Hearing the motet: essays on the motet of the Middle Ages and Renaissance
The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verb...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Oxford Univ. Press
1997
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Zusammenfassung: | The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book also draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture - a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort Fresh, broad-ranging, and unique, Hearing the Motet makes indispensable reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods |
| Beschreibung: | XI, 380 S. Ill., Notenbeisp. |
| ISBN: | 0195097092 0195129059 |
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| 520 | 3 | |a The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds | |
| 520 | |a How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book also draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture - a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort | ||
| 520 | |a Fresh, broad-ranging, and unique, Hearing the Motet makes indispensable reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods | ||
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| classification_rvk | LR 54120 |
| ctrlnum | (OCoLC)34244440 (DE-599)BVBBV011217167 |
| dewey-full | 782.26092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
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| discipline | Musikwissenschaft |
| edition | 1. publ. |
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| era_facet | Geschichte 1400-1500 Geschichte 1500-1600 Geschichte 1200-1600 Geschichte 500-1600 |
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| id | DE-604.BV011217167 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:05:58Z |
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| isbn | 0195097092 0195129059 |
| language | English |
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| physical | XI, 380 S. Ill., Notenbeisp. |
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| spelling | Hearing the motet essays on the motet of the Middle Ages and Renaissance ed. by Dolores Pesce 1. publ. New York [u.a.] Oxford Univ. Press 1997 XI, 380 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book also draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture - a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort Fresh, broad-ranging, and unique, Hearing the Motet makes indispensable reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods Geschichte 1400-1500 Geschichte 1500-1600 Geschichte 1200-1600 gnd rswk-swf Geschichte 500-1600 gnd rswk-swf Arts de la Renaissance - Congrès Arts médiévaux - Congrès Motets - Histoire et critique - 15e siècle - Congrès Motets - Histoire et critique - 16e siècle - Congrès Motets - Histoire et critique - 500-1400 - Congrès Motetten gtt Motets 15th century Congresses Motets 16th century Congresses Motets 500-1400 Congresses Motette (DE-588)4040357-9 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 1994 Saint Louis Mo. gnd-content Motette (DE-588)4040357-9 s Geschichte 500-1600 z DE-604 Geschichte 1200-1600 z Pesce, Dolores Sonstige oth |
| spellingShingle | Hearing the motet essays on the motet of the Middle Ages and Renaissance Arts de la Renaissance - Congrès Arts médiévaux - Congrès Motets - Histoire et critique - 15e siècle - Congrès Motets - Histoire et critique - 16e siècle - Congrès Motets - Histoire et critique - 500-1400 - Congrès Motetten gtt Motets 15th century Congresses Motets 16th century Congresses Motets 500-1400 Congresses Motette (DE-588)4040357-9 gnd |
| subject_GND | (DE-588)4040357-9 (DE-588)1071861417 |
| title | Hearing the motet essays on the motet of the Middle Ages and Renaissance |
| title_auth | Hearing the motet essays on the motet of the Middle Ages and Renaissance |
| title_exact_search | Hearing the motet essays on the motet of the Middle Ages and Renaissance |
| title_full | Hearing the motet essays on the motet of the Middle Ages and Renaissance ed. by Dolores Pesce |
| title_fullStr | Hearing the motet essays on the motet of the Middle Ages and Renaissance ed. by Dolores Pesce |
| title_full_unstemmed | Hearing the motet essays on the motet of the Middle Ages and Renaissance ed. by Dolores Pesce |
| title_short | Hearing the motet |
| title_sort | hearing the motet essays on the motet of the middle ages and renaissance |
| title_sub | essays on the motet of the Middle Ages and Renaissance |
| topic | Arts de la Renaissance - Congrès Arts médiévaux - Congrès Motets - Histoire et critique - 15e siècle - Congrès Motets - Histoire et critique - 16e siècle - Congrès Motets - Histoire et critique - 500-1400 - Congrès Motetten gtt Motets 15th century Congresses Motets 16th century Congresses Motets 500-1400 Congresses Motette (DE-588)4040357-9 gnd |
| topic_facet | Arts de la Renaissance - Congrès Arts médiévaux - Congrès Motets - Histoire et critique - 15e siècle - Congrès Motets - Histoire et critique - 16e siècle - Congrès Motets - Histoire et critique - 500-1400 - Congrès Motetten Motets 15th century Congresses Motets 16th century Congresses Motets 500-1400 Congresses Motette Konferenzschrift 1994 Saint Louis Mo. |
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