Readings on Mark Twain:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
San Diego, CA
Greenhaven Press
1996
|
| Schriftenreihe: | The Greenhaven Press literary companion to American authors
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 215 S. Kt. |
| ISBN: | 1565104714 1565104706 |
Internformat
MARC
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Datensatz im Suchindex
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| adam_text |
THE GREENHAVEN PRESS TO AMERICAN AUTHORS DAVID BENDER, PUBLISHER BRUNO
LEONE, EXECUTIVE EDITOR SCOTT BARBOUR, MANAGING EDITOR KATIE DE ROSTER,
BOOK EDITOR GREENHAVEN PRESS, SAN DIEGO, CA CONTENTS FOREWORD 11 MARK
TWAIN: A BIOGRAPHY 13 THE FIRST CONTINENTAL AMERICAN LITERATURE (1946)
45 BY BERNARD DE VOTO THE NEW HEARTLAND CULTURE*EXEMPLIFIED BY MARK
TWAIN AND ABRAHAM LINCOLN*GREW UP IN DISREGARD OF EUROPEAN CUL- TURE.
TWAIN, WITH HIS MIDCONTINENTAL UPBRINGING AND HIS DEEP AND VARIED
EXPERIENCE OF AMERICAN LIFE, MARKS THE BEGINNING OF A CONTINENTAL
AMERICAN LITERATURE. LESSONS IN EXTRAVAGANCE AT THE COMSTOCK LODE (1978)
55 BY WARREN HINCKLE AND FREDRIC HOBBS THE FABULOUS RICHES BEING WRESTED
FROM THE SILVER COMSTOCK LODE CREATED IN VIRGINIA CITY A FANTASTIC
SETTING OF OSTENTATION, EXTRAVAGANCE, AND EXAGGERATION*WHICH PRECISELY
SUITED THE STYLE OF REPORTER SAMUEL CLEMENS. DAN DE QUILLE, CLEMENS'S
COLLEAGUE AT THE VIRGINIA CITY TERRITORIAL ENTERPRISE, HAD A STRONG
EFFECT ON HIS DEVELOPING STYLE, AND IT WAS HERE THAT CLEMENS FIRST USED
HIS MOST FAMOUS PSEUDONYM, MARK TWAIN. AN INTERPRETER OF AMERICAN
CHARACTER (1897) 62 BY CHARLES MINER THOMPSON MARK TWAIN'S CHILDHOOD,
DEPRIVED OF THE ADVANTAGES OF A GOOD EDUCATION AND REFINED SURROUNDINGS,
PREVENTS HIM FROM ACHIEVING GREATNESS AS A LITERARY ARTIST. HE IS NOT A
SKILLFUL WRITER OR A GREAT HUMORIST, NOR HAS HE CREATED ETERNAL CHAR-
ACTERS IN HIS WORK. HIS REAL GIFT IS FOR EXPRESSING HIMSELF. TWAIN IS
THE PROTOTYPE OF THE TYPICAL AMERICAN; SINCE HIS CHARACTERS REFLECT HIS
OWN LIFE, HIS WRITING INTERPRETS THE NATIONAL CHARACTER. MARK TWAIN AS
PROSPECTIVE CLASSIC (1898) 69 BY THEODORE DE LAGUNA THOSE WHO MOST
ENTHUSIASTICALLY APPLAUD TWAIN'S WORK DO NOT SUSPECT HIM OF GREATNESS;
HE SIMPLY SEEMS UNPRETEN- TIOUS, ONE OF THEIR OWN KIND. YET ALTHOUGH HIS
DICTION OFFENDS THE EDUCATED TASTE, HIS HUMOR IS COMMON CLAY, AND HIS
POW- ERS OF SUSTAINED NARRATIVE ARE SERIOUSLY QUESTIONED, HIS CHARM IS
IRRESISTIBLE. MARK TWAIN HAS GIVEN TO THE WORLD ONE GREAT CHARACTER: HIS
OWN*AND \HE WORLD SHOULD BE GRATEFUL. A CALL TO AUTHORSHIP (1896) BY
JOSEPH TWICHELL 76 WHEN THE CIVIL WAR SHUT DOWN THE MISSISSIPPI RIVER,
RIVER- BOAT PILOT SAM CLEMENS (MARK TWAIN) LOST HIS LIVELIHOOD. HE TRIED
A VARIETY OF OCCUPATIONS BUT SUCCEEDED BEST AT NEWSPA- PER WORK.
ASSORTED INHIBITIONS*AMONG THEM THE LACK OF A LIT- ERARY EDUCATION*KEPT
HIM FROM CONCEIVING OF HIMSELF AS AN "AUTHOR" UNTIL WELL AFTER HE HAD
BECOME ONE. HE HAS READ AND STUDIED WIDELY TO REPAIR THE DEFICIENCIES IN
HIS EDUCATION. PURE AMERICAN ENGLISH (1920) BY BRANDER MATTHEWS 83
ALTHOUGH MARK TWAIN IS KNOWN FOR HIS CHARACTERS' VERNACU- LAR LANGUAGE,
HE WAS VERY PRECISE IN HIS USE OF WORDS. HE SPOKE AND WROTE AMERICAN
ENGLISH*DISTINCT FROM BRITISH ENGLISH*YET HE USED LANGUAGE SO PURE THAT
THE ENGLISH HAVE NO TROUBLE UNDERSTANDING HIM. A SERIOUS HUMORIST (1910)
BY SIMEON STRUNSKY 88 BECAUSE MARK TWAIN WAS AN INCOMPARABLE HUMORIST,
PEOPLE PARADOXICALLY INSIST ON PRAISING HIM AS A PHILOSOPHER. TWAIN DID
INDEED HAVE A SERIOUS SIDE, BUT THIS WAS A RESULT OF HIS BEING A
HUMORIST: THE AFTERMATH OF MUCH LAUGHTER IS A REBOUND TOWARD GRIEF. AN
UNFULFILLED GENIUS (1920) BY VAN WYCK BROOKS 91 MARK TWAIN'S PESSIMISM
AND CYNICISM, MADE LIGHT OF BY HIS CONTEMPORARIES, ACTUALLY EXPRESSED A
DEEP MALADY OF HIS SOUL. ALTHOUGH HE HAD THE TALENT AND ABILITY TO
BECOME A GREAT CREATIVE FORCE, TWAIN FAILED TO REALIZE HIS GENIUS. THIS
FEELING OF FAILURE EXPLAINS THE SADNESS AND BITTERNESS OF HIS OLD AGE.
WHO OWNS THE UNCROWNED RING? (1925) 98 BY UPTON SINCLAIR ALTHOUGH MARK
TWAIN WAS TREATED LIKE AN UNCROWNED AMERICAN KING, HE WAS BITTERLY
UNHAPPY BECAUSE HIS GENIUS WAS REPRESSED. HE ALLOWED THE REPRESSION OF
BOTH HIS STYLE AND HIS IDEAS. IN ORDER TO BE SUCCESSFUL, HE WROTE TO
APPEAL TO THE BOURGEOIS DICTATES OF THE RULING CLASSES, WHICH WERE IN
CONFLICT WITH HIS LIBERAL SYMPATHIES. THE GREAT CRITICAL CONTROVERSY
(1958) BY PHILIP S. FONER 107 WHEN VAN WYCK BROOKS PUBLISHED THE ORDEAL
OF MARK TWAIN IN 1920, HE SET OFF A MAJOR CONTROVERSY. USING THE NEW
PSYCHOANALYTICAL TOOLS OF FREUDIANISM, BROOKS CHARGED THAT SEVERAL
PSYCHOLOGICAL AND SOCIAL FACTORS HAD DERAILED TWAIN FROM REALIZING HIS
FULL POTENTIAL AS A SOCIAL SATIRIST. HIS ANALY- SIS WAS MET HEAD-ON BY
BERNARD DE VOTO, WHOSE MARK TWAIN'S AMERICA ATTACKED BROOKS'S THESIS,
ASSUMPTIONS, AND CONCLUSIONS. MOST TWAIN CRITICISM WRITTEN SINCE 1920
HAS BEEN AFFECTED BY THIS CONTROVERSY. TWAIN'S INESCAPABLE
DISILLUSIONMENT (1935) 115 BY OWEN WISTER TWAIN'S TEMPESTUOUS NATURE
HELPED HIM ESCAPE FOR A WHILE THE DREAD OF THE CALVINIST CREED HE GREW
UP WITH. BUT THE SEEDS OF THAT CREED, ALONG WITH A NEW UNDERSTANDING OF
HISTO- RY, HIS DISILLUSIONING EXPERIENCE OF AMERICA FOLLOWING THE CIVIL
WAR, PERSONAL GRIEF, AND PERHAPS ILLNESS*ALL COMBINED TO NURTURE THE
BITTERNESS OF HIS LATER YEARS. USING THE VERNACULAR FOR HUMOR (1962) 121
BY HENRY NASH SMITH MARK TWAIN'S WORK WAS SHAPED BY TWO OPPOSING FORCES:
HE USED NATIVE HUMOR TO EMPHASIZE THE CONTRAST BETWEEN RURAL SIMPLICITY
AND EMPTY ELEGANCE AND REFINEMENT SINCE THE CHAR- ACTERS' SPEECH IS THE
MAIN METHOD USED TO DISTINGUISH BETWEEN "STRAIGHT" AND "LOW" CHARACTERS,
THE TERM "VERNACULAR" IS USED TO REFER NOT ONLY TO THE LANGUAGE OF
RUSTIC CHARACTERS BUT ALSO TO THE VALUES AND ETHICAL ASSUMPTIONS THEY
REPRESENT. MARK TWAIN, H.L. MENCKEN, AND "THE HIGHER 124 GOOFYISM"
(1964) BY C. MERTON BABCOCK ALTHOUGH MARK TWAIN AND H.L. MENCKEN SHOT
HUMOR AT MANY OF THE SAME TARGETS, TWAIN'S WARM STYLE HELPED PEOPLE
LAUGH AT THEMSELVES WHILE MENCKEN'S ACERBIC WIT POKED A HARSHER BRAND OF
FUN. MENCKEN, WHO SHARED WITH TWAIN THE BELIEF THAT HUMAN LIFE IS
BASICALLY A COMEDY, WAS ONE OF THE FEW CRITICS OF HIS TIME WHO
UNDERSTOOD THAT TWAIN WAS "AMERICA'S GREATEST HUMORIST." TWAIN'S
TWINNING (1989) BY SUSAN GILLMAN 131 A RECURRING THEME IN TWAIN'S WORK
IS THAT OF DUALITY, OF IDEN- TITIES BORROWED AND EXCHANGED. THIS
FASCINATION WITH THE DOUBLE PERSONALITY APPEARS IN MANY WORKS, INCLUDING
TOM SAWYER, HUCKLEBERRY FINN, THE PRINCE AND THE PAUPER, AND PUDD'NHEAD
WILSON *AS WELL AS IN THE AUTHOR'S OWN DUAL PER- SONA AS SAMUEL L.
CLEMENS AND MARK TWAIN. A SHORT SUMMARY OF SOME OF TWAIN'S SOURCES
(1961) 136 BY EDWARD WAGENKNECHT MARK TWAIN DREW FROM MANY SOURCES, BOTH
FICTIONAL AND REAL, FOR HIS CHARACTERS AND SETTINGS. HE MADE THE
MATERIAL TAKEN FROM HIS SOURCES PART OF HIMSELF AND THROUGH THIS
ASSIMILATION TRANSFORMED IT INTO HIS OWN CREATIONS. A TURNING POINT IN
AMERICAN LITERATURE (1991) 143 BY GERALD PARSHALL ALTHOUGH THE
ADVENTURES OF HUCKLEBERRY FINN HAS BEEN FOUND OBJECTIONABLE BY SOME EVER
SINCE IT WAS PUBLISHED IN 1885, OTHERS CALL IT NOT ONLY "THE GREAT
AMERICAN NOVEL" BUT ALSO "ONE OF THE WORLD'S BEST BOOKS." THREE COHERENT
ELEMENTS IN HUCKLEBERRY FINN (1962) 145 BY HENRY NASH SMITH THE
ADVENTURES OF HUCKLEBERRY FINN FOLLOWS INTERWEAVING THREADS OF
ADVENTURE, SOCIAL SATIRE, AND THE DEVELOPING CHAR- ACTER OF HUCK. THE
BASIC COHERENCE OF THESE INTERRELATED PARTS INDICATES THAT TWAIN HAD ALL
THREE IN MIND AS HE BEGAN WRITING, ALTHOUGH THEY BECOME DEEPER AND
RICHER IN THE LATER SECTIONS OF THE BOOK. THE EXPLORATION OF HUCK'S
PSYCHE IS THE BOOK'S ULTIMATE ACHIEVEMENT. THE RIVER CONTROLS
HUCKLEBERRY FINN (1950) BY T.S. ELIOT 151 ONLY ONE NATURAL FORCE CAN
COMPLETELY CONTROL THE COURSE OF J A HUMAN JOURNEY: A RIVER. IN THE
ADVENTURES OF HUCKLEBERRY J FINN, THE RIVER GIVES THE NOVEL ITS FORM; IT
ALSO CONTROLS THE VOYAGE OF HUCK AND JIM. THE END OF THE NOVEL REFLECTS
THE CONNECTION BETWEEN HUCK AND THE RIVER: HUCK, LIKE THE RIVER, HAS
NEITHER BEGINNING NOR ENDING. HUCKLEBERRY FINN AND CENSORSHIP (1995) 155
BY LANCE MORROW ATTEMPTS HAVE BEEN MADE TO DEPRIVE CHILDREN OF THE RIGHT
TO READ THE ADVENTURES OF HUCKLEBERRY FINN ON THE GROUNDS THAT IT IS A
RACIST TRACT. THE BOOK IS A RICH, DEEP TEXT ON MANY IMPORTANT ISSUES,
INCLUDING VIOLENCE, CHILD ABUSE, AND ALCO- HOLISM. AT THE SAME TIME, IT
IS AN INVENTORY OF ESSENTIAL VAL- UES. THE BOOK SHOULD BE THOROUGHLY
STUDIED, AND READ IN CONJUNCTION WITH WORKS ON THE REALITY OF SLAVERY
AND THE SIM- ILARITIES BETWEEN HUCK AND MARK TWAIN'S MANY BLACK FRIENDS.
APPENDIX: THE RUCKUS OVER HUCKLEBERRY FINN: A VARIETY OF CRITICAL
OBJECTIONS TO THE NOVEL HAVE BEEN MADE OVER THE CEN- TURY SINCE IT WAS
PUBLISHED, BUT SOME OF THE ARGUMENTS HAVE CHANGED OVER TIME. A CLASSIC
OF AMERICAN REFORM LITERATURE (1958) 168 BY CHARLES L. SANFORD IN A
CONNECTICUT YANKEE IN KING ARIHUR'S COURT, MARK TWAIN BOTH SYMBOLICALLY
REENACTED THE AMERICAN REVOLUTION AND EXAMINED THE "UTOPIAN" CHARACTER
OF THE INDUSTRIAL REVOLU- TION. HIS HERO, HANK MORGAN, IS INTENDED AS AN
ARCHETYPE OF "HARD, UNSENTIMENTAL COMMON SENSE," BUT TWAIN SUGGESTS THAT
THE MECHANICAL BLESSINGS OF MATERIAL PROGRESS HAVE DEPRIVED AMERICANS OF
IMAGINATION AND A SENSE OF HEART. A CONNECTICUT YANKEE (1888) IS
COMPARED WITH EDWARD BELLAMY'S LOOKING BACKWARD (1887), A UTOPIAN NOVEL
CON- CERNED WITH INDUSTRIAL REFORM. CLEMENS, TWAIN, AND MORGAN ARE NOT
THE SAME 174 MAN (1993) BY LEWIS A. LAWSON IN A CONNECTICUT YANKEE IN
KING ARIHUR'S COURI, A COMPLEX SUPERSTRUCTURE BUILT AROUND HANK MORGAN'S
TALE OF HIS VISIT TO ARTHURIAN ENGLAND AND OTHER, INTERNAL CLUES SUGGEST
THAT MARK TWAIN DID NOT ENDORSE HIS HERO OR HIS HERO'S IDEAS* AND THAT
SAM CLEMENS REMAINED YET A FURTHER STEP REMOVED FROM MORGAN. THE POWER
OF THE MYSTERIOUS IN A CONNECTICUT 180 YANKEE (1976) BY KURT VONNEGUT
JR. THE ENDING OF A CONNECTICUT YANKEE IN KING ARIHUR'S COURI SUGGESTS
SOME SECRETS ABOUT ITS AUTHOR, MARK TWAIN. CAMELOT'S CASTLE IN
CONNECTICUT (1964) BY HAMLIN HILL 183 IN A CONNECTICUT YANKEE IN KING
ARIHUR'S COURI, HANK MORGAN WAKES UP TO THE SIGHT OF A KNIGHT AND SOON
SPIES A CASTLE*YET HE BELIEVES HE IS STILL IN CONNECTICUT. TWAIN'S CON-
TEMPORARIES WOULD HAVE UNDERSTOOD: P.T. BARNUM, THE FAMOUS CIRCUS
SHOWMAN, HAD BUILT A CASTLE IN BRIDGEPORT, CONNECTICUT, AND STOCKED IT
WITH COLORFUL CIRCUS LEFTOVERS. THE ABSURDITY OF MAN-MADE DIFFERENTIALS
(1959) 185 BY LANGSTON HUGHES IN PUDD'NHEAD WILSON, TWAIN'S BASIC THEME
IS A SERIOUS TREAT- MENT OF SLAVERY*AND OF THE ABSURDITY OF ANY
ARTIFICIAL DIFFER- ENTIATION MADE BETWEEN PEOPLE. IN PRESENTING NEGROES
AS DEVELOPED HUMAN BEINGS, TWAIN STANDS ABOVE MOST WRITERS OF HIS TIME.
THAT HE WAS AHEAD OF HIS TIME IS ALSO SHOWN BY HIS USE OF FINGERPRINTING
IN HIS STORY AND HIS UNDERSTANDING OF THE PRINCIPLES OF BEHAVIORISTIC
PSYCHOLOGY. CHRONOLOGY 192 WORKS BY MARK TWAIN 198 FOR FURTHER RESEARCH
203 INDEX 206 |
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| dewey-full | 818/.409 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 818 - American miscellaneous writings |
| dewey-raw | 818/.409 |
| dewey-search | 818/.409 |
| dewey-sort | 3818 3409 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
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| indexdate | 2024-10-09T18:02:46Z |
| institution | BVB |
| isbn | 1565104714 1565104706 |
| language | English |
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| series2 | The Greenhaven Press literary companion to American authors |
| spelling | Readings on Mark Twain Katie DeKoster Mark Twain San Diego, CA Greenhaven Press 1996 215 S. Kt. txt rdacontent n rdamedia nc rdacarrier The Greenhaven Press literary companion to American authors Twain, Mark <1835-1910> Criticism and interpretation Twain, Mark 1835-1910 (DE-588)118624822 gnd rswk-swf Humorous stories, American History and criticism (DE-588)4143413-4 Aufsatzsammlung gnd-content Twain, Mark 1835-1910 (DE-588)118624822 p DE-604 De Koster, Katie Sonstige oth GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007460606&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Readings on Mark Twain Twain, Mark <1835-1910> Criticism and interpretation Twain, Mark 1835-1910 (DE-588)118624822 gnd Humorous stories, American History and criticism |
| subject_GND | (DE-588)118624822 (DE-588)4143413-4 |
| title | Readings on Mark Twain |
| title_alt | Mark Twain |
| title_auth | Readings on Mark Twain |
| title_exact_search | Readings on Mark Twain |
| title_full | Readings on Mark Twain Katie DeKoster |
| title_fullStr | Readings on Mark Twain Katie DeKoster |
| title_full_unstemmed | Readings on Mark Twain Katie DeKoster |
| title_short | Readings on Mark Twain |
| title_sort | readings on mark twain |
| topic | Twain, Mark <1835-1910> Criticism and interpretation Twain, Mark 1835-1910 (DE-588)118624822 gnd Humorous stories, American History and criticism |
| topic_facet | Twain, Mark <1835-1910> Criticism and interpretation Twain, Mark 1835-1910 Humorous stories, American History and criticism Aufsatzsammlung |
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