 |
| publishDateSearch | 1994 |
| publishDateSort | 1994 |
| record_format | marc |
| spelling | International Computer Music Conference 1994 Århus Verfasser (DE-588)5184940-9 aut Proceedings of the 1994 International Computer Music Conference September 12 - 17, 1994 organised by International Computer Music Association ... Wayne Siegel, conference chairman The human touch San Francisco, Calif. [u.a.] 1994 XXI, 516 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier NT: The human touch Datenverarbeitung Musik Computer composition Congresses Computer music Congresses Music Data processing Congresses Computermusik (DE-588)4113239-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Computer (DE-588)4070083-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 1994 Århus gnd-content Computermusik (DE-588)4113239-7 s DE-604 Computer (DE-588)4070083-5 s Musik (DE-588)4040802-4 s Siegel, Wayne Sonstige oth GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007584593&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Proceedings of the 1994 International Computer Music Conference September 12 - 17, 1994 Datenverarbeitung Musik Computer composition Congresses Computer music Congresses Music Data processing Congresses Computermusik (DE-588)4113239-7 gnd Musik (DE-588)4040802-4 gnd Computer (DE-588)4070083-5 gnd |
| subject_GND | (DE-588)4113239-7 (DE-588)4040802-4 (DE-588)4070083-5 (DE-588)1071861417 |
| title | Proceedings of the 1994 International Computer Music Conference September 12 - 17, 1994 |
| title_alt | The human touch |
| title_auth | Proceedings of the 1994 International Computer Music Conference September 12 - 17, 1994 |
| title_exact_search | Proceedings of the 1994 International Computer Music Conference September 12 - 17, 1994 |
| title_full | Proceedings of the 1994 International Computer Music Conference September 12 - 17, 1994 organised by International Computer Music Association ... Wayne Siegel, conference chairman |
| title_fullStr | Proceedings of the 1994 International Computer Music Conference September 12 - 17, 1994 organised by International Computer Music Association ... Wayne Siegel, conference chairman |
| title_full_unstemmed | Proceedings of the 1994 International Computer Music Conference September 12 - 17, 1994 organised by International Computer Music Association ... Wayne Siegel, conference chairman |
| title_short | Proceedings of the 1994 International Computer Music Conference |
| title_sort | proceedings of the 1994 international computer music conference september 12 17 1994 |
| title_sub | September 12 - 17, 1994 |
| topic | Datenverarbeitung Musik Computer composition Congresses Computer music Congresses Music Data processing Congresses Computermusik (DE-588)4113239-7 gnd Musik (DE-588)4040802-4 gnd Computer (DE-588)4070083-5 gnd |
| topic_facet | Datenverarbeitung Musik Computer composition Congresses Computer music Congresses Music Data processing Congresses Computermusik Computer Konferenzschrift 1994 Århus |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007584593&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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