Shakespeare's Universal Wolf: studies in early modern reification
Shakespeare was neither a Royalist defender of order and hierarchy nor a consistently radical champion of social equality, but rather simultaneously radical and conservative as a critic of emerging forms of modernity. Hugh Grady argues that Shakespeare's social criticism in fact often parallels...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Clarendon Press
1996
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| Schlagworte: | |
| Zusammenfassung: | Shakespeare was neither a Royalist defender of order and hierarchy nor a consistently radical champion of social equality, but rather simultaneously radical and conservative as a critic of emerging forms of modernity. Hugh Grady argues that Shakespeare's social criticism in fact often parallels that of critics of modernity from our own Postmodernist era. Thus the broad analysis of modernity produced by Marx, Horkheimer and Adorno, Foucault, and others can serve to illuminate Shakespeare's own depiction of an emerging modernity - a depiction epitomized by the image in Troilus and Cressida of 'an universal wolf' of appetite, power, and will. The readings of Troilus and Cressida, Othello, King Lear, and As You Like It in Shakespeare's Universal Wolf demonstrate Shakespeare's keen interest in what twentieth-century theory has called 'reification' - a term which designates social systems created by human societies but which confront those societies as operating beyond human control, according to an autonomous 'systems' logic - in nascent mercantile capitalism, in power-oriented Machiavellian politics, and in the scientistic, value-free rationality which Horkheimer and Adorno call 'instrumental reason'. |
| Beschreibung: | VIII, 241 S. |
| ISBN: | 019813004X |
Internformat
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| 520 | 3 | |a Shakespeare was neither a Royalist defender of order and hierarchy nor a consistently radical champion of social equality, but rather simultaneously radical and conservative as a critic of emerging forms of modernity. Hugh Grady argues that Shakespeare's social criticism in fact often parallels that of critics of modernity from our own Postmodernist era. Thus the broad analysis of modernity produced by Marx, Horkheimer and Adorno, Foucault, and others can serve to illuminate Shakespeare's own depiction of an emerging modernity - a depiction epitomized by the image in Troilus and Cressida of 'an universal wolf' of appetite, power, and will. The readings of Troilus and Cressida, Othello, King Lear, and As You Like It in Shakespeare's Universal Wolf demonstrate Shakespeare's keen interest in what twentieth-century theory has called 'reification' - a term which designates social systems created by human societies but which confront those societies as operating beyond human control, according to an autonomous 'systems' logic - in nascent mercantile capitalism, in power-oriented Machiavellian politics, and in the scientistic, value-free rationality which Horkheimer and Adorno call 'instrumental reason'. | |
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Datensatz im Suchindex
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| author | Grady, Hugh 1947- |
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| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1600-1700 Geschichte 1500-1600 |
| era_facet | Geschichte 1600-1700 Geschichte 1500-1600 |
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| id | DE-604.BV011147539 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T18:04:47Z |
| institution | BVB |
| isbn | 019813004X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007471827 |
| oclc_num | 34966033 |
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| physical | VIII, 241 S. |
| publishDate | 1996 |
| publishDateSearch | 1996 |
| publishDateSort | 1996 |
| publisher | Clarendon Press |
| record_format | marc |
| spelling | Grady, Hugh 1947- Verfasser (DE-588)133334686 aut Shakespeare's Universal Wolf studies in early modern reification Hugh Grady Oxford [u.a.] Clarendon Press 1996 VIII, 241 S. txt rdacontent n rdamedia nc rdacarrier Shakespeare was neither a Royalist defender of order and hierarchy nor a consistently radical champion of social equality, but rather simultaneously radical and conservative as a critic of emerging forms of modernity. Hugh Grady argues that Shakespeare's social criticism in fact often parallels that of critics of modernity from our own Postmodernist era. Thus the broad analysis of modernity produced by Marx, Horkheimer and Adorno, Foucault, and others can serve to illuminate Shakespeare's own depiction of an emerging modernity - a depiction epitomized by the image in Troilus and Cressida of 'an universal wolf' of appetite, power, and will. The readings of Troilus and Cressida, Othello, King Lear, and As You Like It in Shakespeare's Universal Wolf demonstrate Shakespeare's keen interest in what twentieth-century theory has called 'reification' - a term which designates social systems created by human societies but which confront those societies as operating beyond human control, according to an autonomous 'systems' logic - in nascent mercantile capitalism, in power-oriented Machiavellian politics, and in the scientistic, value-free rationality which Horkheimer and Adorno call 'instrumental reason'. Shakespeare, William <1564-1616> As you like it Shakespeare, William <1564-1616> King Lear Shakespeare, William <1564-1616> Othello Shakespeare, William <1564-1616> Troilus and Cressida Shakespeare, William <1564-1616> Political and social views Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1600-1700 Geschichte 1500-1600 Maatschappijkritiek gtt Postmodernisme gtt Geschichte Postmoderne Alienation (Social psychology) in literature Civilization, Modern, in literature Historical materialism Literature and society England History 16th century Literature and society England History 17th century Postmodernism (Literature) Social problems in literature Gesellschaft (DE-588)4020588-5 gnd rswk-swf Verdinglichung (DE-588)4187628-3 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Gesellschaft (DE-588)4020588-5 s DE-604 Verdinglichung (DE-588)4187628-3 s |
| spellingShingle | Grady, Hugh 1947- Shakespeare's Universal Wolf studies in early modern reification Shakespeare, William <1564-1616> As you like it Shakespeare, William <1564-1616> King Lear Shakespeare, William <1564-1616> Othello Shakespeare, William <1564-1616> Troilus and Cressida Shakespeare, William <1564-1616> Political and social views Shakespeare, William 1564-1616 (DE-588)118613723 gnd Maatschappijkritiek gtt Postmodernisme gtt Geschichte Postmoderne Alienation (Social psychology) in literature Civilization, Modern, in literature Historical materialism Literature and society England History 16th century Literature and society England History 17th century Postmodernism (Literature) Social problems in literature Gesellschaft (DE-588)4020588-5 gnd Verdinglichung (DE-588)4187628-3 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4020588-5 (DE-588)4187628-3 |
| title | Shakespeare's Universal Wolf studies in early modern reification |
| title_auth | Shakespeare's Universal Wolf studies in early modern reification |
| title_exact_search | Shakespeare's Universal Wolf studies in early modern reification |
| title_full | Shakespeare's Universal Wolf studies in early modern reification Hugh Grady |
| title_fullStr | Shakespeare's Universal Wolf studies in early modern reification Hugh Grady |
| title_full_unstemmed | Shakespeare's Universal Wolf studies in early modern reification Hugh Grady |
| title_short | Shakespeare's Universal Wolf |
| title_sort | shakespeare s universal wolf studies in early modern reification |
| title_sub | studies in early modern reification |
| topic | Shakespeare, William <1564-1616> As you like it Shakespeare, William <1564-1616> King Lear Shakespeare, William <1564-1616> Othello Shakespeare, William <1564-1616> Troilus and Cressida Shakespeare, William <1564-1616> Political and social views Shakespeare, William 1564-1616 (DE-588)118613723 gnd Maatschappijkritiek gtt Postmodernisme gtt Geschichte Postmoderne Alienation (Social psychology) in literature Civilization, Modern, in literature Historical materialism Literature and society England History 16th century Literature and society England History 17th century Postmodernism (Literature) Social problems in literature Gesellschaft (DE-588)4020588-5 gnd Verdinglichung (DE-588)4187628-3 gnd |
| topic_facet | Shakespeare, William <1564-1616> As you like it Shakespeare, William <1564-1616> King Lear Shakespeare, William <1564-1616> Othello Shakespeare, William <1564-1616> Troilus and Cressida Shakespeare, William <1564-1616> Political and social views Shakespeare, William 1564-1616 Maatschappijkritiek Postmodernisme Geschichte Postmoderne Alienation (Social psychology) in literature Civilization, Modern, in literature Historical materialism Literature and society England History 16th century Literature and society England History 17th century Postmodernism (Literature) Social problems in literature Gesellschaft Verdinglichung |
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