Future noir: the making of Blade Runner
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York, N.Y.
HarperPrism
1996
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | xix, 441 Seiten. Illustrationen, schwarz-weiß |
ISBN: | 0061053147 |
Internformat
MARC
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Datensatz im Suchindex
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adam_text | Acknowledgments
Introduction: One Man’s Obsession v
I . THE FILM /
Blade Runner /
II. THE BOOK 8
The Author: Philip K. Dick 9
Do Androids Dream of Electric Sheep 16
III. DEVELOPMENT 21
“Do I Love Hollywood? No. ” 21
The First Option Attempts 22
Enter Hampton Fancher 24
Brian Kelly Carries the Ball 29
Treatment and Pitches 30
The Producer: Michael Deeley 32
IV. THE DIRECTOR
ANDTHEDEAL 35
Fancher’s First Script 36
Robert Mulligan, Universal Pictures, and CBS Films 38
The Director: Ridley Scott 43
The (First) Studio: Filmways Pictures 49
V. SCRIPT WARS 51
Rewrites 52
Fancher Out, Peoples In 57
More Rewrites 62
An Unhappy Dick 63
The (Second) Studio: Warner Brothers,
Tandem Productions, and Sir Run-Run Shaw 64
VI. DESIGNING BLADE RUNNER 71
Syd Mead, “Visual Futurist” 75
Lawrence G. Pauli, David Snyder,
and the Art Department 81
VII. THE CAST AND CREW
Looking for the Lead
Harrison Ford
The Actors and the Crew 89
VIII. THE SHOOT
Ridleyville 97
Street Scene 2019: A Visit to the Blade Runner
Set in 1981 100
Leon’s Voigt-KampffTest 106
The Noodle Bar 11 °
Liftoff 116
Bryant’s Briefing 18
Holden and the Hospital 122
Rachael and Tyrell 124
Leon’s Hotel Room /28
“If Only You Could See What I’ve Seen
With Your Eyes” 130
Deckard’s Apartment 136
Pris and Sebastian 138
The Esper 148
Animoid Row
The Snake Pit 148
Zhora
“Wakeup! Time to Die! ” 189
Rachael Lets Down Her Hair 182
Breakfast for Three 188
“I Want More Life”
Deckard Phones Pris 128
Deckard Kills Pris 179
Tears in Rain 188
Gaff on the Roof 197
Tinfoil Unicorn I
IX. “BLOOD RUNNER»’:
FRICTION ON THE SET 202
Fired? 204
Unhappy Actors 210
Exhausted Crews 218
The T-Shirt War 218
Witnesses for the Defense 220
X h X X
X. THE SPECIAL EFFECTS 222
Douglas Trumbull and EEG 222
Scott F/X 226
Hades 231
Tyrell’s Pyramid 236
Leon’s V-K Test 238
An Asian Billboard 240
Spinner to Police HQ 243
Sunrise at Tyrell’s 251
Deckard’s Apartment 254
The Bradbury 256
The Esper 258
Elevator to Hell 260
The Showdown 263
End of the F/X 264
I. POSTPRODUCTION AND
HE MUSIC 267
Principal Wraps—Post Begins 267
Vangelis 271
The Score 272
TheAlbum(s) 275
II. SNEAKS AND PANIC 278
More Postproduction 278
The Publicity Machine Gears Up 280
The Author Resurfaces—and Dies 282
The Denver and Dallas Sneaks (A Different Version #/ 286
III. VOICE-OVERS, SAN DIEGO,
ND A NEW HAPPY ENDING 29/
The Voice-overs 2 9 /
Ride Into the Sunset 299
The San Diego Sneak (A Different Version #304
XIV. THE THEATRICAL RELEASE 309
A Different Version (#3) 309
The Crew’s Reaction 311
The Critics Attack 313
An Indifferent Public 316
Shock in the Trenches 318
Gone... But Not Quite Forgotten 318
XV. THE CULT
A Growing Popularity 322
The Birth of Cyberpunk 325
The International Cut (A Different Version # 326
Tapes and Discs 32 7
XVI. THE WORKPRINT 330
Everything Old Is New Again 331
The Fairfax and UCLA Screenings 333
The NuArt and Castro Screenings 338
A Different Version (#1 Again) 341
XVII. THE DIRECTOR’S CUT 349
Building a Better Director’s Cut 349
Do Androids Dream of Unicorns? 355
Deckard a Replicant? 359
Releasing the Theatrical Version 365
The Critics React 368
A Different Version (#5) 369
More Tapes and Discs 370
XVIII. FINAL SHOTS 372
Appendices
A) Interview with Ridley Scott 375
B) Different Faces of Blade Runner: How Many Versions? 394
C) Blade Runner Blunders 409
D) Blade Runner Online 416
E) The Score: Blade Runner Soundtrack Catalog 419
F) Videography: Blade Runner on Tape, Laser Disc,
and Television 426
G) A Short Blade Runner Bibliography 433
H) Photo and Screenplay Excerpt Credits 436
I) Film Credits 437
|
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illustrated | Illustrated |
indexdate | 2024-07-09T18:06:07Z |
institution | BVB |
isbn | 0061053147 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007531912 |
oclc_num | 1054395635 |
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owner | DE-M472 DE-355 DE-BY-UBR DE-Po75 |
owner_facet | DE-M472 DE-355 DE-BY-UBR DE-Po75 |
physical | xix, 441 Seiten. Illustrationen, schwarz-weiß |
publishDate | 1996 |
publishDateSearch | 1996 |
publishDateSort | 1996 |
publisher | HarperPrism |
record_format | marc |
spelling | Sammon, Paul Michael 1949- Verfasser (DE-588)1089285493 aut Future noir the making of Blade Runner Paul M. Sammon New York, N.Y. HarperPrism 1996 xix, 441 Seiten. Illustrationen, schwarz-weiß txt rdacontent n rdamedia nc rdacarrier Blade runner (DE-588)4375475-2 gnd rswk-swf Dreharbeit (DE-588)4232013-6 gnd rswk-swf Blade runner (DE-588)4375475-2 u Dreharbeit (DE-588)4232013-6 s DE-604 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007531912&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Sammon, Paul Michael 1949- Future noir the making of Blade Runner Blade runner (DE-588)4375475-2 gnd Dreharbeit (DE-588)4232013-6 gnd |
subject_GND | (DE-588)4375475-2 (DE-588)4232013-6 |
title | Future noir the making of Blade Runner |
title_auth | Future noir the making of Blade Runner |
title_exact_search | Future noir the making of Blade Runner |
title_full | Future noir the making of Blade Runner Paul M. Sammon |
title_fullStr | Future noir the making of Blade Runner Paul M. Sammon |
title_full_unstemmed | Future noir the making of Blade Runner Paul M. Sammon |
title_short | Future noir |
title_sort | future noir the making of blade runner |
title_sub | the making of Blade Runner |
topic | Blade runner (DE-588)4375475-2 gnd Dreharbeit (DE-588)4232013-6 gnd |
topic_facet | Blade runner Dreharbeit |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007531912&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT sammonpaulmichael futurenoirthemakingofbladerunner |