The semiotics of performance:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English Italian |
| Veröffentlicht: |
Bloomington [u.a.]
Indiana Univ. Press
1993
|
| Schriftenreihe: | Advances in semiotics
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VIII, 266 S. graph. Darst. |
| ISBN: | 0253316863 |
Internformat
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Datensatz im Suchindex
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| adam_text | The Semiotics of
Performance
MARCO DE MARINIS
Translated by Aine O Healy
This publication was made possible through the
cooperation of Biblioteca Italia, a Giovanni Agnelli
Foundation programme for the diffusion of Ital-
ian culture
INDIANA UNIVERSITY PRESS
Bloomington and Indianapolis
Contents
INTRODUCTION: THEATER OR SEMIOTICS 1
0 1 The Textual Analysis of Performance / 2
0 2 From Structuralism to the Pragmatics of
the Text / 3
0 3 Enunciation, Intertextuality, and
Reception / 4
0 4 Textual Analysis as a Multidisciplinary
Approach / 6
0 5 Epistemological Limits / 9
0 6 Semiotics and Theater / 10
ONE DRAMATIC TEXT AND MISE-EN-SCENE 15
1 1 Reasons for a Misunderstanding / 15
12A Critique of the Conception of the Dramatic
Text as a Constant or Deep Structure of
Performance / 17
1 3 Language and Metalanguage, Text and
Metatext / 20
1 4 Virtual Mise-en-Scene and Real
Mise-en-Scene / 21
141 The Residue-Text: A Particular
Case? I 23
1 5 The Irreversibility of Theatrical
Transcoding / 26
1 6 Toward a Definition of the Dramatic
Genre / 30
1 7 Dramatic Discourse / 34
1 8 The Dramatic Text as Instructions for
Use / 37
TWO THE PERFORMANCE TEXT 47
2 1 Performance as Text / 47
2 2 Theatrical Performance: A Definition / 48
221 Technical Reproducibility, Repeatability,
Duplicatability I 51
vi Contents
222 Theater and Everyday Life I 53
2 3 Completeness and Coherence of the
Performance Text / 56
231 The Delimitation of the Performance
Text I 57
232 Levels of Coherence in the Performance
Text I 59
2 4 The Performance Text: Between Presence and
Absence / 62
241 Present Performances and Absent
Performances I 63
242 Ruffini: Contextual Restoration I 66
243 Description/Transcription I 72
2 5 The Double Heterogeneity of the Performance
Text / 77
2 6 Performance Texts Shorter or Longer than
One Performance / 78
261 Partial Texts and Segments of the
Performance Text I 78
262 Groups and Classes of Performance
Texts I 80
2 7 Co-textual and Contextual Aspects / 80
THREE THE TEXTUAL STRUCTURE OF PERFORMANCE 83
3 1 Multiple Systems and Single Systems / 83
3 2 Degrees of Dynamism in the Textual Structure
of Performance / 85
3 3 Partial Structures and Macrostructures / 88
3 4 Multiple Interpretations, Multiple
Structures / 90
3 5 Analysis/Reading/Criticism / 93
FOUR PERFORMANCE CODES AND THEATRICAL
CONVENTIONS 97
4 1 The Concept of Code in Relation to
Theatrical Performance / 97
4 2 Decoding, Comprehension,
Interpretation / 98
4 3 Classification according to Codes and
Classification according to Expressive
Material / 100
Contents vii
4 4 Theatrical and Nontheatrical
Meanings / 103
4 5 Performance Codes (in the Strict
Sense) / 104
4 6 Theatrical Conventions / 106
461 General Conventions I 108
462 Particular Conventions I 110
463 Distinctive Conventions I 114
464 Notes and Observations on the Proposed
Classification I 115
4 7 The Performance Text as an Example of
Invention / 116
471 Transformation and Institution of the
Code I 116
472 The Performance Text as an Aesthetic
Text I 119
FIVE PERFORMANCE TEXT, CULTURAL CONTEXT,
AND INTERTEXTUAL PRACTICES 121
5 1 The Performance Text in the General Text:
The Cultural Roots of Codes and
Conventions / 121
5 2 Aesthetic and Nonaestheric Codes: From
Culture to Art and Back / 124
5 3 Francastel: The Aesthetic Text as Montage of
Cultural Objects / 126
531 The Example of the Mythological
Festival I 129
5 4 Types of Theatrical Intertextuality / 131
SIX TOWARD A PRAGMATICS OF THEATRICAL
COMMUNICATION 137
6 1 The Performance Context / 137
6 2 Communication in the Theater / 139
6 3 The Kind and Degree of Communication in
, Performance / 142
6 4 Theatrical Manipulation / 144
6 5 Action/Fiction: The Performance Text as a
Macro-Speech Act / 150
6 6 Theater beyond Simulation and
Negation / 154
viii Contents
SEVEN THE SPECTATOR S TASK 158
7 1 The Current State of Research on Theatrical
Reception / 158
7 2 Research on Reception outside of
Theater / 161
721 The Konstanz School and
Rezeptionsasthetik I 162
722TA van Dijk and W Kintsch: The
Cognitive Processes of Discourse
Comprehension I 164
7 3 The Model Spectator: Closed Spectators and
Open Spectators / 165
7 4 Theatrical Competence / 171
7 5 Theatrical Genre as a Textual Type / 171
7 6 Pragmatic Aspects of Theatrical Genres /
7 7 Avant-Garde Theater as Metalinguistic
Manipulation of the Performance
Context / 182
7 8 Grammaticality, Acceptability, and
Appropriateness of the Performance
Text / 184
NOTES 189
BIBLIOGRAPHY 237
|
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| dewey-sort | 3792 214 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| indexdate | 2024-07-09T18:04:50Z |
| institution | BVB |
| isbn | 0253316863 |
| language | English Italian |
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| physical | VIII, 266 S. graph. Darst. |
| publishDate | 1993 |
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| publishDateSort | 1993 |
| publisher | Indiana Univ. Press |
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| spelling | De Marinis, Marco Verfasser aut Semiotica del teatro The semiotics of performance Marco DeMarinis Bloomington [u.a.] Indiana Univ. Press 1993 VIII, 266 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier Advances in semiotics Semiotiek gtt Semiótica Toneel gtt Theater Semiotics Theater Semiotics Theatersemiotik (DE-588)4204590-3 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Semiotik (DE-588)4054498-9 gnd rswk-swf Theatersemiotik (DE-588)4204590-3 s DE-604 Drama (DE-588)4012899-4 s Semiotik (DE-588)4054498-9 s HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007474412&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | De Marinis, Marco The semiotics of performance Semiotiek gtt Semiótica Toneel gtt Theater Semiotics Theater Semiotics Theatersemiotik (DE-588)4204590-3 gnd Drama (DE-588)4012899-4 gnd Semiotik (DE-588)4054498-9 gnd |
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| title | The semiotics of performance |
| title_alt | Semiotica del teatro |
| title_auth | The semiotics of performance |
| title_exact_search | The semiotics of performance |
| title_full | The semiotics of performance Marco DeMarinis |
| title_fullStr | The semiotics of performance Marco DeMarinis |
| title_full_unstemmed | The semiotics of performance Marco DeMarinis |
| title_short | The semiotics of performance |
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