Elucidating stylistic difference in post-tonal compositions from a trichordal perspective: commonality and individual styles in selected compositions of Milton Babbitt, Arnold Schoenberg, Ruth Crawford Seeger, and Elliott Carter
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
1994
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Schlagworte: | |
Beschreibung: | Kopie, erschienen im Verl. UMI, Ann Arbor, MI. - Univ. of Michigan, Diss., 1994 |
Beschreibung: | XV, 286 S. Notenbeisp. |
Internformat
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Datensatz im Suchindex
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author | Rao, Nancy Yunhwa |
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spelling | Rao, Nancy Yunhwa Verfasser aut Elucidating stylistic difference in post-tonal compositions from a trichordal perspective commonality and individual styles in selected compositions of Milton Babbitt, Arnold Schoenberg, Ruth Crawford Seeger, and Elliott Carter by Nancy Yunhwa Rao 1994 XV, 286 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Kopie, erschienen im Verl. UMI, Ann Arbor, MI. - Univ. of Michigan, Diss., 1994 Music theory Atonalität (DE-588)4143344-0 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Atonalität (DE-588)4143344-0 s Musiktheorie (DE-588)4040876-0 s DE-604 |
spellingShingle | Rao, Nancy Yunhwa Elucidating stylistic difference in post-tonal compositions from a trichordal perspective commonality and individual styles in selected compositions of Milton Babbitt, Arnold Schoenberg, Ruth Crawford Seeger, and Elliott Carter Music theory Atonalität (DE-588)4143344-0 gnd Musiktheorie (DE-588)4040876-0 gnd |
subject_GND | (DE-588)4143344-0 (DE-588)4040876-0 (DE-588)4113937-9 |
title | Elucidating stylistic difference in post-tonal compositions from a trichordal perspective commonality and individual styles in selected compositions of Milton Babbitt, Arnold Schoenberg, Ruth Crawford Seeger, and Elliott Carter |
title_auth | Elucidating stylistic difference in post-tonal compositions from a trichordal perspective commonality and individual styles in selected compositions of Milton Babbitt, Arnold Schoenberg, Ruth Crawford Seeger, and Elliott Carter |
title_exact_search | Elucidating stylistic difference in post-tonal compositions from a trichordal perspective commonality and individual styles in selected compositions of Milton Babbitt, Arnold Schoenberg, Ruth Crawford Seeger, and Elliott Carter |
title_full | Elucidating stylistic difference in post-tonal compositions from a trichordal perspective commonality and individual styles in selected compositions of Milton Babbitt, Arnold Schoenberg, Ruth Crawford Seeger, and Elliott Carter by Nancy Yunhwa Rao |
title_fullStr | Elucidating stylistic difference in post-tonal compositions from a trichordal perspective commonality and individual styles in selected compositions of Milton Babbitt, Arnold Schoenberg, Ruth Crawford Seeger, and Elliott Carter by Nancy Yunhwa Rao |
title_full_unstemmed | Elucidating stylistic difference in post-tonal compositions from a trichordal perspective commonality and individual styles in selected compositions of Milton Babbitt, Arnold Schoenberg, Ruth Crawford Seeger, and Elliott Carter by Nancy Yunhwa Rao |
title_short | Elucidating stylistic difference in post-tonal compositions from a trichordal perspective |
title_sort | elucidating stylistic difference in post tonal compositions from a trichordal perspective commonality and individual styles in selected compositions of milton babbitt arnold schoenberg ruth crawford seeger and elliott carter |
title_sub | commonality and individual styles in selected compositions of Milton Babbitt, Arnold Schoenberg, Ruth Crawford Seeger, and Elliott Carter |
topic | Music theory Atonalität (DE-588)4143344-0 gnd Musiktheorie (DE-588)4040876-0 gnd |
topic_facet | Music theory Atonalität Musiktheorie Hochschulschrift |
work_keys_str_mv | AT raonancyyunhwa elucidatingstylisticdifferenceinposttonalcompositionsfromatrichordalperspectivecommonalityandindividualstylesinselectedcompositionsofmiltonbabbittarnoldschoenbergruthcrawfordseegerandelliottcarter |